Sentences with phrase «distant times and places»

Accordingly, many also sought to rid their art of any narrative content: «The new painting dispensed with recognizable images from the known world... It was an art that sought to negate the art of America's recent past as well as that of more distant times and places
II) and Fever 1793 by Laurie Halse Anderson, about the Philadelphia Yellow Fever epidemic of the eponymous year, simply are engaging stories set in distant times and places.
Very often passages of the Bible seem remote: They come to us from distant times and places that are difficult for us to imagine, let alone to identify with.
Sometimes a minor disturbance at the margins of a system may have ramifications and manifest themselves only at distant times and places.
Who could have suspected that our small black and white film from a distant time and place, would strike a chord with HFPA in Los Angeles.

Not exact matches

Parents will ransack attics for pieces of fabric — the more brilliant and exotic the better — and someone in the family will create a costume that will be linked to no particular age or time or culture but will somehow speak of far - off places, distant shores, desert sands and starry skies — all at the same time.
That was an amazing feat, taking place at a time when the amendment's feminist and liberal supporters seemed to be in control of every American institution except the White House, but I was living in California at the time, and the key battles of the ERA had taken place in geographically and culturally distant states: Florida, Illinois, North Carolina.
For many Americans and Europeans, not only are the societies in the Bible — in both testaments — distant in terms of time and place, but their everyday assumptions are all but incomprehensible.
This «family time» turned out to be so much more than just that — my children learned a valuable life lesson: the importance of our military and the fact that these people are real, not fictitious characters in a distant place.
Any science fiction aficionado has seen it all before: beaming through walls, riding in starships that move faster than light, or traveling instantly to distant places in space and time.
Plus, recent observations on Ceres» surface of ammonia (of household cleaner fame) also hint toward a more distant origin, to a time and place when such compounds were more common.
The photographs and illustrations in three of this year's best books offer the chance to get a good, close look at distant times, far - off places, and exotic modes of life.
What these ancient maxims suggest is that societies distant from us in time and place have something important to tell us regarding our efforts to educate young people for character.
Historical fiction lovers have it good: they can travel to distant places and times, and learn by immersion.
A lot of the sentiment coming from the defense in the on - going Apple anti-trust lawsuit, brought about by the Department of Justice following a three - year investigation involving five of the largest publishers in the world, is that the DOJ is wasting its time going after a company that was in a distant third place behind Amazon and Barnes and Noble.
As if within her, beneath the span of her own days, there are other hunts going on continuously, giant elk in flight from the pursuit of hunters other than herself, and the birth of other mountains being plotted and planned — other mountains rising, then, and still more mountains vanishing into distant seas — and that even more improbable than her encountering that one giant elk, on her first hunt, was the path, the wandering line, that brought her to her father in the first place, that delivered her to him and had made him hers and she his — the improbability and yet the certainty that would place the two of them in each other's lives, tiny against the backdrop of the world and tinier still against the mountains of time.
At one point in the demo, a beacon is placed in a distant part of the map, and Link is shown parachuting off of a cliff hundreds of feet above the tree lines towards his destination all in real time.
With a narrative set between STAR OCEAN: The Second Story and STAR OCEAN: Till the End of Time, this installment welcomes fans and newcomers alike, taking place centuries after humans have left Earth for the distant Faykreed star system.
First up is Richard Diebenkorn, revered as a painterly post-war master for his intricately balanced, light - drenched elegies to the West Coast, then in July we bring together some of Joseph Cornell's most remarkable «shadow boxes», assembled from dime store treasures which spoke to a yearning for distant, idealised places and times.
But until they abolish the unwritten rule that artists mustn't appear on the shortlist more than a couple of times (unlike, say, the Man Booker) then judges are going to have to keep plucking new names from ever more distant places - and genius is not so widely spread as we might hope.
2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
This new placing of the character plays in a humorous way with the two distant times represented, the historical, mythical and sometimes biblical imagery of the past, coming up against the ordinary materialistic and consumerist attitude of modern times.
They are mystical artifacts linking distant places and times, organizing the traumatic and poetic fragments of a bipolar mania.
Subjects of Marlene's works are caught in their own moment in time, isolated from the rest of the world and living in a place so distant from the rest of us that allows them to seem very quiet and respectful.
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