Piet Mondrian, for example, a Dutch painter and member of the De Stijl movement,
divided his picture planes with thick, perfectly straight black lines, offsetting rectangles of blue, red, yellow, and white.
Maher creates dynamic sculptures from concrete, aluminum, and resin; in his vibrant paintings, Dunlap
divides the picture plane into interlocking geometries of shape and color; in video and sculptural works, Tenser considers autonomy and dependence.
Calcago isn't just
dividing the picture plane - you'd have to posit some effect of Frank Stella here - but segmenting three distinct shapes of the painting, descending in color from lemon yellow, to tangerine, red, purple, umber, blue to black, black back to yellow.
This self - reflexivity reveals the chemical processes of photography,
dividing the picture plane into different exposure times; an analog technical process normally used to calculate the ideal picture exposure, being used aesthetically and critically, to expose the photographic medium with its claims to both truthfulness and fabrication in the age of digitization.
Whereas Hiroshi Sugimoto allows the horizon to
divide his picture plane into soft gradations of gray in North Atlantic Ocean, Cape Breton Island, 1996, Ellsworth Kelly crudely extrapolates the result of this effect in his inked squares, Light Reflection on Water, 1950.
Her abstract floral still life paintings use a Cubist technique to
divide the picture plane, but her palette is a more traditional and referential one.
Diagonal lines
divide the picture plane in the series entitled Intermezzo as many different metalpoints are combined with metallic wool pads and graphite.
Yun visited New York in 1974, where he encountered the work of American postwar artists including Mark Rothko, which led him to further explore ways to
divide the picture plane.
In Matthíasdóttir's case, she expressed her synthesis of abstraction and representation by
dividing the picture plane into discrete sections of color, as if she were creating a map.
Not exact matches
In these paintings the
picture plane is
divided into two arbitrary horizontal zones.
The latter
picture planes are either
divided into fourths, with different colors delineating the partitions, or are built upon a broad - brush, monochromatic surface.
On a square canvas, the dialogue between and among the dimensions of the
picture plane -
divided into thirds and fourths — has offered a productive way to study the mysteries of such a simple space.
In these paintings the
picture plane is
divided into two arbitrary horizontal zones; in one of these zones is placed a bright geometric form or an irregular aggregation of brushstrokes (Glow, 1966).