Sentences with phrase «do an exhibition about»

To that end, we did an exhibition about TV, we did shows with Lucky PDF, a sound art exhibition by Bruce Nauman, and an amazing online project called soundworks, where 130 artists contributed sound - art files.
As for Ai Weiwei's withdrawing from the show, I can only say that I came to UCCA to do an exhibition about Hans, which I did to the best of my ability.
«No focus group would ever have said that doing an exhibition about the face of Christ would be a success.
That's how we did our exhibition about the Whitney Museum's pathetic record of not showing women and artists of color.

Not exact matches

That's what Meetings Mean Business is all about: showing the real power of what business meetings, conferences, conventions, incentive travel, trade shows and exhibitions collectively do for people, businesses and communities.
Piece of Art — anything by Agnes Martin really does feed and soothe my soul, when the exhibition was at the Tate Modern, I went about 5 times!
You don't have to worry about your older child getting bored at a children's museum exhibition!
What do you think about this underwater exhibition???
Cunningham have done several exhibitions through the years and in 2010 a documentary about his life was made.
«They're taking different approaches to it too — Amazon is getting a lot of credit right now in the press for their commitment to the theatrical exhibition of their film, it's not just about the digital platform, where Netflix is taking a slightly different approach — although they're doing limited theatrical with stuff too — it'll be interesting to see what the long - term end result is for those two approaches and where it all ends up, but I think right now it's great for our filmmakers and our producers to make their money back and they have a chance to reach massive audiences through these digital platforms.»
While we don't get all the information, we did get a little tidbit about the modes, specifically that the single player modes only contain a Tournament and Exhibition Mode.
... The girls involved [who were leading the project] were incredibly good communicators but really anxious, they suffered from some genuine anxiety, and because they felt empowered by what they were doing, they developed their confidence to such a point that they were able to open the official VC Art Exhibition and Sculpture Park and speak to a broad, cross-section audience about their project.
The New Jersey Education Association's annual convention came back yesterday in full force with capacity - crowd workshops, a busy exhibition hall, and plenty of questions about coming changes in how teachers do their jobs.
They did a «learning exhibition» about playgrounds.
How did you respond to Cassie's photography exhibition about her parent's car crash?
PRXI: I've written about Premier Exhibitions several times during the year including a recent update, so I don't need to review this holding here
While we don't have any info yet about Panels or Exhibitions, you can get a look at previous years schedules here.
With Aftershock over and done with we cover both the King of Fighters XIII and Ultimate Marvel vs Capcom 3 NorCal vs SoCal exhibitions talking about what went down in both and overall what made it such an awesome event.
This game is fun as hell, the exhibition mode is fun (with friends), classic fights are a good way to get someone who wasn't into MMA interested in it (e.g. me) Career mode is fun but the problem is that you don't age is kinda dumb to be honest, you're «CRED» has no real purpose other than to get you new equipment, sponsors, sparring partners and opportunities to increase your «CRED» the controls are confusing to someone who's never played a game like this A.K.A me but I'll give it credit for innovation, you can go to training camps which upgrade you're striking and grappling which gives you new moves, their is a few exploits in the game No. 1 if you manage to get all the sponsors you can use them in create a fighter (which by the way has a decent enough amount of options) you can put all of the sponors that give the most cred and get everything easily and I mean everything No. 2 when you go to a training camp all you have to do is watch two demonstrations by the camp fighter and you have full stamina No. 3 any fighter you can beat within a minute of the first round you can beat a few times and shoot up the ranks, the music is good but you'll soon get sick of it and turn it off cause it repeats itself soo often, they didn't add intro walks, music and cage entries which would've made you feel more like an actual UFC fighter, but overall its a fun game but there's a few missed opportunities and not many fighting styles to choose from but rent it if you are curious about the game.
I explained to the artist in an e-mail that I didn't «have any specific exhibition project in mind, but just want to have an opportunity to learn more about your practice.»
Kessler writes that the exhibition «is not only about a group of Mark Rothko paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The exhibition features a much - damaged five - panel mural that Rothko was commissioned to make in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural which was painted for the commission and held in reserve until Rothko decided which five paintings he wanted for the final installation.»
Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»
Perhaps Jeffrey Deitch knew about this, which is why, for this year's Armory Show (March 2 — 5, 2017), he reprised a group exhibition focusing on Stettheimer that he did more than twenty years ago.
A conversation with exhibition artist, Katya Tepper, about her practice and mural, How Does the External Shape Shape the Internal Shape, on view through July 29th.
White is currently working on a series of blooms as part of an upcoming exhibition at Buffalo Arts Studio, and if you want to learn a bit more about her process she recently did an interview over on Block Club.
This year 450 spaces representing thousands of artists will open their studios to the public, presenting everything from straight - up art exhibitions to musical performances — or just about anything the artist wants to do.
Barragán was such a color expert; he was friends with [artist] Josef Albers, for example, and so some of what I did in this exhibition involved thinking about that relationship and translating three - dimensional space to a two - dimensional image.
DSAP director Patricia Maloney selected today's installment for our Best of 2015 series: «Ashley Stull Meyers doesn't shy away from calling out an exhibition with as grand a title as The Great Debate About Art for what it leaves unexamined.
I began thinking about Brown's near invisibility when I went to his exhibition at DC Moore, his second at this spacious New York gallery, of paintings spanning from 1978 to 1995, with the majority done during the»80s and»90s.
I did not learn much about «Burroughs in Tangiers», but our discussion circled around various works in Dalwood's studio due to be shipped out for his solo exhibition at the Centre PasquArt in Biel.
For example, you don't want to keep retweeting a post about an «upcoming exhibition'that happened last year.
At the same time, I appreciate blogs that keep me informed about a wide range of art and art news, such as Hyperallergic; painter Sharon Butler «s blog Two Coats of Paint; and critical writing that does keep current with art exhibitions but in an idiosyncratic way, like painter Bradley's Rubenstein «s reviews on Culture Catch.
the object is usually kept outside the UK the object is not owned by a person who is resident in the UK the import of the object does not contravene any law the object is brought into the UK for the purpose of a temporary public exhibition at an approved museum or gallery the museum or gallery has published information about the object where required to do so by Regulations.
At Ad Reinhardt's prodding, in late 1961 his Parisian dealer Iris Clert offered him a solo show in her gallery, but because of expenses and scheduling it did not become a reality until June 1963.1 Reinhardt was elated about how great his painting looked as part of the Guggenheim survey exhibition, Abstract Expressionists and Imagists, which had opened October 13, 1961.
Europeans know more about American politics than most Americans, for sure, but since the exhibition opens after the election, it doesn't have anything specifically to do with the presidential race.
«One knows that, by some accidental brushmarks, suddenly appearance comes in with a vividness that no accepted way of doing things would have brought about» — Francis Bacon This, according to Francis Bacon, is «the mystery of appearance in the mystery of making» — the title and structuring concept for the major new exhibition of -LSB-...]
I didn't make my most recent trip to Tokyo to see or write about a Gerhard Richter exhibition.
While one team at United Talent Agency is working to develop a feature - length motion picture about Kurt Cobain's life, Mr. Roth is planning to «create a touring exhibition that really tells the story of who Kurt was through artworks, personal artifacts and memorabilia, sort of like what the Rolling Stones did in London.»
As I said, some of it was expected, but curators don't necessarily want to make exhibitions that they know the art community is going to have a big fight about.
«The art market is such a financial force,» says Cooper, «that the decisions about who is awarded exhibitions is probably influenced by the idea that women aren't as bankable as the men — precisely because they're not as well known and they don't have as many major shows.
So, when the rents for my three spaces on Grand Street, Wooster Street, and Windward Avenue combined were under $ 50,000, that allowed me to maintain the program that I want to maintain, which means being able to afford doing exhibitions that do not sell work and being able to show whatever I want at any art fair without worrying about making sales or not making sales.
What is curious about the current exhibition of Serge Poliakoff's work at Timothy Taylor Gallery, London, the first of its kind for more than 50 years and one that interlaces early and late works, is that it does not.
In this video, the exhibition's curator Tess Jaray RA talks about some of the techniques used by these artists as they push the boundaries of what printmaking means and what it can do.
But Arteaga says the exhibition will also introductory works from the nineteenth - century that make clear that Mexican artists» interest in muralism and indigenous culture predated the revolution — in fact, mural - making did not resume until about a decade after the upheaval — while turn - of - the - century works by Mexican artists living in Paris foreshadow the cross-cultural pollination that happened between artists in Mexico, Europe, and the U.S. over the next several decades.
The disappointment about the exhibition is that it was very quiet and if you don't have a real interest in abstract painting you would lose interest really easily.
This enigmatic work by Francis Alÿs (b. 1959, Belgium) lends its title to the exhibition, which considers the question what do our possessions say about us?
But if we look at Guston's abstractions done at about the same time as Carone's paintings in this exhibition, we see mark making and vestiges of mimetic images jostling for ascendancy.
If you missed the Alan Gouk exhibition at Poussin Gallery, London in January / February, as I did, then these two videos at Abstract Critical of him talking about the paintings in the show are the next best thing.
It of course helped that Jim had written an essay for an exhibition I did about five years ago, and in it there was a passage about one of my small paintings, which I'd always thought was just so fabulous.
Our last conversation was about the selection of the cover for Wanted in Rome to tie in with the exhibition and then, as though she had completed all she needed to do for the show, she said that she was going to finish off her next article for the magazine, something she had been promising us since the summer — an obituary of her dear friend and colleague Cy Twombly.
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