Sentences with phrase «discuss work performance»

It is normal in an employer / employee relationship to discuss work performance frankly and openly, and a failure to do so can inhibit the performance of both the employer and employee.

Employers must be able to discuss work performance in an open and candid fashion «so long as the discussion is proffered in good faith.»

He noted that employers must be able to discuss work performance in an open and candid fashion «so long as the discussion is proffered in good faith».

Not exact matches

Workshop: participants work in groups to discuss, map and present the structure of their supply chain - Supply Chain Performance Measure.

Instead, it provides a means for them to discuss people's work performance in a safe, healthy environment.

Written by NCEO founder Corey Rosen, this issue brief discusses as of mid-2016 the extent and growth of employee ownership; survey data on ESOPs and corporate governance as well as ESOPs and executive compensation; research on the effect of ESOPs on corporate performance; the 2012 shared capitalism study of Great Place to Work applicants; data on employee ownership and employee financial well - being; the NCEO's analysis of data on ESOPs and default rates; trends in broad - based equity compensation plans; equity compensation and corporate performance; the impact of ESOPs and other broad - based plans on unemployment; legislative and regulatory issues for employee ownership; and international developments in broad - based plans.

Have you ever worked under a manager who tends to only discuss business objectives and performance updates with you?

These will probably be run by staff members who have visited or discussed many different assessment centres with employers, so you should have a chance to work through typical exercises and (most valuable in my opinion) observe other students while getting feedback on your performance.

Where the mild - mannered Asquith was content to discuss, persuade, and ultimately defer to his actors in most matters of performance, and build his work around them, Crabtree also left most of the acting to take care of itself, permitting the performers to make the decisions about how to play a scene or read a line, just so long as it made sense and they hit their marks.

Riley Keough's stunning performance anchors a show that works on multiple levels, riveting purely for its plot but also worth discussing on a deeper level in terms of what it says about gender roles and sexuality.

Sean Baker, the award - winning director and co-writer of the great new movie, «The Florida Project,» joins Justin in studio to discuss the film, what drew him to tell this story, the juxtaposition of the hidden homeless living right outside of the most magical place on Earth, the importance of getting the details exactly right, how the movie was inspired by «The Little Rascals,» wanting to show how children make the most out of any situation no matter how dire, how desperation plays a big role in the film, the wonderful performance from Willem Dafoe, the relationship between Willem and the child actors, the challenge of working with child actors, the way Florida is portrayed in the film and what he plans to do next.

That isn't a knock on Steinfeld's performance, by any means — of all the women I'm discussing in this installment, she did by far the most impressive work, giving Mattie Ross a fierce determination that was sorely lacking in Kim Darby's interpretation of the character in the 1969 John Wayne version.

Some of the celebs liked discussing their animated movie voice work, from «Florence Foster Jenkins» nominee Hugh Grant (who appreciated my admiration for his performance in «The Pirates!

He holds frequent meetings with principals to discuss and improve their work, visits classrooms constantly, and strategically uses data about classroom performance to help school leaders make decisions.

She discuss how the major assumptions of performance based funding are flawed, and points to these assumptions as to why it does not work.

One specific study, which examined five low - performing, high - poverty urban high schools in three districts and their use of data to inform school improvement, concluded that the more school staff worked collaboratively to discuss and analyze student performance the more likely staff members were to use data to inform curriculum decisions (Lachat & Smith, 2005).

In this session we'll discuss how to tell when professional development is clicking for your teachers; ways to efficiently plan for budget and resource allocation; and how to connect the dots — from leadership performance, instructional practice, and student achievement — to create a big picture that works for your entire educational community.

Special education teachers typically do the following: • Assess students skills to determine their needs and to develop teaching plans • Adapt lessons to meet the needs of students • Develop Individualized Education Programs (IEPs) for each student • Plan, organize, and assign activities that are specific to each students abilities • Teach and mentor students as a class, in small groups, and one - on - one • Implement IEPs, assess students» performance, and track their progress • Update IEPs throughout the school year to reflect students» progress and goals • Discuss students» progress with parents, teachers, counselors, and administrators • Supervise and mentor teacher assistants who work with students with disabilities • Prepare and help students transition from grade to grade and after graduation Special education teachers in public schools are required to have at least a bachelor's degree and a state - issued certification or license Most states require a degree specifically in special education.

In discussing performance tasks, I necessarily talk about what to look for in the work and how the task should connect with a scoring scheme.

I was discussing this with someone yesterday, going back and forth at possible explanations, which included that self - pubbed authors tend to work the review mines harder than their trad pubbed peers, or have more support from other indie authors reviewing, or get higher ratings due to the generally lower price of the work (greater satisfaction due to a price / performance expectation).

Now Richard Curtis over at [e-reads] has a post discussing Christine Pearson's book which goes into detail on why overuse of these distraction devices causes poor work performance.

Beyond the Page: writers whose work consistently breaks new ground discuss their work — which ranges from live - writing and performance to crowd - sourcing and co-creation — and share what inspires them to keep pushing at the boundaries of form.

Such statements reflect the current views of Barnes & Noble with respect to future events, the outcome of which is subject to certain risks, including, among others, the general economic environment and consumer spending patterns, decreased consumer demand for Barnes & Noble's products, low growth or declining sales and net income due to various factors, possible disruptions in Barnes & Noble's computer systems, telephone systems or supply chain, possible risks associated with data privacy, information security and intellectual property, possible work stoppages or increases in labor costs, possible increases in shipping rates or interruptions in shipping service, effects of competition, possible risks that inventory in channels of distribution may be larger than able to be sold, possible risks associated with changes in the strategic direction of the device business, including possible reduction in sales of content, accessories and other merchandise and other adverse financial impacts, possible risk that component parts will be rendered obsolete or otherwise not be able to be effectively utilized in devices to be sold, possible risk that financial and operational forecasts and projections are not achieved, possible risk that returns from consumers or channels of distribution may be greater than estimated, the risk that digital sales growth is less than expectations and the risk that it does not exceed the rate of investment spend, higher - than - anticipated store closing or relocation costs, higher interest rates, the performance of Barnes & Noble's online, digital and other initiatives, the success of Barnes & Noble's strategic investments, unanticipated increases in merchandise, component or occupancy costs, unanticipated adverse litigation results or effects, product and component shortages, the potential adverse impact on the Company's businesses resulting from the Company's prior reviews of strategic alternatives and the potential separation of the Company's businesses, the risk that the transactions with Microsoft and Pearson do not achieve the expected benefits for the parties or impose costs on the Company in excess of what the Company anticipates, including the risk that NOOK Media's applications are not commercially successful or that the expected distribution of those applications is not achieved, risks associated with the international expansion contemplated by the relationship with Microsoft, including that it is not successful or is delayed, the risk that NOOK Media is not able to perform its obligations under the Microsoft and Pearson commercial agreements and the consequences thereof, risks associated with the restatement contained in, the delayed filing of, and the material weakness in internal controls described in Barnes & Noble's Annual Report on Form 10 - K for the fiscal year ended April 27, 2013, risks associated with the SEC investigation disclosed in the quarterly report on Form 10 - Q for the fiscal quarter ended October 26, 2013, risks associated with the ongoing efforts to rationalize the NOOK business and the expected costs and benefits of such efforts and associated risks and other factors which may be outside of Barnes & Noble's control, including those factors discussed in detail in Item 1A, «Risk Factors,» in Barnes & Noble's Annual Report on Form 10 - K for the fiscal year ended April 27, 2013, and in Barnes & Noble's other filings made hereafter from time to time with the SEC.

Such statements reflect the current views of Barnes & Noble with respect to future events, the outcome of which is subject to certain risks, including, among others, the effect of the proposed separation of NOOK Media, the general economic environment and consumer spending patterns, decreased consumer demand for Barnes & Noble's products, low growth or declining sales and net income due to various factors, possible disruptions in Barnes & Noble's computer systems, telephone systems or supply chain, possible risks associated with data privacy, information security and intellectual property, possible work stoppages or increases in labor costs, possible increases in shipping rates or interruptions in shipping service, effects of competition, possible risks that inventory in channels of distribution may be larger than able to be sold, possible risks associated with changes in the strategic direction of the device business, including possible reduction in sales of content, accessories and other merchandise and other adverse financial impacts, possible risk that component parts will be rendered obsolete or otherwise not be able to be effectively utilized in devices to be sold, possible risk that financial and operational forecasts and projections are not achieved, possible risk that returns from consumers or channels of distribution may be greater than estimated, the risk that digital sales growth is less than expectations and the risk that it does not exceed the rate of investment spend, higher - than - anticipated store closing or relocation costs, higher interest rates, the performance of Barnes & Noble's online, digital and other initiatives, the success of Barnes & Noble's strategic investments, unanticipated increases in merchandise, component or occupancy costs, unanticipated adverse litigation results or effects, product and component shortages, risks associated with the commercial agreement with Samsung, the potential adverse impact on the Company's businesses resulting from the Company's prior reviews of strategic alternatives and the potential separation of the Company's businesses (including with respect to the timing of the completion thereof), the risk that the transactions with Pearson and Samsung do not achieve the expected benefits for the parties or impose costs on the Company in excess of what the Company anticipates, including the risk that NOOK Media's applications are not commercially successful or that the expected distribution of those applications is not achieved, risks associated with the international expansion previously undertaken, including any risks associated with a reduction of international operations following termination of the Microsoft commercial agreement, the risk that NOOK Media is not able to perform its obligations under the Pearson and Samsung commercial agreements and the consequences thereof, the risks associated with the termination of Microsoft commercial agreement, including potential customer losses, risks associated with the restatement contained in, the delayed filing of, and the material weakness in internal controls described in Barnes & Noble's Annual Report on Form 10 - K for the fiscal year ended April 27, 2013, risks associated with the SEC investigation disclosed in the quarterly report on Form 10 - Q for the fiscal quarter ended October 26, 2013, risks associated with the ongoing efforts to rationalize the NOOK business and the expected costs and benefits of such efforts and associated risks and other factors which may be outside of Barnes & Noble's control, including those factors discussed in detail in Item 1A, «Risk Factors,» in Barnes & Noble's Annual Report on Form 10 - K for the fiscal year ended May 3, 2014, and in Barnes & Noble's other filings made hereafter from time to time with the SEC.

They discuss what elements from film can't work in games, how many hours she averaged per week working on the Uncharted series, and how to capture great acting performance for video games.

In this video, Whitney Biennial 2012 curators Elisabeth Sussman and Jay Sanders discuss the live performance work featured in the Biennial.

A conceptual artist known for her performance work and video installations, O'Grady will discuss how conversations around «post-racial» and «postfeminist» political ideologies influence her practice.

Samson Young will discuss his work Canon, a sound installation and durational performance which incorporates the Long Range Acoustic Device (LRAD), together with the legal and political barriers to performing and exhibiting this work.

In this unique gallery talk, performance artist James Luna discusses specific works by Jimmie Durham that inspire and provoke him.

Artist Michael Smith discusses the influence of standup comedy and television on his early video and performance works, on - view in the exhibition Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama — Manhattan, 1970 — 1980 (October 31, 2013 — Februarperformance works, on - view in the exhibition Rituals of Rented Island: Object Theater, Loft Performance, and the New Psychodrama — Manhattan, 1970 — 1980 (October 31, 2013 — FebruarPerformance, and the New Psychodrama — Manhattan, 1970 — 1980 (October 31, 2013 — February 2, 2014).

During a recent conversation at the Center, our visiting scholar Kristy Edmunds and Philip Bither, Senior Curator at the Walker Art Center, discussed the role audiences play in conserving performance works — what Edmunds describes as «art forms which we can't collect, and preserve, or own.»

, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists discussing the different roles that artists undertake.

For the performance Woman in Sombrero, Women in Sombrero, works from the professional archive will be presented and discussed.

On the occasion of the exhibition Maren Hassinger: The Spirit of Things, Jenkins will discuss his diverse body of video and performance work and historical past collaborating with artist Maren Hassinger, as part of Jenkins involvement in Studio Z, a collective of artists that included Hassinger, Barbara McCullough, Franklin Parker, David Hammons and Senga Nengudi, and others in the 1970s.

Franziska Aigner, one of the core collaborators in the artist Anne Imhof's celebrated work Faust, discusses how the installation performance requires a rhythm and a contour of nothingness

At 2:00 PM, prior to the performances, Mark Beasley, Michael Smith, and Jayson Musson, the creator of Hennessy Youngman's Art Thoughtz, discuss humor in Mike Kelley's work.

The writers will convene to discuss each other's writing processes, and inspirations interspersed with readings / performances of new works and works in progress.

He discusses the various creations that he has directed with his current performance troupe, Virtual Vérité, and earlier works (1970s and 1980s) with Asco, the young and pioneering group of Chicano artists who produced new methods of art making in bold and public ways.

MK Gallery's current exhibitor, artist Daria Martin, returns to Milton Keynes on Thursday 23 February, to discuss her work and exhibition with Catherine Wood, Curator of Contemporary Art / Performance at Tate Modern.

Drawing from his own scholarly writing and past performance projects, including works by My Barbarian, Gaines will discuss a series of examples that engage with black performance as a critical mode bound by historic constraints, but activating countercultural potential.

Alicia Hall Moran will discuss her performance work, reflecting on representations of race and gender in the various roles she has played.

Multidisciplinary artists Charles Gaines, Clifford Owens, and Kamau Amu Patton discuss their work under the banner of the Lone Wolf Recital Corps, the performance collective founded by artist and musician Terry Adkins (American, 1953 — 2014).

Oh, now this has got to be good: Martha Rosler and Martha Wilson discuss the major themes in their work — identity, representation, feminism, language, and performance.

Working Through Performance Casey Jane Ellison, Ed Fornieles, and Yemenwed By Courtney Malick Since we are now forty - something years into the history of performance art, it is rather obvious toPerformance Casey Jane Ellison, Ed Fornieles, and Yemenwed By Courtney Malick Since we are now forty - something years into the history of performance art, it is rather obvious toperformance art, it is rather obvious to discuss...

It was much more of a performance than a lecture and featured well with Francis Alÿs» work, which she describes and discusses throughout the talk.

Anne Imhof, whose work in the German Pavilion won the Golden Lion at this year's Venice Biennale, was in London last week to offer insights into her unsettling and much - discussed performance piece Faust.

WORKSHOP WITH SERENA KORDA Jun 21, 2018 11:00 am - 4:00 pm talk / event This season, Bluecoat is incredibly excited to welcome performance, sound and sculpture artist Serena Korda, who will be discussing her new public art work at Speke Hall which has been commissioned by the National Trust, with our support, as part of their Trust New Art Programme.

The fourth in a series of cross-cultural symposia organized by Lucy Lippard, the four artists interviewed hereÑJapanese - American painter and political activist Betty Kano, conceptual and performance artist Lorraine O'Grady, Hopi weaver Ramona Sakiestewa, and Chicana narrative and installation artist Celia Alvarez Muñoz — discuss their work and its cultural contexts.

Coco Fusco discusses her recent work and trends in contemporary performance art.

Fresh from his solo exhibition at the Parasol Unit Foundation in London (on view until February 17th, 2012), Jannis Kounellis met with ARTPULSE to discuss his most recent projects and the most significant moments of his outstanding career, from the early days of Arte Povera to his relationship with painting and performance art, and why, after almost 50 years, communication is still the main driving force behind his work.