Sentences with phrase «discussion about contemporary art»

And although we can generate discussion about contemporary art developments it seems to stay within the confines of set structure of power, in this case the insiders of the art world.

A prize set up to encourage discussion about contemporary art should not have become a prize that ends up in discussion about a fat sum of money and what the winner may or may not do with it.

At the same time, some big - name and ubiquitous postmoderns, never far from the discussion about contemporary art, fared poorly; perhaps too much love and hate lead, finally, to ho - hum.

In the early days one of the aims was to increase the quality of discussion about contemporary art and I think it has — it's not so simplistic any more.

House had opened up a public discussion about contemporary art like nothing before it, and like Ghost it was unsurprisingly nominated for the Turner Prize.

The program exposes students and the public to a range of artistic approaches, and fosters discussion about contemporary art and ideas.

This group aims to critically and creatively engage in discussions about contemporary art and cultural issues discovered within different communities.

These highlight occasions that have been pivotal in shaping the New Museum and contributing to broader discussions about contemporary art and museum practice.

Established in 1932, the Biennial has long been a site for critical discussions about contemporary art, while providing an opportunity for deep thinking and reflection on the broader cultural concerns of a given historical moment.

Not exact matches

About Site - Art21 was founded in 1997 with the mission to increase knowledge of contemporary art, ignite discussion, and inspire creative thinking by using diverse media to present contemporary artists at work and in their own words.

New York About Blog Collector Daily is a venue for thoughtful discussion of vintage and contemporary fine art photography.

When Lisa Freiman, Senior Curator and Chair of the Department of Contemporary Art at the Indianapolis Museum if Art, completed the jurying of our 2012 Midwest Competition, the results of which will be published in August as Issue # 102, we had a discussion about the overwhelming amount of abstraction in the applicant pool; indeed, the book will strongly reflect this.

In this discussion, Kate Fowle, Chief Curator of Garage Museum of Contemporary Art, will talk with artist Rashid Johnson about his installation Within Our Gates, which is on show in Garage Atrium.

A discussion about the opening of exhibitions at three museums, the Contemporary Art Museum St. Louis, the Pulitzer Foundation for the Arts and the Mildred Lane Kemper Art Museum at Washington University.

Select galleries, international art institutions, mega-sized installations and performances, discussions about art collecting — all this and more is part of the international contemporary art fair ArtVilnius ’17 in its eight edition.

Join the MOCA Contemporaries for a discussion about art and fashion with celebrity stylist and Academy Award - nominated costume designer Arianne Phillips, fashion designer Michael Schmidt, and painter Kimberly Brooks, moderated by fashion and culture writer, curator, consultant, and the former West Coast bureau chief of Women's Wear Daily, Rose Apodaca.

Discussion: Monday, April 12, 12:00 — 1:30 p.m. President's Room, Kline Commons, Bard College A conversation about the context of the contemporary Latin American art scene with artist Pablo Rasgado, Carlos Palacios, and students from the Latin American and Iberian Studies program at Bard College.

The objective of the Kemper Museum school tour program is to engage students in discussion about modern and contemporary art and how it relates to students» education and lives.

The scholars will give a brief talk about their research followed by a discussion moderated by Gavin Delahunty, Hoffman Family Senior Curator of Contemporary Art and curator of Jackson Pollock: Blind Spots.

Tours are great ways to find out more about the Wexner Center's exhibitions and architecture, bringing art alive through spirited discussion and providing unique, behind - the - scenes insights into contemporary culture.

-- Monthly roundtables in which Fellows lead discussion about critical issues to their practice — Individualized one - to - one informal mentorships for each Fellow — A 5 - day residency on Ossabaw Island — A group exhibition featuring all twelve fellows at the Museum of Contemporary Art of Georgia Deadline: May 15

The bottom line is that it's not about black artists — though I would never deny that that's an interest of mine — but it's about how to broaden the discussion of things that really define contemporary art practice.

Legendary feminist art historian Linda Nochlin and art curator Maura Reilly are joined by contemporary women artists for a discussion moderated by Arezoo Moseni about the positions of women artists and women in the art world today and how they have changed since the 1971 publication of Nochlin's landmark essay «Why Have There Been No Great Women Artists?»

Tiff Massey (Metalsmithing» 11) and Laura Mott (Curator of Contemporary Art and Design at Cranbrook Art Museum) participated in a roundtable discussion about rust with Taylor Aldridge and Matthew Angelo Harrison — featured in Art21 Magazine.

Through talks, symposia, performances and other events, Herron's public programming offers encounters with world - renowned artists while serving as a catalyst for discussions about timely issues related to contemporary art and culture.

For all fine art enquiries, you can contact us today and have a friendly discussion about any of the 15th — 20th Century sculptures, old master paintings, continental furniture, Asian art, contemporary art or modern Asian art examples we have on display at our international gallery.

The irregularly published zine aims to «edit the identity of ecology from the point of view of art» by fostering discussions about the topic and pushing it into the radars of contemporary artists, writers and poets.

Trenton Doyle Hancock is the HFAF Artist of the Year and will take part in a discussion panel on Sunday, September 16th at 4:00 pm to talk about his art and career with Valerie Cassel, Chief Curator of the Contemporary Arts Museum, Houston, and Alison Greene, Director of the Museum of Fine Arts, Houston.

The exhibitions explore contemporary art and curatorial practices today and often aim to prompt discussions about issues surrounding art and social systems.

As with much talk about contemporary art these days, Rockburne's discussion turned to wistfulness about the way things used to be.

Sarang was officially opened to the public in early 2013 with the non-profit aim of supporting contemporary art in Indonesia, in particular to facilitate the creation of works of art, presentations and discussions about strategic aspects relating to the development and progress of contemporary art practices.

The discussion series pairs one critic with two McKnight Visual Artist Fellows and offers the audience an opportunity to learn more about the fellowship recipients as well as how their work intersects with broader contemporary art ideas and concerns.

Over 270 people attended the event and a lively discussion about the potential for a major recurring contemporary art event in Toronto ensued.

This collaboration between the DESTE and the Museum of Cycladic Art falls withing the scope of the latter's «Young Views» program, which aims to develop artistic discussion with younger generations, inform the general public about contemporary art, and establish the necessary environment for the fruitful exchange of ideArt falls withing the scope of the latter's «Young Views» program, which aims to develop artistic discussion with younger generations, inform the general public about contemporary art, and establish the necessary environment for the fruitful exchange of ideart, and establish the necessary environment for the fruitful exchange of ideas.

This discussion series pairs a nationally - recognized art critic or curator with two McKnight Visual Artist Fellows and offers attendees an opportunity to learn more about the fellowship recipients as well as how their work intersects with broader contemporary art ideas and concerns.

This project invites discussion about water access, activates the largest open space in the city, and engages maritime themes in contemporary art practice.

2.00 pm Welcome introduction 2.15 pm Jens Maier - Rothe (Co-Director, Beirut) presents the not - for - profit art initiative and exhibition space in Cairo (EG), Beirut 2.45 pm Luis Silva and João Mourão (Co-Founders, Kunsthalle Lissabon) present the Lisbon - based (PT) Kunsthalle Lissabon as an institutional hoax 3.15 pm Kristine Siegel and Rhea Dall (Co-Directors, PRAXES) speak about PRAXES Centre for Contemporary Art, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Driart initiative and exhibition space in Cairo (EG), Beirut 2.45 pm Luis Silva and João Mourão (Co-Founders, Kunsthalle Lissabon) present the Lisbon - based (PT) Kunsthalle Lissabon as an institutional hoax 3.15 pm Kristine Siegel and Rhea Dall (Co-Directors, PRAXES) speak about PRAXES Centre for Contemporary Art, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&AContemporary Art, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm DriArt, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&Acontemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Driart and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Driart and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Driart institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Drinks

For the upcoming session we have invited artists Lucas Blalock and John Kelsey; Matthew Biro, Professor and Chair, Department of the History of Art, University of Michigan; Alex Klein, The Dorothy and Stephen R. Weber (CHE» 60) Program Curator, Institute of Contemporary Art, University of Pennsylvania; and Carol Squiers, Curator, International Center of Photography to lead a discussion about material and conceptual experimentation in contemporary photographiContemporary Art, University of Pennsylvania; and Carol Squiers, Curator, International Center of Photography to lead a discussion about material and conceptual experimentation in contemporary photographicontemporary photographic practices.

By invoking seemingly antagonistic art - historical models — from the technological experiments of Russian constructivism to the base materialism of Bataillean surrealism and the cybernetic systems aesthetics of Jack Burnham, as well as the entropic geographies of Robert Smithson — «Foreign in a Domestic Sense» participates in contemporary discussions regarding the power of things and materials to operate beyond the scope and frame of the human, while insisting on an urgent geopolitical awareness about the conditions of Puerto Rico and kindred territories in the global south.

The key subject of the course is the Exhibition as Communicative Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary art, design, architecture, sound and performance, and publications as dominant art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural movement, and the role of curator as a cultural translator and mediator between the two; and exploration of alternatives for ecological health of increasingly globalized art and culture.

Ramapo College of New Jersey Home Page» About» News / Media» Press Releases» Women's Herstory Month Panel Discussion Highlights Images of Women in Contemporary Japanese Art

Our programs of independently - curated exhibitions, publications, curator's and artist's talks, panel discussions, and art donations seek to illuminate and deepen the public's understanding and appreciation of contemporary art as well as to foster a dialogue about contemporary art.

Just last week, on the occasion of the Luciano Benetton Collection's traveling exhibition Imago Mundi: The Art of Humanity, I moderated a panel discussion with the esteemed critic Eleanor Heartney and brilliant artist Shahzia Sikander about art and globalization: how cultural identities, political boundaries, and other socio - political considerations have affected the practices and work of contemporary artisArt of Humanity, I moderated a panel discussion with the esteemed critic Eleanor Heartney and brilliant artist Shahzia Sikander about art and globalization: how cultural identities, political boundaries, and other socio - political considerations have affected the practices and work of contemporary artisart and globalization: how cultural identities, political boundaries, and other socio - political considerations have affected the practices and work of contemporary artists.

Here's the symposium schedule: Crystal Bridges curator of contemporary artLauren Haynes will speak with artists Betye Saar and Alison Saar at 10:30 a.m.; a panel discussion with AfriCOBRA artists Jae Jarell, Wadsworth Jarrell, Carolyn Lawrence and Gerald Williams begins at 11:15 a.m.; a panel discussion on photography with Ming Smith, Adger Cowans and Dawoud Bey begins at 1:30 p.m.; Haynes will talk with artists Melvin Edwards and William T. Williams at 2:15 p.m.; a panel of educator artists will talk about the visual arts education at 3:15 p.m.; and Tate curators will talk with performance artist Lorraine O'Grady (Mlle. Bourgeois Noire) at 4 p.m. and Faith Ringgold at 4:30 p.m. LNP

Following the demise of aperto — the forum for young contemporary art founded in 1981 — there was much discussion about the need to heighten the profile of contemporary art in Berlin, a fact which undoubtedly accelerated the project's progress.

The film will be followed by a panel discussion about Hesse's work and legacy in contemporary art with Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney; Kelly C. Baum, Haskell Curator of Modern and Contemporary Art, Princeton University Art Museum; and the artistcontemporary art with Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney; Kelly C. Baum, Haskell Curator of Modern and Contemporary Art, Princeton University Art Museum; and the artist Sam Lewiart with Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney; Kelly C. Baum, Haskell Curator of Modern and Contemporary Art, Princeton University Art Museum; and the artistContemporary Art, Princeton University Art Museum; and the artist Sam LewiArt, Princeton University Art Museum; and the artist Sam LewiArt Museum; and the artist Sam Lewitt.

Dr Sam Lackey, Curator at The Hepworth Wakefield, will lead a tour around the Aesthetica Art Prize exhibition, to inspire a discussion on ways of talking and thinking about contemporary aArt Prize exhibition, to inspire a discussion on ways of talking and thinking about contemporary artart.

As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Joselina Cruz will speak about her recent curatorial projects, as well as the contemporary art scene in Manila.

As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Gabi Ngcobo, curator of the upcoming 10th Berlin Biennale for Contemporary Art, will speak about shaping the biennale.

The prize is intended to promote public discussion about contemporary British art and has developed a reputation for receiving both positive and negative media attention, with artists, critics and members of the public questioning the role of art and the Turner Prize itself.