He hopes everything will be completed before the first year anniversary so the items can be set up in
a display as a memorial.
Not exact matches
With full respect of the autonomy of the local church, we call brothers and sisters in Christ who
display the Confederate battle flag
as a
memorial... to consider prayerfully whether to limit, or even more so, discontinue its
display.
Justice Anthony M. Kennedy, writing the lead opinion in a 5 - 4 decision in which several justices wrote separate concurrences and dissents, compared the Mojave Cross to a hypothetical highway
memorial marking the death of a state trooper to make the point that such
displays «need not be taken
as a statement of governmental support for sectarian beliefs.»
In their lawsuit filed last week demanding removal of the cross from the publicly funded 9/11
Memorial and Museum, American Atheists listed «dyspepsia,» «headaches,» and «mental anguish»
as physical injuries allegedly suffered by non-believers at the mere thought of the cross being included in a permanent
display.
As for the athiest victims, they didn't have a symbol of religion or lack of religion so there is no need to
display anything for them, other than the
memorial site with the names carved in.
As such, if the religious want it let them put it in one of their churches but DO NOT display it as an object of spiritual significance on government land using public funds in a memorial to commemorate a disastrous attack that affected the lives many, many people who do not share your beliefs in Christ and crosse
As such, if the religious want it let them put it in one of their churches but DO NOT
display it
as an object of spiritual significance on government land using public funds in a memorial to commemorate a disastrous attack that affected the lives many, many people who do not share your beliefs in Christ and crosse
as an object of spiritual significance on government land using public funds in a
memorial to commemorate a disastrous attack that affected the lives many, many people who do not share your beliefs in Christ and crosses.
A national group called American Atheists is suing the museum to stop the
display of the cross, arguing that a religious symbol has no place in a
memorial that's backed by public funds and that is supposed to serve
as a monument to victims of many different religions - and to those who had no religion at all.
When you make pillows
as adorable
as these Red and Blue Star Pillows, you'll want to
display them from
Memorial Day to Labor Day!
In recognition of December 1
as World AIDS Day, the Buffalo & Erie County Public Library at 1 Lafayette Square, downtown Buffalo, is hosting a
display of two large sections of the NAMES Project National AIDS
Memorial Quilt,
as well
as local AIDS quilts from Friday, November 29 through Sunday, December 8.
A poetry writing activity for your students that can be used for war remembrance days such
as: ♦ Anzac Day ♦ Remembrance Day ♦ Armistice Day ♦
Memorial Day ♦ Veterans Day Write the acrostic poem, add colour, cut and
display as bunting.
Creating the
memorial... was a lot more meaningful than just reading words in a textbook, because we had to really think about the war's impact on society
as a whole and how to
display the emotions that came along with it.
A company in United Kingdom called «Heavens Above Fireworks» offers a
memorial service that incorporates cremated ashes into a fireworks
display — maybe the pooches up there in doggy heaven will be able to enjoy the fireworks
as well.
The back of the card (shown here >) has the 10 L's listed above while the front of the card
displays your pet with their personal relationship to PuppyUp
as a
memorial, survivor or a supporter.
To acknowledge sponsorship of a dog kennel, a plaque will be attached to the front of the kennel,
displaying the sponsor's name and additional information such
as «gift», «
memorial» or «in honor of».
These can be placed in a special
display box
as a
memorial.
With black spray paint, florescent tubes, and the bus's
display of loudspeaker cones and their chrome housing, he even matches the color scheme of Banks Violette,
as in his
memorial to Dash Snow.
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit / installation was organized under the auspices of a «fia backström production,» a lesser production of curated ephemera such
as press releases, invites, posters, and so on culled from found materials and the work of a greater local network of friends and peers; the lesser aesthetics of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images of a lesser art industry itself within a critique of a greater institutional relationship to art production;
as such, the lesser
display of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex of art and capital, but also serves
as a lesser gesture toward something like a
memorial wall, not unlike a collection of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser
memorial for the greater commodified institution of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value of the pasted paper and its repetition, which dispels the greater value of precious originals; so the act of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm of Capitalism that can morph into an owner of its own critique; so that lesser new york is greater than its initial critique, greater than a work of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit of artists working together playfully is lesser, whereas the critique of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture of a curated mixed - media installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities of the organizing systems by Backström continue to put pressure on both the defining features of art production in both the lesser context and the decade - later greater one; further, the greater question of what constitutes an art
as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.