Sentences with phrase «discussion on artistic practice»

On Sunday, December 7th, Joseph Kosuth will take part in a panel discussion on artistic practice and the artist as curator.

Not exact matches

Fusco's nuanced and considered writing on the topic, as well as her continued artistic practice, will undoubtedly prove a benchmark for moving the needle on discussions of postcolonial identity politics for years to come.
These workshops will contribute to promoting the discussion on environmental, cultural and social transformations through the artistic practice of photography, image - based media and texts.
In this lecture, Steffen Krüger will use the works and artistic practice of Alex Israel as springboards into a discussion on digital media culture, social networking, self - valorisation and identity.
As part of the exhibition opening, several artists featured in After Darkness: Southeast Asian Art in the Wake of History — FX Harsono, Nge Lay, and Tuan Andrew Nguyen — come together for a thought - provoking discussion on their experiences navigating dramatic and often dangerous sociopolitical upheavals, and the profound effect these experiences have had on their artistic practices.
It is precisely discussions such as these that moved the Retune Festival from an algo - filled party for the hipster geeks to a multidisciplinary open forum for debate, collaboration and meditation on the effect of the latest technologies not just on individual artistic practice, but on the society at large.
A workshop centered around the mural featured in Philadelphia Assembled, followed by a discussion on the role of community in artistic practice.
On the occasion of this solo exhibition at Providence College Galleries, Amy Beecher delivers a presentation on the trajectory of her artistic practice and participates in a panel discussion centered around the dominant themes of her worOn the occasion of this solo exhibition at Providence College Galleries, Amy Beecher delivers a presentation on the trajectory of her artistic practice and participates in a panel discussion centered around the dominant themes of her woron the trajectory of her artistic practice and participates in a panel discussion centered around the dominant themes of her work.
The exhibition spans three galleries within the Zaha Hadid - designed museum, anchored by overarching themes within each: «Shifting Identities» explores how a changing China alters constructions of identity; «Body as Site» focuses on the physical body as a literal and figurative site of discussion and debate; and «Confronting Tradition» highlights the ways in which artists draw inspiration from classical texts, teachings, and artistic practices to reinterpret and question evolving power structures and social norms.
Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.
Griffin Gallery will be hosting «Space for Creation», a panel discussion about the impact of space on creation and artistic practice.
Swedish artist Karl Larsson and curator Laura Mott also provide an audio companion of discussions about the artistic practice and stories from their own 10 - day journey on foot throughout the region.
On Sunday, February 15, at 1PM, Woolfalk and meditation leader Biet Simkin introduce meditation as artistic practice in a workshop titled Meditation as Artistic Practice, with a 50 - minute mediation combining breathing, virtual travel and aural exercises, and ending with a discussion exploring your experience with thartistic practice in a workshop titled Meditation as Artistic Practice, with a 50 - minute mediation combining breathing, virtual travel and aural exercises, and ending with a discussion exploring your experience with thpractice in a workshop titled Meditation as Artistic Practice, with a 50 - minute mediation combining breathing, virtual travel and aural exercises, and ending with a discussion exploring your experience with thArtistic Practice, with a 50 - minute mediation combining breathing, virtual travel and aural exercises, and ending with a discussion exploring your experience with thPractice, with a 50 - minute mediation combining breathing, virtual travel and aural exercises, and ending with a discussion exploring your experience with the group.
Keynote Talk + Discussion Dave Beech Thursday 12 December, 6.00 pm - 7.00 pm, Lecture Room, IMMA Beauty and the Revolutionary Subject In this talk Dave Beech (London - based artist, writer and Senior Lecturer, Chelsea College of Art,) discusses the emergence of the modern conception of beauty and the cultural politics of this recent phenomenon, as well as contextualizing contested debates on beauty in artistic practice within the broader history of aesthetics.
With her talk entitled «Subverting the Media as Artistic Practice,» Amin was also a guest of «Fill in the Blanks III,» which is an open platform where discussions on space, history and knowledge take place.
To Be or Not to Be: The Selection Process Join Danielle Fox (SLATE Contemporary Gallery,) and Conrad Myers (Aggregate Space Gallery,) for a lively discussion on the topic of the social and cultural dimensions of contemporary curatorial practices and their implications for the artistic process.
This year Planting Rice will organise Narratives of Archives at the Lopez Museum in Manila, an exhibition in response to broadening the discussion on the archives of critical text and self - reflexive artistic practice in Manila.
Join Danielle Fox (SLATE Contemporary Gallery,) and Conrad Myers (Aggregate Space Gallery,) for a lively discussion on the topic of the social and cultural dimensions of contemporary curatorial practices and their implications for the artistic process.
A comprehensive festival programme offers an extensive insight into current artistic practice, but also into current discussions of video art and developments on the art market.
The Center will continue to develop capacity building opportunities and initiate discussion on these topics, which are highly pertinent to many contemporary artistic practices.
Through studio projects, readings, discussions, and case studies, students in this class will engage the immediate context of the University as source material for their artworks as a means to explore the effect that research and knowledge production might have on contemporary artistic practice.
Nayland Blake will participate in a panel discussion on diversity and artistic practice in contemporary and modern art with artists David Diao and Chie Fueki, moderated by Andrew Weinstein, assistant professor in the History of Art department at the Fashion Institute of Technology, in FIT's Katie Murphy Amphitheater.
RAIR hosts sculptor Tom Sachs and Creative Time artistic director and Center contributor Nato Thompson for a discussion on material sourcing and sustainable practices
In doing so, we wanted to broaden this discussion beyond the region and engage in a debate about the pressures and demands placed on artistic practices within the instrumentalizing logic that underwrites the reductive rhetoric of our revolutionary, neo-liberal, globalized, and late - capitalist milieu.
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