The show at Michael Werner — surely a precursor to a retrospective —
displays early sculptures and remnants from his performances on a plinth, like relics in a museum.
Not exact matches
Many of the art and artifacts on
display come from
early expeditions: Sumerian cuneiform clay tablets (with some of the world's oldest writing), architectural elements from the 3,200 - year - old palace of the Pharaoh Merenptah, towering ancient Maya stone monuments, evocative masks from West Africa, Buddhist
sculptures from China and Native American regalia.
Deschenes (b. 1966, Boston), is known for her lushly beautiful and meditative work in photography and
sculpture, and since the
early 1990s has produced a singular and influential body of work that probes the relationship between the mechanics of seeing, image - making processes, and modes of
display.
The biggest difference between the
early wire
sculptures and the mobiles - to - come is that the latter lent themselves to public
display; the former, to intimacy.
2002 Howl, Canberra Contemporary Art Space, Australia Dragon Doll, Glasgow Print Studio, Glasgow, Scotland Any Where, Centre for Curatorial Studies, Bard College, USA EU2, Stephen Friedman Gallery, London, England
Early One Morning, Whitechapel Art Gallery, London Tra - La - La: British
Sculpture in the Sixties (
Early One Morning
display), Tate Britain, London, England
While Alexander's
earliest objects were
displayed on pedestals as
sculptures, his newest work is wall mounted.
With more than 50 of his works on
display, the exhibition has been cleverly and informatively curated so as to place Marini's work within the wider art - historical context, ranging from
early Etruscan
sculpture, through 15th - century Florentine works, to Auguste Rodin and even Henry Moore.
This month the legendary feminist artist will turn 75, and the Tri-state area is about to explode into a trio of celebrations of the Los Angeles artist, including a survey called «The Very Best of Judy Chicago» at Jersey City's Mana Contemporary and another one
displaying her
early paintings, videos, and
sculptures from the 1960s and»70s at the Brooklyn Museum.
Earlier this year Haus der Kunst in Munich
displayed an extensive collection of drawings, photographs, storyboards and various
sculptures from the film.
Ranging from $ 60,000 for the
early Johnson piece to $ 340,000 for the Mauri
sculpture, the
display also functions as a coming attractions for Schimmel's major debut at the gallery, when the former MoCA chief curator will organize a soon - to - be-announced group show to inaugurate the giant new Hauser Wirth & Schimmel gallery in downtown Los Angeles in March.
The exhibition surveys Kapoor's career to date showcasing a number of new and previously unseen works, including a select group of Kapoor's
early pigment
sculptures, beguiling mirror - polished stainless - steel
sculptures and cement
sculptures on
display for the first time.
Between 1968 and the
early» 70's, she built three large concrete outdoor
sculptures that were constructed and remain on permanent
display in Gainesville and Micanopy, Florida.
This
display is fleshed out by «A.R. Penck, Before the West,» a fascinatingly scrappy show of
early work at the Leo Koenig gallery in Chelsea: paintings,
sculpture and collages from the»70s, when Mr. Penck was something of a dissident artist in East Berlin, smuggling paintings out and art materials (and Deutschmarks) in.
Displaying early and recent works this exhibition examines the relationship between painting and
sculpture, demonstrating not only the constructed quality of painting, but also the relationship between painting and installation.
The works on
display at kurimanzutto are echoes of these
early experiments, now crystallized into a variety of gestures and forms encompassing
sculpture, photography, as well as drawing and painting.
23 September - 16 December 2006 Galleries 1, 2 and 3
Displaying early and recent works, this exhibition examines the links between painting and
sculpture, demonstrating the constructed qualities of painting in its relation to installation.
A Study of Modern Japanese
Sculpture displays nine
sculptures from the Taisho and
early Showa periods (1912 - 41), bringing work from this period to British audiences for the first time.
Artists Space is now producing a BC «retrospective» in typical restyled form, encompassing a new photo shoot along with relics from the group's
early fashion line, cine - tracts like Get Rid of Yourself (2003), pages from the short - lived magazine Made in USA (2000 — 2001), and more recent forays into poetry and
sculpture — all
displayed within a total exhibition architecture conceived with set and production designer Gideon Ponte.
The geometric forms used in the wall
display and captured in the photograph resembled forms Smithson and several of his contemporaries, such as Donald Judd and Robert Morris had used in their
sculpture a few years
earlier.
An
early proponent of process art, Le Va is credited for reconceiving
sculpture away from the idea of a finished object
displayed on a base, instead undertaking a series of «activities» that call the viewer to mentally recreate his process, emphasizing the way in which the
sculpture was made.
Taking a lost,
early wooden
sculpture by Carl Andre as its starting point, Monk
displays the work in three variations — a charred replica, a photograph of its original condition, as well as video documentation of the work burning.
Select group exhibitions featuring their work include The Royal Academy of Arts Summer Exhibition 2017, Royal Academy of Arts, London (2017); Take Me (I'm Yours), Jewish Museum, New York (2016); A Journey Through London Subculture: 1980s to Now, ICA London (2013); Regarding Warhol: Sixty Artists, Fifty Years, Metropolitan Museum of Art, New York (2012); ARTandPRESS, Martin - Gropius - Bau, Berlin (2012); The Original Copy: Photography of
Sculpture 1839 to today, Kunsthaus Zurich (2011); BP British Art
Displays 1500 - 2009, Tate Britain, London (2009); and Passports: Great
Early Buys from the British Council Collection, Whitechapel Gallery, London (2009).
In the late 1960s and
early 1970s, Ernest Trova was among the most widely acknowledged sculptors working in the United States, resulting in invitations to exhibit in three Whitney Annuals, three Venice Biennales, and Documenta 4 in Kassel, Germany.i In 1969 his work was heralded by the New York Times as «among the best of contemporary American
sculpture,» and throughout those decades examples of his art were prominently
displayed in dozens of major museums including the Museum of Modern Art, the Whitney Museum of American Art, and the Walker Art Center in Minneapolis.
The inspiration for One Took It on Faith That the Final Scientific Picture of the World Would Be Beautiful (2014) was provided by the art book A Four Dimensional Being Writes Poetry on a Field with
Sculptures by Charles Ray, whose cover
displays a sketch of geometric shapes and lines in luminous orange, with a clear resemblance to the steel
sculpture Early One Morning by Anthony Caro.