Placed within the vibrant, immersive environment created by the paintings, Kusama's new stainless steel sculptures depict fantastically scaled, individual flowers featuring the artist's
distinctive bold palette.
It is plausible, therefore, that Kline may have returned to his original, breakthrough
palette and
distinctive variety of
bold gestural abstraction in 1960, including in Meryon, in reaction to de Kooning's black and white works.