Sentences with phrase «displaying historical works»

At noncommercial venues displaying historical works, using colors other than white is standard practice.

Not exact matches

It was not long after this that he undertook the historical investigations for his seminal work, The Relevance of Physics - a work that displayed his mastery of science, history, philosophy and theology and scholarly attention to detail.

The late Halberstam's commanding and evocative final work displays his signature style: a combination of deep - drilling interviewing with thorough research, a detached awareness of historical trends, and «a respect for the nobility of ordinary people.»

The vitrines display sculptures with titles such as Historical Land Mind and Sandmandia, which are meant to be seen from above or in the round, while the niches present several works, including Elusive Combinations and Glorious Assemblage, whose branch - like forms and scroll - like bases evoke the art of bonsai.

The American artist is displaying a selection of space - related works which offer an historical overview of his involvement with sculpture.

A staple in art historical discussions of institutional critique, Lawler's photographs challenge the viewer to think about the context in which works of art are displayed, and subsequently the overlooked aesthetic choices made by the places in which they are viewed, sold, and stored.

Ms. Lévy will have three exhibition floors, enabling her to simultaneously display the new and historical work of a single artist — like Pat Steir in 2017.

The New York Historical Society's exhibition «The Armory Show at 100: Modern Art and Revolution» celebrates the centenary of this landmark event by exhibiting approximately a hundred works originally displayed beneath the festooned ceiling of the 69th Regiment Armory.

He typically finds the sources for his work within the materials, advertising, and packaging produced by technology and media companies, and often deploys graphic interfaces borrowed from commercial display to highlight connections between the utopian goals of the new media economy and those of historical modernism.

As a part of the Amon Carter's ongoing exploration of the relationship between historical and contemporary art, Surls will speak about his work, how he started as a sculptor, and the process and materials he uses while displaying images of his work and process.»

Although a great deal of research and work is necessary to determine the aesthetic and historical significance of this current display, we may be assured that the so - far - generated polemics regarding its place and meaning have laid the foundation for its enduring significance not only in Iran but also worldwide.

In all 72 association member galleries are scheduled to participate, displaying work from all major art - historical periods from the Old Masters all the way to Contemporary Art.

These glass cabinets offer a mode of presentation where artworks and historical documentation come together, offering an insight into the working methods, influences, collaborators and supporting institutions, and the significance of women artists in the broader cultural field, such as Patrick who co-founded the Glasgow Women's Library over two decades ago, of which photographs from the 1990s are also on display.

It entirely elides the historical specificity and singularity of the works on display.

The works are often richly imbued with the art historical references for which O'Reilly displays a loving fascination.

With more than 50 of his works on display, the exhibition has been cleverly and informatively curated so as to place Marini's work within the wider art - historical context, ranging from early Etruscan sculpture, through 15th - century Florentine works, to Auguste Rodin and even Henry Moore.

Often using vibrant colors and fine line painting techniques, Superwaxx is better known for her collective works which display her signature style while incorporating cartoon like aesthetic to narrate various subjects and topics often pertaining to historical or personal events.

The drawing will be displayed alongside historical works created during Jones» 1983 — 1984 artist residency at MoMA PS1 in New York, providing a small overview of Jones» diverse oeuvre.

Mixing historical and contemporary art in different media presents a number of practical challenges as different works have varying conservation and display requirements.

The exhibition will feature large - scale vitrines, mirror wall panels and photographic works that reveal a historical link between contemporary consumer display forms and their early 20th century precursors.

On display are 23 works, both historical works from the 1970s in particular (definition - method 208c painting, depainting, repainting and definition / method 98: to be continued), as well as nine new works.

Lambri's carefully composed and thought - out works evoke art - historical traditions of minimalism and abstract painting, and therefore, her images often display Modernist ideals of framing, abstraction, and transcendence.

At Turner Contemporary, it will be displayed within the context of a trans - historical exhibition that includes figures such as Thomas Gainsborough, Joseph Wright and Angelica Kauffman, as well as major 20th - century and contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100 works in total).

Whether the art is depicted on a table, a wall, or in more recent works, in an art fair display, the viewer will go on an art historical journey through Fischl's paintings from three decades.

With this painting it does seem as if we've traveled into a parallel world, but the fact is that the blue - chip dealers have a good deal of art historical works on display

Historical works by Hans Haacke, Robert Breer, Otto Piene, and Gianni Colombo, amongst others, are displayed alongside reconstructions of lost works and realizations of dystopian mechanical devices invented by figures like Franz Kafka.

This museum - quality exhibition juxtaposes for the first time historical works by Japanese artists belonging to the original Mingei movement — whose techniques derive from traditional methods of craftsmanship, as seen in many of the Japanese artifacts on display — with the works of modern and contemporary artists, designers and architects, who keep alive the philosophy of Mingei today.

Such exhibitions include displays especially designed for the Costume Institute, paintings from artists from across the world, works of art related to specific art movements, and collections of historical artifacts.

His most well - known body of work, The Vesper Project, an installation of sculpture and painting, displayed within the reconstructed walls of an actual 19th century historic houseexemplifies Kaphar's interest in historical memory and reconstructed narratives.

This sense of interconnectivity is made more explicit in his ongoing Systems of Display series, a collection of small, mirrored works printed with found historical photographs: photojournalist Ian Berry's documentation of Congolese liberation, a set of Bauhaus dinnerware, a tribal mask from a Liberian secret society.

This exhibition at Crystal Bridges will be the last time these works are on display outside of the New - York Historical Society.

The display of seemingly unrelated objects in terms of spatial proximity, differences in scale, subject matter as well as the overall diversity of Birmingham's collection chimes with Jess's citation of many inter-connecting references in her work allowing innovative overlaps of visual, historical and cultural analogies.

While the exhibition's rich display resonates with the variety of material and conceptual strategies at work in Pendleton's oeuvre, it is the artist's subversive modes of intervention into historical discourses of vanguard art and politics that lend weight to the complexities of his practice.

Since his groundbreaking exhibition at the Maryland Historical Society in 1992, Wilson's work has challenged assumptions of history, culture, race and ideas of display.

Opening today this first display of works explores the emergence and subsequent development of an Arab art aesthetic through drawings and paintings from the early twentieth century to 1967, an important historical period in the region.

ORGASMIC STREAMING — ORGANIC GARDENING — ELECTROCULTURE — «a group exhibition looking at practices that emerge between text and performance, the page and the body, combining a display and events program of historical and contemporary works — seeks an alternative framework to look at the influence of conceptual procedures as well as experimental writing within contemporary feminist performance practices across visual art, sound and text.»

The art works will be exhibited and displayed everywhere inside WILLIAMSBURG ART & HISTORICAL CENTER, one of the historical buildings ofHISTORICAL CENTER, one of the historical buildings ofhistorical buildings of Brooklyn.

ORGASMIC STREAMING — ORGANIC GARDENING — ELECTROCULTURE — «a group exhibition looking at practices that emerge between text and performance, the page and the body, combining a display and events program of historical and contemporary works — seeks an alternative framework to look at the influence of conceptual procedures as well as experimental writing within contemporary feminist performance practices across -LSB-...]

Pairings of historical and contemporary art works in the display sometimes highlight changing social or political conditions.

The performance works in the main gallery, which featured the historical core of the show, were displayed through more expected means: as films, videos, and photographs documenting events that occurred long ago and far away.

The show encapsulates the work of six international artists probing the meaning of archive, edifice, and historical idiosyncrasy through play with document and display.

Relevant and inspiring, the works on display provoke a series of questions and open up a debate — from playing with form to questioning the boundaries of each medium and merging the worlds of art and science to stimulate discussion on social, environmental and historical issues.

Investigating the political, geographical and social aspects of war, the works on display respond to the theme from various outlooks, presenting direct testimonials, personal experiences or references to historical moments.

On from 10 May to 21 July 2018, the exhibition displays both historical and more recent works by artists who have worked within the legacy of the historical movement into the 21st century, and presenting both an homage and ongoing outlook to the visionary spirit of Denise René.

Here, his works engage some familiar and peculiar architectural and display features (floors, shadows, frames, walls, views) he's encountered in various historical and imaginary, current and future museums in the Arab world.

Macuga's work interweaves two strands that have helped define contemporary art in the last decade: artists» increasing tendency toward historical and archival research and their growing interest in strategies of display and the dialogue between artistic and curatorial practice.

In lieu of a press release, Berlin - based scholar and critic Diedrich Diederichsen — who organized the show in collaboration with Galerie Buchholz codirector Christopher Müller — provided a feature - length work of art - historical exposition drawing comparisons among historically and geographically disparate cultural phenomena, fleshed out by loosely schematic displays of pertinent art and ephemera.

The process of differentiating between works of art and historical documents, images and reproductions, exhibits and displays, installations, stages and filmic setting will be shifting within the exhibition.

In the titles of these and the other works on display, Binion instrumentalizes the colon symbol as a passageway that embodies a logic of correspondence, thus pointing to the paradoxical structures underlying his work: Binion's fusion of artistic gesture and iterative labor, equivalence and difference, aligns his practice with that of post-Minimal and Conceptual artists, but the intimacy of his surfaces» construction, their unfolding into multiple levels of trace and duration, gives the paintings a haunted sense of historical revisitation.

masks together with film, historical images and documentation will be on full display in the exhibition together with comic strip drawings, works on paper, collages, photographs and theatre posters.