Established in 1932, the Biennial has long been a site for critical
discussions about contemporary art, while providing an opportunity for deep thinking and reflection on the broader cultural concerns of a given historical moment.
These highlight occasions that have been pivotal in shaping the New Museum and contributing to broader
discussions about contemporary art and museum practice.
This group aims to critically and creatively engage in
discussions about contemporary art and cultural issues discovered within different communities.
The program exposes students and the public to a range of artistic approaches, and fosters
discussion about contemporary art and ideas.
House had opened up a public
discussion about contemporary art like nothing before it, and like Ghost it was unsurprisingly nominated for the Turner Prize.
In the early days one of the aims was to increase the quality of
discussion about contemporary art and I think it has — it's not so simplistic any more.
At the same time, some big - name and ubiquitous postmoderns, never far from
the discussion about contemporary art, fared poorly; perhaps too much love and hate lead, finally, to ho - hum.
A prize set up to encourage
discussion about contemporary art should not have become a prize that ends up in discussion about a fat sum of money and what the winner may or may not do with it.
And although we can generate
discussion about contemporary art developments it seems to stay within the confines of set structure of power, in this case the insiders of the art world.
Not exact matches
About Site -
Art21 was founded in 1997 with the mission to increase knowledge of
contemporary art, ignite
discussion, and inspire creative thinking by using diverse media to present
contemporary artists at work and in their own words.
New York
About Blog Collector Daily is a venue for thoughtful
discussion of vintage and
contemporary fine
art photography.
When Lisa Freiman, Senior Curator and Chair of the Department of
Contemporary Art at the Indianapolis Museum if
Art, completed the jurying of our 2012 Midwest Competition, the results of which will be published in August as Issue # 102, we had a
discussion about the overwhelming amount of abstraction in the applicant pool; indeed, the book will strongly reflect this.
In this
discussion, Kate Fowle, Chief Curator of Garage Museum of
Contemporary Art, will talk with artist Rashid Johnson
about his installation Within Our Gates, which is on show in Garage Atrium.
A
discussion about the opening of exhibitions at three museums, the
Contemporary Art Museum St. Louis, the Pulitzer Foundation for the
Arts and the Mildred Lane Kemper
Art Museum at Washington University.
Select galleries, international
art institutions, mega-sized installations and performances,
discussions about art collecting — all this and more is part of the international
contemporary art fair ArtVilnius ’17 in its eight edition.
Join the MOCA
Contemporaries for a
discussion about art and fashion with celebrity stylist and Academy Award - nominated costume designer Arianne Phillips, fashion designer Michael Schmidt, and painter Kimberly Brooks, moderated by fashion and culture writer, curator, consultant, and the former West Coast bureau chief of Women's Wear Daily, Rose Apodaca.
Discussion: Monday, April 12, 12:00 — 1:30 p.m. President's Room, Kline Commons, Bard College A conversation
about the context of the
contemporary Latin American
art scene with artist Pablo Rasgado, Carlos Palacios, and students from the Latin American and Iberian Studies program at Bard College.
The objective of the Kemper Museum school tour program is to engage students in
discussion about modern and
contemporary art and how it relates to students» education and lives.
The scholars will give a brief talk
about their research followed by a
discussion moderated by Gavin Delahunty, Hoffman Family Senior Curator of
Contemporary Art and curator of Jackson Pollock: Blind Spots.
Tours are great ways to find out more
about the Wexner Center's exhibitions and architecture, bringing
art alive through spirited
discussion and providing unique, behind - the - scenes insights into
contemporary culture.
-- Monthly roundtables in which Fellows lead
discussion about critical issues to their practice — Individualized one - to - one informal mentorships for each Fellow — A 5 - day residency on Ossabaw Island — A group exhibition featuring all twelve fellows at the Museum of
Contemporary Art of Georgia Deadline: May 15
The bottom line is that it's not
about black artists — though I would never deny that that's an interest of mine — but it's
about how to broaden the
discussion of things that really define
contemporary art practice.
Legendary feminist
art historian Linda Nochlin and
art curator Maura Reilly are joined by
contemporary women artists for a
discussion moderated by Arezoo Moseni
about the positions of women artists and women in the
art world today and how they have changed since the 1971 publication of Nochlin's landmark essay «Why Have There Been No Great Women Artists?»
Tiff Massey (Metalsmithing» 11) and Laura Mott (Curator of
Contemporary Art and Design at Cranbrook
Art Museum) participated in a roundtable
discussion about rust with Taylor Aldridge and Matthew Angelo Harrison — featured in
Art21 Magazine.
Through talks, symposia, performances and other events, Herron's public programming offers encounters with world - renowned artists while serving as a catalyst for
discussions about timely issues related to
contemporary art and culture.
For all fine
art enquiries, you can contact us today and have a friendly
discussion about any of the 15th — 20th Century sculptures, old master paintings, continental furniture, Asian
art,
contemporary art or modern Asian
art examples we have on display at our international gallery.
The irregularly published zine aims to «edit the identity of ecology from the point of view of
art» by fostering
discussions about the topic and pushing it into the radars of
contemporary artists, writers and poets.
Trenton Doyle Hancock is the HFAF Artist of the Year and will take part in a
discussion panel on Sunday, September 16th at 4:00 pm to talk
about his
art and career with Valerie Cassel, Chief Curator of the
Contemporary Arts Museum, Houston, and Alison Greene, Director of the Museum of Fine
Arts, Houston.
The exhibitions explore
contemporary art and curatorial practices today and often aim to prompt
discussions about issues surrounding
art and social systems.
As with much talk
about contemporary art these days, Rockburne's
discussion turned to wistfulness
about the way things used to be.
Sarang was officially opened to the public in early 2013 with the non-profit aim of supporting
contemporary art in Indonesia, in particular to facilitate the creation of works of
art, presentations and
discussions about strategic aspects relating to the development and progress of
contemporary art practices.
The
discussion series pairs one critic with two McKnight Visual Artist Fellows and offers the audience an opportunity to learn more
about the fellowship recipients as well as how their work intersects with broader
contemporary art ideas and concerns.
Over 270 people attended the event and a lively
discussion about the potential for a major recurring
contemporary art event in Toronto ensued.
This collaboration between the DESTE and the Museum of Cycladic
Art falls withing the scope of the latter's «Young Views» program, which aims to develop artistic discussion with younger generations, inform the general public about contemporary art, and establish the necessary environment for the fruitful exchange of ide
Art falls withing the scope of the latter's «Young Views» program, which aims to develop artistic
discussion with younger generations, inform the general public
about contemporary art, and establish the necessary environment for the fruitful exchange of ide
art, and establish the necessary environment for the fruitful exchange of ideas.
This
discussion series pairs a nationally - recognized
art critic or curator with two McKnight Visual Artist Fellows and offers attendees an opportunity to learn more
about the fellowship recipients as well as how their work intersects with broader
contemporary art ideas and concerns.
This project invites
discussion about water access, activates the largest open space in the city, and engages maritime themes in
contemporary art practice.
2.00 pm Welcome introduction 2.15 pm Jens Maier - Rothe (Co-Director, Beirut) presents the not - for - profit
art initiative and exhibition space in Cairo (EG), Beirut 2.45 pm Luis Silva and João Mourão (Co-Founders, Kunsthalle Lissabon) present the Lisbon - based (PT) Kunsthalle Lissabon as an institutional hoax 3.15 pm Kristine Siegel and Rhea Dall (Co-Directors, PRAXES) speak about PRAXES Centre for Contemporary Art, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Dri
art initiative and exhibition space in Cairo (EG), Beirut 2.45 pm Luis Silva and João Mourão (Co-Founders, Kunsthalle Lissabon) present the Lisbon - based (PT) Kunsthalle Lissabon as an institutional hoax 3.15 pm Kristine Siegel and Rhea Dall (Co-Directors, PRAXES) speak
about PRAXES Centre for
Contemporary Art, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A
Contemporary Art, a not - for - profit venue for international contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Dri
Art, a not - for - profit venue for international
contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A
contemporary art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Dri
art and research based in Berlin (DE) 3.45 pm Break 4.00 pm Arnisa Zeqo and Antonia Carrara (Co-Founders, rongwrong) discuss rongwrong, a space for
art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm Discussion with the art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Dri
art and theory in Amsterdam (NL) 4.30 pm Mirene Arsanios (Co-Director, 98weeks) presents 98weeks a research project based in Beirut (LB) 5.00 pm Break 5.15 pm
Discussion with the
art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Dri
art institutions moderated by Vanessa Müller (Director, European Kunsthalle) followed by Q&A 7 pm Drinks
For the upcoming session we have invited artists Lucas Blalock and John Kelsey; Matthew Biro, Professor and Chair, Department of the History of
Art, University of Michigan; Alex Klein, The Dorothy and Stephen R. Weber (CHE» 60) Program Curator, Institute of
Contemporary Art, University of Pennsylvania; and Carol Squiers, Curator, International Center of Photography to lead a discussion about material and conceptual experimentation in contemporary photographi
Contemporary Art, University of Pennsylvania; and Carol Squiers, Curator, International Center of Photography to lead a
discussion about material and conceptual experimentation in
contemporary photographi
contemporary photographic practices.
By invoking seemingly antagonistic
art - historical models — from the technological experiments of Russian constructivism to the base materialism of Bataillean surrealism and the cybernetic systems aesthetics of Jack Burnham, as well as the entropic geographies of Robert Smithson — «Foreign in a Domestic Sense» participates in
contemporary discussions regarding the power of things and materials to operate beyond the scope and frame of the human, while insisting on an urgent geopolitical awareness
about the conditions of Puerto Rico and kindred territories in the global south.
The key subject of the course is the Exhibition as Communicative Space and will include:
discussions about criticism and analysis of comprehensive phenomenon of how
contemporary art, design, architecture, sound and performance, and publications as dominant
art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural movement, and the role of curator as a cultural translator and mediator between the two; and exploration of alternatives for ecological health of increasingly globalized
art and culture.
Ramapo College of New Jersey Home Page»
About» News / Media» Press Releases» Women's Herstory Month Panel
Discussion Highlights Images of Women in
Contemporary Japanese
Art
Our programs of independently - curated exhibitions, publications, curator's and artist's talks, panel
discussions, and
art donations seek to illuminate and deepen the public's understanding and appreciation of
contemporary art as well as to foster a dialogue
about contemporary art.
Just last week, on the occasion of the Luciano Benetton Collection's traveling exhibition Imago Mundi: The
Art of Humanity, I moderated a panel discussion with the esteemed critic Eleanor Heartney and brilliant artist Shahzia Sikander about art and globalization: how cultural identities, political boundaries, and other socio - political considerations have affected the practices and work of contemporary artis
Art of Humanity, I moderated a panel
discussion with the esteemed critic Eleanor Heartney and brilliant artist Shahzia Sikander
about art and globalization: how cultural identities, political boundaries, and other socio - political considerations have affected the practices and work of contemporary artis
art and globalization: how cultural identities, political boundaries, and other socio - political considerations have affected the practices and work of
contemporary artists.
Here's the symposium schedule: Crystal Bridges curator of
contemporary artLauren Haynes will speak with artists Betye Saar and Alison Saar at 10:30 a.m.; a panel
discussion with AfriCOBRA artists Jae Jarell, Wadsworth Jarrell, Carolyn Lawrence and Gerald Williams begins at 11:15 a.m.; a panel
discussion on photography with Ming Smith, Adger Cowans and Dawoud Bey begins at 1:30 p.m.; Haynes will talk with artists Melvin Edwards and William T. Williams at 2:15 p.m.; a panel of educator artists will talk
about the visual
arts education at 3:15 p.m.; and Tate curators will talk with performance artist Lorraine O'Grady (Mlle. Bourgeois Noire) at 4 p.m. and Faith Ringgold at 4:30 p.m. LNP
Following the demise of aperto — the forum for young
contemporary art founded in 1981 — there was much
discussion about the need to heighten the profile of
contemporary art in Berlin, a fact which undoubtedly accelerated the project's progress.
The film will be followed by a panel
discussion about Hesse's work and legacy in
contemporary art with Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney; Kelly C. Baum, Haskell Curator of Modern and Contemporary Art, Princeton University Art Museum; and the artist
contemporary art with Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney; Kelly C. Baum, Haskell Curator of Modern and Contemporary Art, Princeton University Art Museum; and the artist Sam Lewi
art with Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney; Kelly C. Baum, Haskell Curator of Modern and
Contemporary Art, Princeton University Art Museum; and the artist
Contemporary Art, Princeton University Art Museum; and the artist Sam Lewi
Art, Princeton University
Art Museum; and the artist Sam Lewi
Art Museum; and the artist Sam Lewitt.
Dr Sam Lackey, Curator at The Hepworth Wakefield, will lead a tour around the Aesthetica
Art Prize exhibition, to inspire a discussion on ways of talking and thinking about contemporary a
Art Prize exhibition, to inspire a
discussion on ways of talking and thinking
about contemporary artart.
As part of ICI's Curator's Perspective — an itinerant public
discussion series featuring national and international curators — Joselina Cruz will speak
about her recent curatorial projects, as well as the
contemporary art scene in Manila.
As part of ICI's Curator's Perspective — an itinerant public
discussion series featuring national and international curators — Gabi Ngcobo, curator of the upcoming 10th Berlin Biennale for
Contemporary Art, will speak
about shaping the biennale.
The prize is intended to promote public
discussion about contemporary British
art and has developed a reputation for receiving both positive and negative media attention, with artists, critics and members of the public questioning the role of
art and the Turner Prize itself.