Sentences with phrase «displayed changing exhibitions»

To visit the house you need to time it right as it's only open to the public three months out of the year to display a changing exhibition.

Not exact matches

Traveling exhibits, special collections and other changing displays may be viewed in the Temporary Exhibition Gallery.
This exhibition needs to be on display in High - kill cities so that people are aware of what is going on in thier backyards and change it.
As well as the historic rooms, where the central focus is on the life story of Anne Frank, an interactive exhibition and a temporary exhibition which is changed each year are also on display in the Anne Frank House.
The detailed exhibition displaying artefacts from the period allows us to step back in time and better understand the lives of those changed irrecoverably by the Great War.
They are both invested in art's revolutionary possibilities for social change as evinced in Rainer's anti-war protest dances in the 1970s and the feminist dimensions of her radical choreographic style and films, as well as in Pendleton's Black Lives Matter flag for the Belgian Pavilion in the 2015 Venice Biennial and his latest series of paintings entitled Untitled (A Victim of American Democracy), which debuted this past summer as part of Edwards» Blackness in Abstraction exhibition at Pace Gallery and are now on display in Pendleton's first show with Galerie Eva Presenhuber, Zurich named Midnight in America.
In addition to the changing exhibitions and displays, The Lightbox runs an extensive education and events programme, ensuring that there is always something different to experience.
One can see those twin aims in everything from the deadly 2010 renovation to extended hours and curatorial changes — and from the permanent display of Judy Chicago to socially aware exhibitions of Jean - Michel Basquiat, Lorna Simpson, the Civil Rights movement, Wangechi Mutu, women in Pop Art, «Global Feminisms,» gay artists, SWOON, Mickalene Thomas, El Anatsui, and Ai Weiwei.
For those not familiar with The Clore Gallery which resides on the same floor as the Late Turner exhibition; it houses a constantly changing display of the Turner Collection.
The video work on display will change throughout the exhibition, with the next video scheduled to debut in October.
As well as the permanent displays, the Gallery has a diverse and ever - changing programme of exhibitions and events that promote an understanding and appreciation of portraiture in all forms.
Stewart - Halevy highlights this element of the piece (on display elsewhere at CCS Bard) by turning the act of changing the lettuce into a performance in itself, documented throughout the duration of the exhibition.
Now, Mr. Stella's 60 - year trajectory as an artist, which developed as he traveled the world, is on display in an exhibition, Frank Stella: Experiment and Change, at the NSU Art Museum Fort Lauderdale, in Florida; the show will run from Nov. 12 to July 8, 2018, and includes approximately 300 of his paintings, sculptures and drawings spanning from the late 1950s to the present.
Below, art historian Jacky Klein presents our video - tour of the exhibition, including a taste of the stunning works on display and an appearance from Tate Modern's Director, Sir Nicholas Serota, who explains how the artist changed the face of modern art.
13 Oct 2017 30 Sep 2018 IMMA Collection: Coast - Lines Drawing on the paradox implicit in the word «coastline» - for never has a coast followed a linear course - the title of this exhibition throws a line around a 12 month programme of changing displays of artworks and archival material that will explore our sense of place, perception, representation and memory.
Roberta Smith, who in 1993 wrote for the New York Times Weekend in Review, «This exhibition exemplifies what seems to have become the New Museum's house style: a display of rather antiseptic, Conceptual - based artworks organized around a theme that is top - heavy with theory» continues to review the museum's exhibitions; Palestine remains under occupation; and while the cultural perception of AIDS has changed, from «gay cancer» to an African epidemic, the disease rages on world - wide.
Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.
In addition, three indoor gallery spaces accommodate changing exhibitions and collection displays of works on paper, photography, painting and sculpture.
Please note all details including featured works, display / exhibition dates and hours are subject to change, and tickets are subject to availability and access, for all confirmation please contact York Art Gallery, UK.
Regularly changing exhibitions and displays reveal trends and themes, with contributions from major UK and international artists, both historic and contemporary.
Please note that all exhibition details including dates and displayed works are subject to change, please consult the Manchester Art Gallery for all confirmation.
* Please note: Exhibition / event details, dates and times, and paintings displayed, are subject to change.
While the exhibition showcases the changes in Schifano's style over a short period, signs of continuity are still apparent: his loose brushstrokes, unusual materials, motifs which display and conceal the canvas, and preference for certain colours, in this exhibition cyan and terracotta.
Comprising 40,000 square feet of exhibition space, the display changes every six months and is open all year round to the public.
Kingfisher, a pastel work on paper included in the upcoming exhibition, displays the artist's subtle nod to the changes of autumn, with areas of burnt orange and olive green over a smoky gray background, which both absorbs and creates a subset of new colors.
The exhibition moves away from the political messages behind the works and claims about the ability of art to deliver political and social change, and instead focuses on the effect political values have had on the processes, aesthetics and display of artworks.
* Please note exhibition details, including art displayed and dates are subject to change, for queries please consult the AGO.
«We just can't be sure why Rembrandt abandoned the portrait, it might be that he was influenced by another picture he saw or the patron may have suggested a change,» said Larry Keith, head of conservation and keeper for the National Gallery in London where the painting will go on display as part of its new exhibition examining the painter's late works.
Please note that all exhibition details including works displayed and dates are subject to change.
Works created specifically for Gutstein Gallery will also be on display, including installations by SCAD alumna Cory Imig (B.F.A. fibers) that incorporate balloons, tape and paint, and are designed to change during the course of the exhibition.
2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, BarExhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barexhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES
NURTUREart's new group exhibition features a group of social - informed video, sculpture, installations, and interactive displays in order to not only start a conversation but to enable actual change in contemporary issues, such as livable wage, sustainable energy, and the exploration of alternative economies.
Unlike the LeWitt exhibition, which will remain intact until 2033, several of the long - term arrangements for Building 6 allow the artists to change the work they display through the years.
Another weakness of the opening display are the» spotlight» galleries that explore different themes or the work of one artists in depth in small exhibitions that will change every six months or so.
The «gallery without walls» has a changing exhibition programme, rather than permanent display as seen in other UK sculpture parks such as Grizedale Forest.
Dorothy Cross / Tabernacle, 2013 / Currach, shed, wood, roller blinds, mixed media, video / 270 x 522 x 126 cm / Collection Irish Museum of Modern Art / Donation, 2015 / IMMA.3881 Drawing on the paradox implicit in the word «coastline» - for never has a coast followed a linear course - the title of this exhibition throws a line around a 12 month programme of changing displays of artworks and archival material that will explore our sense of place, perception, representation and memory.
This community gallery used to display Skirball changing exhibitions also serves as a pre-function space for evening events in the Magnin Auditorium or the Museum.
PRAXES presents half - year cycles of changing exhibitions by two unassociated artists, this autumn displaying Gerard Byrne and Jutta Koether.
The visceral exhibition investigates the relationship between a love for tropical plants and changing attitudes towards collection, exploration and study — contextualised by archival material and the contemporary work on display.
Organized by Timur Si - Qin at Andrea Rosen Gallery, the group exhibition Asdzą́ą́ Nádleehé (Changing Woman) is an ambitious display of varying capabilities of artistic production.
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