Sentences with phrase «discussions on art history»

This exhibition is a combination of many discussions on art history, studio visits, and various explorations into the creative mind and process.

Not exact matches

There is a fascinating story here to be told - but one which would take us too far afield from this discussion - about the intricate interplay between the crises of biblical authority and Christian belief on the one hand and the rise of the novel and the growth of art history and literary criticism on the other.

Discussion on current topics, recent developments, and of course, the long and distinguished history of the fighting arts.

Discussion on current topics, recent developments, and of course, the long and distinguished history of the fighting arts.

The program includes lectures and discussions on Korean history, culture, politics, economics, arts, and language.

Past, present and future collide in glorious ways in these art and photography books, whether it's a modern photographer witnessing history come alive on Civil War battlefields or a discussion of why the Yellow Brick Road was yellow in The Wizard of Oz.

San Francisco, CA About Blog Follow this blog to find discussions and articles on your favorite artists monographs, art history books, art instruction books, etc..

Discussion on current topics, recent developments, and of course, the long and distinguished history of the fighting arts.

Group Activities - New York Artist Union, the WPA, and the Art Workers Coalition Teach - in - Working Conditions Seminar with Precarious Workers Brigade (London), UKK (Young Art Workers, Copenhagen) and a representative of the Chilean Ministry of Culture - Ongoing discussions with representatives from local unions and working centers such as UWA, IWW, Teamster, Writer's Guild of America East, New York Taxi Workers Alliance, and others - Monthly book club on labor law, organizing, workplace occupations, and radical history - End Sotheby's Lockout Solidarity Action at the Whitney Biennial with Occupy Museums, Occupy Sotheby's and Arts & Culture - Joining other OWS labor affiliated working groups such as Labor Outreach Committee, Occupy Your Workplace, and 99 Pickets, as part of the Labor Alliance cluster

As part of the exhibition opening, several artists featured in After Darkness: Southeast Asian Art in the Wake of History — FX Harsono, Nge Lay, and Tuan Andrew Nguyen — come together for a thought - provoking discussion on their experiences navigating dramatic and often dangerous sociopolitical upheavals, and the profound effect these experiences have had on their artistic practices.

Thurs, May 25, 7PM Swiss Institute / CONTEMPORARY ART, New York 102 Franklin Street, Front 1, New York NY 10013 Please join us for an evening to celebrate the launch of The Exhibitionist: Journal on Exhibition Making / / The First Six Years with an introduction by founding editor Jens Hoffmann, a discussion of the history of the history of exhibitions with Amara Antilla, and a roundtable conversation on exhibiting exhibitions with Ruba Katrib, Mia Locks and Lauren Cornell, moderated by Piper Marshall.

Trockel's fascination with patterns, visual messaging, and strong statements, are tools she and her American contemporaries used to further the discussion on the place women occupy in art history.

Featuring works by Bruce Davidson, Benedict Fernandez, Gordon Parks, James Van Der Zee, Kara Walker, Glenn Ligon, and Henry Louis Stephens, the exhibition spans two centuries of American history, providing a contemporary discussion on issues of art, justice, and African - American culture.

During this discussion, Allison Harbin, the blogger of Post PhD and Alt - ac PhD in Art History, will share her personal story of misappropriation by a faculty member on her dissertation committee (detailed on her blog), and discuss the questions that have been raised from that experience, such as: What place (if any) does ethics have in the culture of academia and the arts?

In our globalised world, the discussion on the traditional and the modern, the conceptual and the physical, the abstract and the figurative, is no longer afierce battle on the grounds of art history.

«The TFAP symposium will open space for a discussion of art and art history that sheds light on historical precedents and paths for feminist resistance, -LSB-...]

The eight curator / co-authors will be on hand at the Museum of Modern Art's Bartos Theater this Friday, May 4th for «DEFINING CONTEMPORARY ART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroArt's Bartos Theater this Friday, May 4th for «DEFINING CONTEMPORARY ART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroArt's Bartos Theater this Friday, May 4th for «DEFINING CONTEMPORARY ART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroART: Writing Art History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroArt History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroArt History as it Happens,» a lively roundtable discussion that will see these contemporary art experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroart experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going stroart experts speak on their choices for the book and examine how one begins to analyze the historical significance of a movement that is still very much going strong.

If you study the history of women and spending trends you will notice that women have always been the dominate spenders, before women independence they spent the majority of the man's pay checks on the house, the car, the remodeling, the stove, the washer / dryer combo, the bedroom set, the bed, the couch, the dining room table, i would bet money that the woman was the driving force in each discussion, because in most cases the men decide if it works why fix it, and when translated to art, less men will look at a bare wall and decide that it needs art covering it.

During the announcement, Lowry and Phelps de Cisneros, who joined the director on stage for a brief discussion of the donation and their collecting practices, both discussed the museum's history of supporting art from Latin America since its founding, including founding director Alfred H. Barr, Jr.'s decision to give the museum's second solo exhibition to Mexican muralist Diego Rivera.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woArt's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woart history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his woArt in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

Keynote Talk + Discussion Dave Beech Thursday 12 December, 6.00 pm - 7.00 pm, Lecture Room, IMMA Beauty and the Revolutionary Subject In this talk Dave Beech (London - based artist, writer and Senior Lecturer, Chelsea College of Art,) discusses the emergence of the modern conception of beauty and the cultural politics of this recent phenomenon, as well as contextualizing contested debates on beauty in artistic practice within the broader history of aesthetics.

Joined by selected exhibition artists, this discussion will draw on the history of art and spirituality, spanning the last 100 years.

A graduate of the University of South Florida's graduate program in Africana Studies, where he focused on literature and critical theory, Eldridge has engaged widely on the role of the arts in constructing identity, and seeks to contribute to contemporary discussions in performance, history, race, ontology and myth.

In celebration of the DMA's upcoming exhibition Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga, join Ming Tiampo, leading Gutai expert and Associate Professor at Carleton University, Ottawa, for a discussion on the art and life of Shiraga and Motonaga in the context of global art history and the current art market wiArt of Kazuo Shiraga and Sadamasa Motonaga, join Ming Tiampo, leading Gutai expert and Associate Professor at Carleton University, Ottawa, for a discussion on the art and life of Shiraga and Motonaga in the context of global art history and the current art market wiart and life of Shiraga and Motonaga in the context of global art history and the current art market wiart history and the current art market wiart market with:

Durham's work offers a vital perspective on present - day discussions about the relationship between the local and the global; the interface between art and activism; and the history of sculpture as a medium tactically and conceptually entwined with everyday life.

An evening of discussion between artist Alexandra Hart and geologist and biologist J. David Archibald, whose research centers on the evolutionary history of mammals and extinction, exploring the symbiotic relationship between art and science.

For the upcoming session we have invited Barbara Clausen, curator and Professor, Performance Theory and History, University of Québec; Lucy Gallun, Assistant Curator, Department of Photography, MoMA; artists Sharon Hayes, Liz Magic Laser, and Jill Magid; and Melanie Kress, High Line Art Curatorial Fellow, to lead a discussion about the relationship between photography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk — Kender, 1960 — 1971 (May 17 — October 4, 2015, at The Museum of Modern Art) and Pier 54 (November 6 — December 13, 2014, organized by High Line Art at 120 Eleventh Avenue).

Nayland Blake will participate in a panel discussion on diversity and artistic practice in contemporary and modern art with artists David Diao and Chie Fueki, moderated by Andrew Weinstein, assistant professor in the History of Art department at the Fashion Institute of Technology, in FIT's Katie Murphy Amphitheatart with artists David Diao and Chie Fueki, moderated by Andrew Weinstein, assistant professor in the History of Art department at the Fashion Institute of Technology, in FIT's Katie Murphy AmphitheatArt department at the Fashion Institute of Technology, in FIT's Katie Murphy Amphitheater.

Based on this the artist opens up a deep discussion on Western painting legacy and its heritage in Brazil - especially the history of Brazilian academic art seeded by the Imperial Fine Arts Academy (Academia Imperial de Belas Artes) which was founded in 1816 in Rio, capital of the former Colony, by French masters and established under the orders of King Dom João VI of Portugal.

A panel discussion on the African - American history of Nyack and Beacon and how it can be documented through art will take place February 3, from 2 to 3:30 p.m. at the Nyack Library, 59 S. Broadway, Nyack, NY 10960.

The exhibition will be accompanied by various side events including discussions, lectures, a theatrical production, and public readings, each focused on different forms of feminist and gender research (from the perspective of art history, social sciences, philosophy, etc.).

It is within this platform or portrait painting and historical significance that Lerma finds windows of opportunity to expand on conversations of contemporary political, economical and civic discussion, creating work that is conscious of how the present is always contingent on the past and how art and history share parallel lines of innovation and progression.

The artist open up a deep discussion on Western painting legacy and its heritage in Brazil — especially the history of Brazilian academic art seeded by the Imperial Fine Arts Academy (Academia Imperial de Belas Artes) founded in 1816 in Rio, capital of the former Colony, by french masters and established there under the orders of King Dom João VI of Portugal.

-LSB-...] Dean and Professor of Art History Huey Copeland at the Wadsworth Atheneum Museum of Art, for a discussion on how contemporary African American artists address -LSB-...]

On any give day you can find her organizing an un-sanctioned performance art festival, hosting a Buffy The Vampire Slayer themed discussion group, curating group art shows, archiving Philadelphia's zine history, cosplaying to the max, or just camping with extreme style.

A panel discussion on the topic of pop and cinema, with leading scholars in cinema studies and art history — among them the art historian Kalliopi Minioudaki, and University of Michigan Museum of Art curator Jacob Proctor — accompanied the progrart history — among them the art historian Kalliopi Minioudaki, and University of Michigan Museum of Art curator Jacob Proctor — accompanied the progrart historian Kalliopi Minioudaki, and University of Michigan Museum of Art curator Jacob Proctor — accompanied the progrArt curator Jacob Proctor — accompanied the program.

Graduating from New York University with an interdisciplinary Master's in Art History and Gender / Sexuality Studies, she organized a panel discussion on the issues surrounding David Wojnarowicz's film «A Fire In My Belly» with panelists Dr Thomas Crow, Karen Finley and Leon Hilton, as well as published an academic article on David Wojnarowicz's representations of his mentor and lover Peter Hujar.

Free programs that complemented the Nasher exhibition included a panel discussion on Islamic art, religion and history; a free Eid al - Adha celebration and artist talk by calligrapher Mohamed Zakariya; the annual Semans Lecture by Massumeh Farhad, chief curator and curator of Islamic art at the Smithsonian's Freer Gallery of Art and the Arthur M. Sackler Gallery; an artist talk by artist Shahzia Sikander; Free Family Day events; K - 12 teacher workshops; films, book discussions and moart, religion and history; a free Eid al - Adha celebration and artist talk by calligrapher Mohamed Zakariya; the annual Semans Lecture by Massumeh Farhad, chief curator and curator of Islamic art at the Smithsonian's Freer Gallery of Art and the Arthur M. Sackler Gallery; an artist talk by artist Shahzia Sikander; Free Family Day events; K - 12 teacher workshops; films, book discussions and moart at the Smithsonian's Freer Gallery of Art and the Arthur M. Sackler Gallery; an artist talk by artist Shahzia Sikander; Free Family Day events; K - 12 teacher workshops; films, book discussions and moArt and the Arthur M. Sackler Gallery; an artist talk by artist Shahzia Sikander; Free Family Day events; K - 12 teacher workshops; films, book discussions and more.

We offer to those interested in contemporary art a series of weekly meetings that interweave the visit of exhibitions with interactive discussions on the different stages in contemporary art history.

On July 7 at 6PM on the first floor of the Podium, join Gates, The Studio Museum in Harlem's Thelma Golden, and exhibition curator Elvira Dyangani Ose for a discussion on art and its capacity to transform institutions, history re-writing, and social practicOn July 7 at 6PM on the first floor of the Podium, join Gates, The Studio Museum in Harlem's Thelma Golden, and exhibition curator Elvira Dyangani Ose for a discussion on art and its capacity to transform institutions, history re-writing, and social practicon the first floor of the Podium, join Gates, The Studio Museum in Harlem's Thelma Golden, and exhibition curator Elvira Dyangani Ose for a discussion on art and its capacity to transform institutions, history re-writing, and social practicon art and its capacity to transform institutions, history re-writing, and social practice.

Tomorrow at 7PM at The Art Institute of Chicago, join Glenn Ligon, Studio Museum chief curator and director Thelma Golden, Lynette Yiadom Boakye, and Cauleen Smith for a discussion on their work and how it examines individual and collective histories along with questions of cultural, social, sexual, and racial identity.

2017 Lecturer, Overlay Opening Discussion, Radcliffe Institute for Advanced Study at Harvard University, Cambridge, MA Lecturer, Covert Histories: Gray Matters Opening Discussion, Wexner Center for the Arts, Columbus, OH Visionary Artist Award Honoree, Art in General, Brooklyn, NY Lecturer, Graduate School of Architecture, Planning and Preservation, Columbia University, New York, NY Forum on Contemporary Photography, The Museum of Modern Art, New York, NY

• Introduced Celebrity Speakers, an initiative to encourage celebrities to speak on topics under discussion in class, thereby increasing students» interests in subjects such as art and history

About Blog Perfume Shrine is a perfume & art blog devoted to fragrance reviews, scent discussion, articles on perfume history and science, comparisons between modern & vintage scents, interviews with perfumers & insiders of the fragrance industry as well as scented travel memoirs, food and musings about anything scented.