Sentences with phrase «diverse artistic production»

The mission of the Latin American Art Department and the International Center for the Arts of the Americas (ICAA) is to collect, exhibit, research, and educate audiences on the diverse artistic production of Latin Americans and Latinos, which includes artists from Mexico, Central and South America, and the Caribbean, as well as from the United States.

This survey of a rich and diverse artistic production is a celebration of both his vibrant life (which includes working with Spike Milligan, The Beatles and Ken Russell) and his art which reveals telling links with the visual culture of the last 60 years.

Spanning three generations, the Grey has assembled a critical, thought provoking, and visually breathtaking show that depicts the diverse artistic production stemming from a country whose art is not as accessible to audiences outside of its borders.

The exhibition presents the pioneering and diverse artistic production that makes up the school's turbulent fourteen year history from 1919 to 1933.

Bauhaus: Art as Life explores the diverse artistic production that made up its turbulent fourteen - year history and delves into the subjects at the heart of the school: art, culture, life, politics and society, and the changing technology of the age.

The occasion which could be described as a pleasant home coming for Yinka Shonibare who has not been to Nigeria for over thirty years, afforded the artist, an opportunity to discuss his artistic trajectory over the past two decades by presenting key themes from his vast and diverse artistic productions to the audience.

Not exact matches

Celebrating the breadth of artistic production from South Florida, this exhibition presents the work of 25 individuals, who collectively embody the diverse culture of our region.

Harlem Postcards is an ongoing project that invites contemporary artists of diverse backgrounds to reflect on Harlem as a site of cultural activity, political vitality, visual stimuli, artistic contemplation and creative production.

The artistic production and innovation emanating from Indonesia, one of the most culturally and religiously diverse countries in the world, is staggering.

Curators of the Sharjah Biennial have hailed from countries and institutions all over the world, and have explored biennial themes as diverse as climate change, agriculture, political conflict, and artistic production.

His artistic production has centered around his life mission: to make experimental yet accessible art; to work in politically and emotionally charged sites for diverse audiences; and to collaborate across racial, gender, and age boundaries as a gesture of citizen - diplomacy.

It also includes a two - day symposium (March 5 - 6) examining the diverse practices of artists, curators and collectors from Africa and the Diaspora through a series of panel discussions and video screenings, looking at new global phenomena in contemporary artistic production.

Clugage acts as a director for the Craft Advanced Research Projects Agency (CARPA) and hosts a series of public salon dinners themed on the artistic production models and culinary histories of diverse times and places.

As an internationally recognised platform for exhibition and experimentation for artists from the surrounding region and beyond, the Sharjah Biennial has explored themes as diverse as climate change, agriculture, political conflict and artistic production since 1993, working with curators from countries and institutions from around the world.

As the eighth act of Morality, realized specifically for the «world stage» of Shanghai's Expo, Nether Land highlights diverse international artistic practices that engage with the paradoxes of cross-cultural perception and fantasies of foreign and alternative production.

Through a wide - ranging annual program of exhibitions supported by the production of original publications, editions, and related events, TYPOLOGY is an open platform for diverse curatorial and artistic practices and perspectives, and a forum for the exchange of ideas on exhibition - making as a way to engage and inform audiences from all walks of life.

Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

The exhibition, idealized by Fabiana de Barros and Leonora de Barros, brings an overview of the artist's production, spanning through the many diverse fields of artistic expression.

The exhibition programme embraces artistic production in all its diverse media with a commitment to current debates in visual culture.

This talk looks at three current projects based in Morocco that support and develop multiple and diverse forms of artistic production both in that country and from the broader African continent.

They parted ways with the two - dimensional painting and designed a dynamic art that is closely tied to life, makes diverse local references, and draws the viewer into the center of artistic production: Art became an expanded aesthetic and sensory experience.