Sentences with phrase «discussion of the future life»

Any philosophical discussion of the future life is apt to be related to the conservation of values.

Not exact matches

According to Stanley from the ACLU, the discussion around weaponized drones should focus on the type of future we want to live in.

Its potential to seamlessly integrate live video with discussion and debate will be an essential part of its future success.

Use this guide in your small group, house church or class to create discussion and convey biblical truth about how we should live now in light of the future reality.

For example, one of the charges against Honest to God, almost as soon as it appeared, was that John Robinson had said nothing in that book about «future life» — although the critic must have forgotten that not many years before the bishop had written, while still a theological teacher, a treatise entitled In the End God which is a considered and very interesting and suggestive discussion of exactly that subject as well as of the related aspects of «the last things».

The conference, which is supported in part by Clif Bar & Company, Full Belly Farm, and Veritable Vegetable, hosts artisan cheese, beer, and wine tastings; live entertainment; an Exhibitor Marketplace showcasing over fifty organic and ecologically - based businesses and organizations; a mixer linking current and future farmers; a seed swap; and new this year, a series of Farmer Discussion Groups.

SEE ALSO: Manchester United v Manchester City live streaming Ten Premier League strikers likely to make summer moves, with Man United & Liverpool flops James Milner delays discussions over future until the end of the season, Liverpool still interested

I have exposed more of the men in my life to discussions about breasts than they probably feel comfortable with, but I love knowing that because of me, my stepsons and brothers will probably encourage their future wives / girlfriends to breastfeed their children.

Mr. Hammerle was living in Montauk in the early 1980s, and, during contentious discussions about the future of East Hampton taking place during the development of the 1984 town comprehensive plan, stood up at the Montauk School to make points about the importance of open space preservation.

Bart Selman, a professor of computer science at Cornell University, said the online discussion of the future of artificial intelligence focused on areas that will most closely affect people's everyday lives.

This discussion has economic, public safety and quality - of - life implications for people of all ages and classes in Indy — this is about the future.

Life lessons, love, work, peace and the future of our precious planet: these are the subjects under idiosyncratic discussion by 50 notable individuals interviewed in writer / photographer Andrew Zuckerman's sublime, engaging book Wisdom, which is accompanied by a DVD of the author's documentary of the same name.

«While there were some discussions into the possibility that the Act might be changed in future so that the archived copies of websites might be made available via the web, it was noted that freely accessible web content can be part of a commercial business model, e.g. to support advertising and «click - through» traffic to the rights owner's website,» said Giddy while further adding: «Making archived copies of material available online, and also allowing it to be indexed by search engines, could potentially affect the volume of web user traffic to the rights owner's live website and harm their business model.»

2005 Beech, Dave, I Could've Been a Contender, The Internationaler, Pilot Issue, October, pp. 11 - 12 Humphrey, David, New York Painter David Humphrey Discusses the Work of Paul McDevitt, Miser & Now, Issue 7, pp. 22 - 24 Ho, Gitta, Räume für Wirklichkeit, Artnet, 21 July Clancy, Luke, Clarke & McDevitt present, Modern Painters, July / August, pp. 108 - 109 Long, Declan, From Despair to Where..., Feint, Volume 1, Issue 2, pp. 3 - 6 Clarke & McDevitt present, The View, RTÉ TV panel discussion, 17 May Summer Sights, The Irish Times, 14 April, p. 3 Live Radio interview, NewsTalk106, 10 April On - site at the Hugh Lane, The Irish Times, 9 April O'Halloran, Robbie, Circa, Spring, pp. 110 - 111 Charlesworth, JJ, Communism, Art Monthly, No. 284, March, pp. 19 - 21 Stott, Tim, Communism, CIRCA Art Magazine Online Communism, The View RTÉ Television panel discussion, 25 January Dunne, Aidan, Bursting the Art Bubble, The Irish Times, 25 January, p. 16 2004 Paul McDevitt at Stephen Friedman Gallery, Kultureflash 101, 10 November Coomer, Martin, Paul McDevitt at Stephen Friedman Gallery, 3 - 10 November, p. 57 Postcard, Art Review, Volume LIV, July / August, p. 110 Conrads, Martin, No Future Revisited, Zitty, p. 80 Eklund, Karin, Untitled, EU3, No. 31, Spring, p. 73 Laws, Liza, Find a World of Fantasy & Desire at the Towner Art Gallery, 24hourmuseum.org.

Although she lived roughly one hundred blocks away from the heart of New York's art scene, Neel attended discussions and debates at The Club, the apartment at 39 East 8th Street where artists of the New York School held meetings about the future of painting.

Sholette, in his discussion of Occupy Wall Street, summoned Jacques Derrida, reminding everyone that «the archive only has meaning in the future» and that artists must not forget that their work is evidence of their lived experiences, adding to a fragmented archive that we might only be able to decipher in hindsight.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

PROGRAM April 25 - 27, 2014 Hosts Past Tense / Future Perfect A major part of the programming organized to encourage discussion, education and celebration around the experience of viewing her Guggenheim retrospective, Weems hosts Carrie Mae Weems LIVE: Past Tense / Future Perfect at the museum.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

In order to address these serious and timely issues, Global Green's Security and Sustainability Program is organizing a series of roundtable discussions, «Energy Futures: Nuclear Power, Global Warming, and Nonproliferation,» to address the full life - cycle of nuclear energy.

It is interesting to see how, in the debate about the future of the planet, it is children that have lost their lives that carry greater weight than the discussion about what those lives could have been.

Similar to the dialogue between pupils from St. Gallen and Lilongwe, the discussion lead to the realization of the Swiss students that climate change is not an abstract notion of the future, but is already impacting the lives of their peers across the globe.

We're a non-profit that, since 1993, has developed innovative discussion materials with the purpose of educating people on how to live more sustainably and toward a more enriching future.

Given the often invoked rationale underlying the use of the living tree metaphor, it is ironic indeed that in constitutionalizing these political and social issues, the courts have «frozen» those issues in time, and thereby immunized those issues from future and evolving civic engagement, discussion and debate.

This page is a place for insightful analysis and passionate discussion about the future of how we will all live.

«This announcement today has the potential to be history - making and is the first step in Constitutional reform which will provide us with a solid foundation for future discussions about how Aboriginal and Torres Strait Islander people participate in the life of the Australian nation.»