One possibility to reduce these emissions might be to consider a wider,
dispersed method of application to the soil.
Not exact matches
Constantly evolving her
method of application, Lonegan's current paintings are a marked shift from her previous series, The Mark on the Wall (2012) and the White Page Paintings (2011), which leaned toward
dispersing gestures in blank, shallow space.
This
method gave very variable results, and no conclusions could be drawn from comparisons
of deep, narrow banding with a more
dispersed, wide band
application.