You can also visit the imposing sail training ship that's moored by the Maritime Museum, the military cemetery and
a display of the film sets.
Not exact matches
During production
of the
film, director Josh Trank
displayed «erratic» and «very isolated» behavior on
set.
It's the
set - up
of studio
films like Rough Night and Game Night, which see the likes
of Scarlett Johansson and Jason Bateman
display increasingly absurd levels
of agita.
But unlike other dark comedies to make the jump («Mean Girls» director Mark Waters» «The House
of Yes» comes to mind), Finley
displays a natural cinematic instinct, treating the baroque, marble - lined mansion where the
film principally unfolds not as a closed - in
set, but a kind
of tiger sanctuary, prowling the location in long, restless takes — whether it's stalking an SUV up the gravel driveway or lurking behind a door jam, carving knife in hand, while two characters stare each other down in the adjacent room.
His
film relies far more on the strengths
of its female leads than those
of the males, hence Reilly's skill
set isn't really ever put on full
display.
Although one expects a raunchy good time, the
film does employ a tedious
display of body fluids, all
of which are represented in one form or another, and so predictably
set up that those susceptible to nausea at gross - out moments should have no problem turning their gaze elsewhere prior to these
displays occurring.
The two roles
set the template for much
of the
film career that followed, as Rickman
displayed a remarkable aptitude both for sneering villainy (Robin Hood: Prince
of Thieves, the Harry Potter
films) and for deep melancholy, whether quiet (Sense and Sensibility) or otherwise (Dogma, The Hitchhiker's Guide to the Galaxy).
That doesn't imply Neeson won't ever use his explicit
set of abilities once more, however in the meanwhile it sort
of feels he's that specialize in
films and TV
displays that don't require him to slap evil - doers foolish.
Set in the fictional country
of Zubrowka (a very fine bison - grass vodka IRL), the
film displays an unbelievably precise, irreverent and occasionally very funny eye for the minutiae
of a vaguely Germanic, vaguely Eastern European country marked by recognizable, if allegorical 20th century history.
Hansen - Løve
sets herself apart from the horde
of stylistically similar teen
films with her elegance, in the subtle cues that mark a leap forward in time, or the tacit
displays of affection and arousal.
But with its dark, grimy Dickensian squalor (courtesy
of one
of Shepperton Studios» most authentic
sets — now sadly dismantled), Oliver Reed's memorably chilling arch crim Bill Sikes, and at least one shocking murder, the
film also
displayed a level
of foreboding darkness capable
of scaring the bejesus out
of younger viewers.
Extensive exhibitions at Tate St Ives and Yorkshire Sculpture Park, and the permanent
display at the Barbara Hepworth Museum, provide sumptuous
settings for many
of the works included in this
film.
For example, Sherman's ground - breaking Untitled
Film Still # 41 (1979), which opens the show and depicts a staged
set - up
of the artist as a glamorous actress in a striped bathing suit,
displays a grainy texture, achieved by accident when the top came off the can
of film she was developing.
Composed
of more than 20 events, presentations, and exhibitions, Pratt Shows includes fine art installations,
film screenings, readings, and industry trade shows,
setting Pratt's collaborative and interdisciplinary approach on
display.
The pavilions will undergo a radical reconstruction, and more than twenty artists and designers
of all ages, ranging from established to emerging ones, will contribute to creating a different kind
of exhibition format, one that will appear closer to a
film set than a conventional art
display.
Julian Göthe has chosen the antiquarian bookstore window as the ideal context for his work, relating as it does to the forms
of display and interior design used in the elegant window - dressing
of luxury shops and above all in
film sets.
Now on view at the Museum
of Modern Art, this addicting and idiosyncratic 13 minute
film explores various creations myths, through a dizzying
display of modern and ancient artifacts and images which open and close in windows on the screen,
set against a hip hop beat and spoken word poetry on the origins
of life, in some ways taking aim at the history and science
of anthropological collections.
The exhibition includes Christian Marclay's cinematic collage and working timepiece The Clock (2010); Sarah Lucas» biomorphic sculpture series NUDS (2009 - 10); George Shaw's hallucinatory paintings
of West Midlands council estates; Elizabeth Price's seductive and unsettling
film User Group Disco (2009)
set to an 80's soundtrack; Maaike Schoorel's atmospheric paintings; Matthew Darbyshire's exploration into taste and
display in An Exhibition for Modern Living (2010) and Duncan Campbell's examination
of the public persona
of Britain's youngest ever woman MP, Bernadette Devlin in Bernadette (2008).
On
display is an installation
of paintings that re-purpose materials used during the process
of painting, a group
of dark paintings that utilize paint sludge, and a series
of paintings that are based upon
film stills used in studio
settings.
What (Else) to Do When You're in Town for Nyu's 2017 Commencement States News Service; May 2, 2017; 700 + words... an exhibition featuring the work
of 18 MFA
set, costume, lighting, and
film designers... exhibition
of thesis work by Steinhardt MFA students (on
display in the gallery through... s work is also featured in the 2017 Whitney Biennial Exhibition, on view through June 11 at...