Sentences with phrase «displays exhibition views»
It displays exhibition views, preparatory drawings, reproductions of works, and unpublished documents, allowing the reader to discover the artist's creative process and realization of this exceptional exhibition.
https://www.fondationcartier.com/ Not exact matches
Traveling exhibits, special collections and other changing displays may be viewed in the Temporary Exhibition Gallery.
The BHA commented on the exhibition earlier this month, arguing that «putting creationist views on display in a National Trust site gives them an unfair appearance of legitimacy.
This is one of the images on display as part of the Positive View Foundation's exhibition Landmark: The fields of photography, at Somerset House in London from 14 March until 28 April.
With your TICKET THROUGH TIME, you can explore the rich collections, contemporary exhibitions and displays at our museums, stroll through glorious gardens, enjoy stunning views and join a free guided tour and discover why our museums and their past occupants are such an important part of Australia's history.
The following exhibitions were displayed at MAM (or will be displayed at MAM) and are now on view at other institutions.
Organic Matter: Woven Artwear by Pratt Fashion, an exhibition dedicated to the unexpected possibilities of knitwear design, was on display in the iconic windows of Macy's Herald Square for a special viewing during New York Fashion Week.
This exhibition, which is on view parallel with the survey of Tino Sehgal, captures another level of what we consider «live» and represents the artistic approach of new director Beatrix Ruf for the Stedelijk to ask questions about contemporaneity through exhibitions and displays of artistic visions.
Organic Matter: Woven Artwear by Pratt Fashion, an exhibition dedicated to the unexpected possibilities of knitwear design, was on display in the iconic windows of Macy's Herald Square for a special viewing during New York...
That thesis, never before displayed in a museum exhibition, is now on view at the Mead, alongside Mazur's vibrant pastels, large - scale gestural paintings and well - known prints, including Dante's Inferno.
This exhibition creates the opportunity for Cooke's voice to be heard, and for visitors to explore her unique artistic vision in a display that features many works that have never before been on public view.
The Space in Between, an exhibition featuring the work of Lynn Saville, was recently on display at the Photographic Resource Center at Boston University, and is now on view at the Atlantic Wharf's Waterfront Square Gallery in Boston through March 22, 2013.
The League's Exhibition Outreach Program (EOP) displays the work of League artists in venues throughout the tristate area for viewing by hundreds of thousands of people.
The exhibition is on display through September 6, and can be viewed by appointment only.
Programs include: Affinity Atlas, an exhibition combining an international roster of contemporary works and an immersive «cabinet of curiosities,» with rotating displays by Skidmore faculty that forge unexpected connections between the works on view; a collaboration and residency with Mark Allen and Machine Project to create new installations, performances, and events at the Tang; and a reexamination of the work of Alma Thomas.
Parallel to the display at Gogolevsky Boulevard, the third exhibition of Viktor Bondarenko's collection of icons entitled «Everything Remains with the People» will be on view in the Andrey Rublev Central Museum of Ancient Russian Culture and Art.
A site - specific installation by Bryan Zanisnik, visiting instructor, Digital Arts, is on view at the Brooklyn Museum as part of the exhibition Crossing Brooklyn: Art from Bushwick, Bed - Stuy, and Beyond, which will be on display through January 4, 2015.
The gallery displays five major annual exhibitions on view in seven to eight weeks periods.
It is a particularly exciting time for McElheny, with three museum exhibitions displaying the diversity of subjects with which he is involved: currently on view through July 20 at Whitechapel Gallery, London is a year - long installation The Past is a Mirage I'd Left Far Behind, in part a meditation on abstraction in film throughout the twentieth century.
The display of the exhibition — including the café, the viewing room, the reading room, and the time - based media rooms, all developed in collaboration with Bogota - based artist Gabriel Sierra — functions as an apparatus articulating the dynamics of each part of the exhibition and its relations to the audience.
On view until May 12, the exhibition «Fashion Galaxy» held at Photo12 Galerie in Paris displays 25 large - scale portraits of major fashion designers.
Chung Sang - Hwa is the first solo exhibition of the artist's work in the United States, and spans the artist's career, with a survey of Chung's work on view at Dominique Lévy and recent paintings displayed at Greene Naftali.
In Los Angeles, Koons was feted at the Museum of Contemporary Art's annual gala and opened an exhibition at the Gagosian Gallery in Beverly Hills (on view through August 18)-- but gained more widespread attention a block away on Rodeo Drive, where his Louis Vuitton collection is prominently displayed.
This solo exhibition displays cell - like imagery and microbiology - inspired pieces to create a call for awareness about the control human beings have over the eco-system, on view through November 25.
It features artists including Julian Opie and George Shaw — Turner prize nominated in 2011 for his bleak views of Coventry painted in Humbrol model airplane enamels — who is displaying for the first time a huge ink drawing inspired by a 2006 Tate exhibition of Constable's «six - footer» landscapes.
1980 saw the opening of his exhibition entitled, My View in Tokyo, and in 1982 his work was selected for display at Germany's Photokina Eexhibition entitled, My View in Tokyo, and in 1982 his work was selected for display at Germany's Photokina ExhibitionExhibition.
Stable Brown VM84 a work by David Adika, presented on view as part of «Gatherer / Nonfunctional Display», a group exhibition at Artists» Studios, Jerusalem, 2015.
This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.
The jewellery will be displayed alongside the paintings of Sligo artist Cormac O» Leary whose exhibition runs from 15 - 30th April which you can view on line here.
On view in this vast exhibition are Sonia Delaunay's textiles and preparative studies, as well as poems, paintings, and photographic documentation of her patterns applied to window displays and even automobiles.
Contending with issues of ephemerality and loss within the geopolitical sphere of late - 20th century South America, the artworks on view in Embodied Absence: Chilean Art of the 1970s Now find deep resonance in the groundbreaking display next door at the Harvard Art Museums» exhibition Doris Salcedo: The Materiality of Mourning.
Faced with an absence of information within a provenance, and having taken into account this policy and considered the research undertaken in accordance with the Gallery's codification of procedures for due diligence, the Gallery may from time to time elect to bring a work into the public domain through exhibition, in such circumstances where the Gallery can demonstrate the highest standard of due diligence has been undertaken and consideration has been given to the view of the current possessor, in belief that such display may encourage other legitimate claimants to make known their interest.
No matter how the artist views their own, or others» obsessions, this exhibition invites artists to display their own interpretation of this concept.
The exhibition, which opened on September 5 and will be on view through January 3, 2016, greets visitors with a cabinet of curiosities - like display of work spanning history and geography.
In his multi-venue exhibition, currently on view Cleveland, Ohio, is his entire early major series, the 82 - part photographs within Unbranded: Reflections in Black Corporate America, 1968 — 2008, on display -LSB-...]
These devices are manifest in Steinbach's Display # 27 — Barn Wall (1991), currently on view at the Punta della Dogana in the exhibition Accrochage.
The exhibition - on view through April 20, 2003 - presented 233 objects, some of which had never before been on public display, and included paintings, folding screens, theater programs, prints, drawings, photographs, and ceramics.
MUNBANGSAU: FRIENDS OF THE SCHOLAR Apr 24 - May 26, 2018 Private view Wed May 23 6 pm - 8 pm «Munbangsau: Friends of the Scholar» exhibition is on view from 24 April to 26 May 2018, featuring performances, workshops and talks by numerous Korean master craftsmen, as well as display of various tools used by the scholars for calligraphy and painting, and a reconstruction of a traditional Korean scholar's room of the Choson period.
Interestingly, while turning the viewer's attention to what one would normally dismiss — and certainly not warrant close inspection — the work takes various forms and affects, not only in relation to the space it is exhibited in and in terms of scale, but also in accordance to its designated context, be it a solo or a group exhibition (in the latter case shaping the viewing experience of other artists» works on display).
Installation view of Richard Misrach's solo - exhibition «The Writing on the Wall» on display at Fraenkel Gallery (Image courtesy of Fraenkel Gallery).
For the month of August, we're proudly displaying contemporary works on loan from the 500 - acre institution — peeks at two special exhibitions on view in 2014: Zhang Huan: Evoking Tradition and Outlooks: Virginia Overton, as well as short video interviews and installation footage.
Currently on view in two large galleries, stark works in sand colors, geometrics, in brown felt material, in bright neon, the exhibition displays art from the collection of Bridgehampton resident Leonard Ruggio, whose passion is minimalism, a midcentury movement that challenges our notions of the types of materials can be used in art, and in fact our traditional notions of beauty.
Several of the works on view were displayed in First Group Showing: Works in Black and White, the first exhibition Spiral mounted together in 1965 at the space on Christopher Street where they held weekly meetings up through that year.
This final installation in the two - part Victors for Art exhibition offers an unprecedented opportunity to view art that may have never been publicly displayed otherwise and for visitors — and especially for future Michigan alumni — Victors for Art illuminates the shared passion for art fostered by the Michigan experience.
Passers - by and customers of the bookshop alike will be able to view the exhibition, as the works will be displayed in the right - hand side window.
NSU Art Museum will display approximately 70 of the newly acquired works in the exhibition Belief + Doubt: Selections from the Francie Bishop Good and David Horvitz Collection, on view from August 26, 2016 — January 22, 2017.
«Concurrent with the display of La prière des absents in Marrakech, in New York the artist recently had a solo exhibition at Aicon Gallery, Love Side by Side with the Soul, where one could come closer to the surface of his vases and view them with other works, such as a series of banners called The Invisible Masters.
Originally on view at the Gwangju Biennale's 20th - anniversary exhibition, «Sweet Dew — After 1980,» at the Gwangju Museum of Art, the Biennale Foundation has decided to postpone the display of the piece until a decision is reached following a scheduled debate on September 16.
Curated by the Henry Moore Institute and produced in collaboration with Museion and Museum Dhondt - Dhaenens, the exhibition considered display strategies, experimentation, and the environment in which art is viewed.
An exhibition of early portraits by the artist Frank Auerbach will go on display in a special loan show at Offer Waterman Gallery in London from 2 November — 1 December 2012 (Press View Thursday 31 October 2012).