It has about 6 hour battery life and not only allows you to read books but also is capable of
displaying video and photographs and playing music.
Not exact matches
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Photographs, a
video, letters, a copy of Miss Haining's handwritten last will
and testament are also among the items on
display at the heritage centre.
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photographs, images, illustrations, software, audio
and video, also known as the «Content» or «Material») on the Site.
For the first study, which was published in February in Human Brain Mapping, 20 people were shown a
video of a hand being poked with a pin
and then asked to imitate
photographs of faces
displaying a range of emotions — happy, sad, angry
and excited.
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photographs and videos (together, the «Photos») #southmoonunder on Twitter, Instagram, or Facebook you, the undersigned, hereby grants South Moon Under
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Communicate your clinic's dedication to cats by
displaying cat art, client
photographs of cats
and videos designed to start a conversation about preventive heathcare.
Video and photographs also pop on this
display,
and for these uses, the increased viewing angle can be very useful.
The puppets
and sets from the performance were
displayed as sculptural works in the exhibition, along
video and photographs of the puppet show.
The artist — who lives in Berlin — will be
displaying his extensive
and many - sided oeuvre, consisting of
photographs, abstract paintings, table installations,
videos,
and artist's books.
The new works at the Lisson Gallery took him first to Barbados
and then to Greece for two dual - screen
video works, which will be
displayed alongside a series of new
photographs.
The
photographs and video works in this exhibition
display the ups
and downs of life, freezing the frame somewhere between the beginning
and end of an action, from the precise click of the shutter.
The Boiler House will open a room of
photographs of workers from an East German clothes factory
and the Moscow Metro by Helga Paris
and Olga Chernysheva, a group
display about artists» responses to the HIV / AIDS pandemic,
and a room showcasing Erkan Özgen's powerful
video Wonderland, in which a deaf - mute Syrian child communicates his experiences of war.
Her
video diptych, Bowery Highlights (2008), returns to the site of her earlier work but generates a second report through the juxtaposition of
photographs and real estate documents, rooflines
and certificates of occupancy,
displaying the radical ascent up the social scale of the residents of the area
and the conversion of the living spaces of earlier eras.
They have attained the status of «art world superstars,» as such figures are commonly called today, for continuing Baldessari's mission of raiding mass - produced entertainment in such a direct, unmediated way that it has become increasingly unclear what sets their
photographs, collages, paintings,
videos,
and installations apart from the commercial products they are «appropriating,» except for the fact that their work is
displayed in art galleries
and museums
and auction houses.
The Farina
display is a paper trail of sketches, typewritten pages, posters, flyers, announcements, ticket stubs, press releases, mailers
and a handful of
photographs; in the absence of film /
video, a handful of personal accounts of Farina's performances are provided on a photocopied takeaway.
The theatricality of the
photographs, in the instances of Destiny
and Gabriel (2016)
and Moth (2015), are interrupted by
video displays that jut out of the wall.
The work comprises material from the day's events including
video documentation of the races, an album of
photographs, pin - board
displays and the original poster.
His
video installations are usually
displayed across multiple screens
and accompanied by still
photographs, conveying a sense of fragmented narratives
and reflecting on the ideas of memory
and remembrance.
Some of the participating artists include: Abbas Akhavan who will exhibit a water fountain created using stacks of dishes pots
and cooking pans that explores the politics of hospitality; Zineb Sedira whose large - scale
photographs and sugar sculpture references the history of sugar, race, migration
and globalization; Tadasu Takamine reflects on the consequences of the catastrophic nuclear meltdown at Fukushima in a series of performative
videos; Asunción Molinos whose work in the show originates for a «pop - up» restaurant she ran in Cairo which dealt with issues related to Egypt's export / import policies
and Senam Okudzeto whose work Portes - Oranges features metal sculptures used by Ghanaian fruit sellers to
display oranges.
The initiative's contribution to the show includes an interactive
video display documenting (without the use of explicit
photographs) thousands of lynchings of black Americans in the late 19th
and early 20th centuries.
Works on
display include sculptures, paintings, installations,
videos and photographs, installed throughout the Grade I - listed St George's Hall.
«Both of these institutions, with exhibitions like The Quilts of Gee's Bend
and William Eggleston: Democratic Camera —
Photographs and Video, 1961 - 2008,
display an interest in how art of the American South fits into the broad category of American Art.»
Her
photographs, large - scale installations
and immersive, multichannel
video rooms address the viewer through an intensely spatialized visual
display.
Also on
display are short films, large - scale prints
and paintings using onomatopoeias, as well as a slideshow of Christian Marclay's
photographs of onomatopoeias (Zoom Zoom),
and the large - scale
video installation that shows onomatopoeias cut from comic books
and animated in a dynamic composition that corresponds to each word (Surround Sounds).
Burge's first solo Philadelphia exhibition comprises prints, drawings, a
video,
and photographs displayed in one half of the Print Center's second floor, while two site - specific works are installed in the other half.
Its impressive collection includes nearly 40,000
photographs, interviews, artifacts, interpretive
displays and award - winning
videos that chronicle the historic chain of events preceding his assassination on November 22, 1963.
The impressive collection at the Sixth Floor Museum at Dealey Plaza includes nearly 400
photographs, interviews, artifacts, interpretive
displays and award - winning
videos that chronicle the historic chain of events preceding his assassination on November 22, 1963.
Some 60 works are on
display including
photographs, sculptures
and video.
The performance works in the main gallery, which featured the historical core of the show, were
displayed through more expected means: as films,
videos,
and photographs documenting events that occurred long ago
and far away.
Also on
display are the
video installation Ghost (2013), excerpted youtube footage of American soldiers returning home to surprise their families which repeatedly fades to white,
and the
photograph and after
and after (2003/8).
Her role - playing was then documented in
photographs and videos, which are
displayed here alongside various props, notably large - scale flattened paper dolls, the companions with whom Antin enacted her performances.
This
photograph is a still from Wallinger's
video installation, The Underworld, a disharmony of sound
and image depicting footage from an old BBC recording of Verdi's Requium, also
displayed upside down.
A platform highlighting works rarely seen in an art - fair context, the sector included a single - artist
display of nine
videos by Peter Campus at Cristin Tierney Gallery (New York) presented together for the first time in over 30 years; one of the largest selections of
photographs by Roy DeCarava at Jenkins Johnson Gallery (San Francisco, New York);
and an overview of work by Dorothy Iannone at Peres Projects (Berlin).
Consistently controversial, The Turner Prize has inspired debate over the nature of art today, with many traditionalists taking issue with its very naming
and questioning whether the eponymous painter would have approved of the myriad installations,
video works
and photographs that have been
displayed over the years.
The artist — who lives in London
and Berlin — will be
displaying his extensive
and many - sided oeuvre, consisting of
photographs, abstract paintings, table installations,
videos,
and artist's books.
Jean - Paul Kelly creates
videos, drawings
and photographs that are often
displayed together.
In something of a change from the artist's typical
displays of found
photographs, here images will be incorporated into large scale collages, multi-channel
video projections (which worked so well in The Visitors by Ragnar Kjartansson at Luhring Augustine),
and moving screens which will zip around the gallery space on a custom - built track.
Also on
display will be SCALE OF THINGS (to come)(2010) an interactive staircase made of metal chains
and tubes which will offer a view of the gallery space from above, the
video No Head Man (2009),
photographs, collages
and different series of small spray - drawings
and large scale drawings from the series Hurricane
and Other Catastrophes.
'Re - imagining the Family Album through Literary Adaptation», analyses the «PastPresent» (2005)
photographs and the «Fortune - telling / Re-telling» (2007)
and «The Deep Sea Swell» (2009)
videos from her «Waste Land» project (the former currently on
display at Turner Contemporary).
Something New in Painting (
and Photography)[
and even Printing] will also
display two large - scale, digitally - altered
photographs that have been inspired by his earlier collage work made up of polaroids
and multi-screen
videos.
The
photographs and video works in this exhibition
display the ups
and downs of life.
Many of these works will be represented in the exhibition in a
display of working models,
photographs,
and archival
video footage of his Cushing property.
Photographs from Kohei Yoshiyuki's The Park series
and Doug Rickard's NA
video were
displayed in Public, Private, Secret, the debut exhibition at the new ICP Museum from June 23, 2016 — January 8, 2017.
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Model — Levi Strauss Jeans — San Francisco, CA — 03/2016 to Current • Appear in three online store images featured on select in - store
displays • Pose for still photographic shots used in a print advertisement • Record
video perspective shots wearing jeans • Feature in images on websiteHand Model — Real Simple Magazine — New York, NY — 08/16 to Current • Pose for
photographs for print
and web magazine content • Appear in graphics for feature article on holiday jewelry • Feature in graphics accompanying article on hand
and nail care • Wear nail polish in feature on seasonal trends