Sentences with phrase «display examples of work»

In addition, the art teacher displays a work by every student in the school and teachers display examples of work the students have done throughout the year.
The four hopefuls will display an example of their work... written descriptions of movie car chases on huge canvases.

Not exact matches

Soussan's post offers examples of real - life leaders of each type she has worked with as well as illuminating moments when they displayed their particular talents.
Most people would hesitate to hire an agency that didn't have any examples of their past work on display.
For example, a team at the University of Tokyo are working on a paper - thin polymer skin that can turn the back of your hand into a digital display.
In one example, scientists linked the brains of rhesus macaque monkeys, who worked together to control the movements of the arm of a virtual avatar on a digital display in front of them.
The display could be a rare example of the same sexual selection trait at work in both sexes.
The Shape of Water is that, certainly, a monstrous and modest example of Man - Child wish fulfillment but moreso is it something truly greater, the dazzling level of love of craft poured into each shot displaying a filmmaker working at his absolute peak, toiling from a place of pure, unchecked passion without much thought to the fact that his central conceit is wildly off - color and potentially repulsive to some, no matter how rose - colored the glasses you're looking at it through.
I also displayed examples of the students work and some text books.
You can print and display or handout the sheets, or share the document with students on the computer and they can click on the artist names / images to link directly to examples of relevant work on the internet.
Following this are examples of students work creating a display page with each of the elements.
At the Newseum, among many other exhibits, they display examples of communication errors in news headlines (a.k.a. «bloopers»), and they have worked with the Columbia Journalism Review to gather many more of these into a book titled, «Correct Me If I'm Wrong.»
Work tables replace desk rows; display and presentation areas are sport examples of student work; students have ready access to open Internet with strong bandwidth, varied computer models from media - ready notebooks to high end media work stations accompanied with a variety of technology tools replace printed text boWork tables replace desk rows; display and presentation areas are sport examples of student work; students have ready access to open Internet with strong bandwidth, varied computer models from media - ready notebooks to high end media work stations accompanied with a variety of technology tools replace printed text bowork; students have ready access to open Internet with strong bandwidth, varied computer models from media - ready notebooks to high end media work stations accompanied with a variety of technology tools replace printed text bowork stations accompanied with a variety of technology tools replace printed text books.
Judith C. Hochman, founder of an organization called the Writing Revolution, displayed examples of student work.
Most important for many, controls are where you expect them to be and any driver will be able to work out how to operate even some of those more obscure functions (scrolling through trip computer data displays, for example), within about five minutes — and without resorting to the manual.
In the example of the Bold, the display works out to be 60 % larger.
Some apps and menus — Skype and the notification bar being two prominent examples — don't work with the display's size and confine themselves to a half - size box in the center of the screen.
They can also specify a wealth of requirements: The one governing the Google Book Project includes details on how much of a work may be displayed (for example, «snippets» for certain in - copyright works).
If you work in the United States, for example, your employer has to display information about minimum wage, overtime pay, work hours, medical leave, union membership rights and the procedure of filing a complaint, to name but a few.
He also uses LinkedIn to display examples of his advertising work with links to his own website.
Credit report sample: How to read, understand your credit report — This interactive guide displays an example of a personal credit report and explains how each part works... (See User's guide to credit reports)
But with ever increasing entry rates of almost 9,000, we can see example where the IGF is focused on further displaying established work.
Horizon Zero Dawn is easily one of the most impressive titles we saw at the PlayStation Meeting, and it's a fascinating example of the how well the upscaling algorithms work in creating a substantial upgrade for 4K display owners compared to the native 1080p resolution edition found on the base level PlayStation 4.
One more example of a local gallery displaying eye - catching work that comments on technological change is a series of ceramic sculptures by Berkeley - based artist Woody De Othello.
Ed Atkins's solo show at the Serpentine gallery this year (11 June — 25 August 2014) was an example of how video work can be displayed well.
Known for their pioneering work with various synthetic resins and synthetic polymers during the 1960s and «70s, these artists are today recognized not only for their active roles in the development of plastics as a newly discovered medium in art, but also for their sophisticated techniques and at times even quasi-acrobatic prowess required to shape them into the seamless, translucent, luscious volumes: some impressive examples of these artistic exploits will be on display at Almine Rech Gallery.
Finished examples of the artists» work, displayed in books and catalogues, will also be on show.
From examples of Chinese calligraphy that informed his cut - out period to African sculptures that influenced his depictions of the human figure, his personal possessions played a role in each stage of his career — and in many cases you can see the works they inspired displayed alongside.
In our collection, for example, Cy Twombly's Untitled (Rome, The Wall) from 1962 is displayed in the same room as Mario Merz's Igloo from 1969, and a Picasso from 1948 stands in front of a work by Jannis Kounellis dated about twenty years later.
While Meckseper's earlier vitrine works commented on contemporary consumer culture using the shop window as an example and focus point for civic unrest and protest in our late capitalist society, her current works allude to the political dimension of early modernist display architecture and design between World War I and II in Weimar Germany.
But even if we feel the works appear more real, with the natural light for example, that is also a result of conscious choices regarding display.
In works by Barbara Kruger and Cindy Sherman, for example, deconstructed and appropriated images displayed the disparity between individual agency and expectations that stemmed from the social construction of femininity.
The Biennial also includes ceramic works by Sterling Ruby, John Mason, Shio Kusaka, and Pam Lins (in collaboration with Amy Sillman), and while the examples here are colorful and lustrously glazed, they serve the same conceptual purpose as the works mentioned above within the larger conversation the of Biennale — that is, they highlight the action of the artist's hand as works requiring dexterous skill in a world where such displays of manual proficiency are fewer and farther between than ever before.
Faith Ringgold: An American Artist, on view at the Crocker Art Museum, displays more than 40 examples of Ringgold's varied works spanning four decades.
Examples of Heilmann's chairs will be on display in this gallery, giving the viewers an opportunity to sit and discuss the works on view.
The twelve works on display by established and emerging artists build on a dialogue begun in previous years, developing a debate about art in public places and the condition of sculpture as an evolving conversation that proceeds by example, as an exchange of ideas between artists and artworks.»
Modern Masters will display works that begin in the late 1800s, including stellar examples of post-impressionism by Henri de Toulouse - Lautrec, Van Gogh, and Paul Gauguin.
Early examples of the revolutionary assemblages of found objects by Tony Cragg will be on display, as well as a painted steel work by Julian Opie titled Abstract Compositions with Pilchards (1984), both of which look ahead to the equally systemic and primary - coloured construction of stacked IKEA tables by Ryan Gander, Samson's Push, or Compositie (2010).
The artist's use of unconventional materials and his central position in early British Conceptual Art is further informed by displays of contemporary material from the Estate archive, including examples of the artist's concrete poetry, working drawings, logbooks and photographs.
While an emotional encounter with a single art work remains the classic example of the «power of art» — e.g. people moved to tears by Guernica (1937) or, more recently, by Marina Abramovic»s face — the themed group show, as an affective and effective system of display, has since the 1960s threatened to dislodge the dominance of that Romantic model.
The Noguchi Museum, which was designed and created by renowned Japanese - American sculptor and artist Isamu Noguchi, displayed work from all participating students in the museum's lower - level gallery, including drawings, examples of object analysis, and four select student projects in their entirety.
At the Jewish Museum we find works from elsewhere that are selected for their formal similarity to those that were in Primary Structures, displayed as additional examples of the «stylistic tendency» that curator Kynaston McShine saw in some North American and British sculpture of the mid-60s.
This exhibition will not only focus on her well known photography but will also display examples of her earliest work as a portrait photographer in Paris during the 1920's; her New York photographs of the 1930's; her scientific photographs from the 1950's and her images from U.S. 1 the coastal highway from Maine to Florida.
In addition to making prints, we will have opportunities for group and / or individual critiques along the way and will discuss various methods of displaying finished works: several examples will be provided.
What her work displays for us, and the reason why we have decided to include the paintings as an example of line art may surprise some but in fact, they are important as they showcase the variety of the definition what line is.
Of course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie ObadiOf course, there were many thematic and visual references to poverty and exclusion that were framed by the discourse of art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadiof art history — as in a metal construction by Jannis Kounellis [who died in February this year] that combines a hard - edged steel - cast minimalist frame with multicoloured rags of Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadiof Arte Poveraat White Cube, for example; or in a an arresting display of Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadiof Sadie Benning's «drawings» made of wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadiof wood, Aqua - Resin, casein and acrylic gouache with motifs reminiscent of African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadiof African textilesat Susanne Vielmetter Los Angeles Projects; or works about otherness framed by the formerly excluded, or on their behalf — as in a display from the Goodman Gallery in Johannesburg, South Africa; or Andres Serrano's unforgettable photographs of notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadiof notable figures in American pop culture, such as his portrait of Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadiof Snoop Dogg (America)(2002) placed next to that of Donald Trump, on view at Galerie Nathalie Obadiof Donald Trump, on view at Galerie Nathalie Obadia.
Sheer Pleasure — Frank Brangwyn and the Art of Japan at the William Morris Gallery promises to be a rare and exciting opportunity to view the works in the Brangwyn collection, many of which will be displayed publicly for the first time, alongside important examples of Brangwyn's own work.
For example, artists can grant one company the right to reproduce a work of art on a T - shirt, grant another company the right to reproduce the artwork on a coffee mug, grant a third company the right to distribute it, and grant a museum the right to display the artwork.
Amongst the many examples of his work on display here, you'll notice levitating, nude sculptures of women — some covered in dripping black or even pink crude oil, as part of his recent Crude series.
One example of such a remove is the work of Shōmei Tōmatsu, who photographed victims of the A-bombing of Nagasaki (the two pictures on display were taken in 1961 and 1962).
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