Sentences with phrase «disturbing films i've seen»

Not exact matches

(The film does not, however, present the more disturbing clips seen by the filmmakers.)

As interesting it is to see Peter Jackson talk about the film, it's just as interesting (and somewhat disturbing) to look at Harry Knowes über - geeky reactions.

A perversely disturbing and highly uncomfortable film that bursts with overwhelming sexual intensity as the characters engage in a compulsive fetishistic psychopathology that is strangely telling, even if it will probably leave most viewers repelled and make them never want to see it again.

One of the most disturbing films I've seen.

The Witch is truly the most disturbing horror film i have seen in years and i don't say that lightly.

His films contain some of the most disturbing and most hilarious things moviegoers will see.

I wouldn't go so far as to say it's a good film overall, but given its relatively low aims, and for its subgenre, it is an entertaining one, though some might be disturbed at a few of the grislier narrative turns, especially at seeing a loving family torn apart, quite literally.

With so many disturbing events, parents might want to preview this film before allowing their older children to see it.

The film has been described as a nightmare that is so unsettling and disturbing that many who've seen it want to forget it but can't.

Craven has never made anything so disturbing since, and it's hard to imagine this film being made today (all the ultra-violent horrors seem to come from the late 70s and early 80s, think The Texas Chain Saw Massacre, Friday the 13th).

Hereafter Rated PG - 13 for mature thematic elements including disturbing disaster and accident images, and for brief strong language Available on DVD, Blu - ray and Video on Demand When I first saw this film a few months ago, I didn't really have much love for it.

It's got heart and there's a morality lesson, but there's also a lot of very strange and disturbing stuff you don't normally see in a family film.

The film sees Kalu take on a community leadership role as traditional Hawaian burial sites are disturbed; Kalu's status Kumu sees her teach her male high school students as they prepare for a end of performance, accompanied by sixth grade tomboy Ho'onani, who is also «in the middle» like Kalu.

Not for the faint of heart, Frat House is a powerful and disturbing film that should be seen by parents everywhere.

But after speaking with the people who I had seen the film with they were able to «talk me down» because I was genuinely disturbed by all that I had seen but I finally decided I was glad I had seen this film.

While Haneke may not have attained his indirect goal of making the viewer feel guilty for having seen the film, he does succeed in provoking some thought as to why some of us enjoy violent and disturbing films.

1973's Don't Look Now is another deeply disturbing film, and not just because you get to see a grief - stricken Donald Sutherland licking Julie Christie's armpits.

This week's You Have To See is the most recent film from polarising auteur Todd Solondz, an insight into the life of a troubled so - called «nice guy» that leads to some disturbing revelations.

Whether his work is seen as nihilistic and misanthropic or as a profound, existential analysis of the malaise of modern capitalist society and culture, there can be little argument that Haneke's films are powerful, disturbing and, right now with the world as it is, vital.

The movie is getting a disturbing lack of support for some well - deserved year - end awards, but you can help put it at the top of your ten by seeing this film or sharing it with others.

Hostiles is the brutal new film from director Scott Cooper, disturbing in many ways, but as Captain Blocker (Christian Bale) leads a dying Cheyenne chief (Wes Studi) through dangerous territory, we see Blocker transform from hating a man...

The two films adapted from his books that I have seen — No Country for Old Men and The Road — both managed to show human greed and suffering in ways both disturbing and engaging.

Those that have seen that film might feel Keane to be somewhat redundant thematically, but for the vast majority that haven't seen Kerrigan's earlier work, Keane still impresses with Damian Lewis» (Dreamcatcher, An Unfinished Life) disturbing character portrayal, as well as moments of genuine intrigue.

The flashback, circular structure of a narrative about a doomed man is an essential feature of film noir (see Sunset Boulevard, Out Of The Past, Detour, Double Indemnity, etc) and Lost Highway is structured like a Möbius strip, coiling back on itself in a way that reflects the disturbed consciousness of the protagonist, condemned to replay the tragic events of his life in an endless loop.