Sentences with phrase «do an exhibition based»

Not exact matches

You can take this idea one step further and instead of doing an athletic based activity, you can choose a cultural activity, such as an exhibition, visiting a museum or enjoying a live musical performance.

The contemporary artists included in this exhibition do not represent or describe specific events, rather, they have created art that embodies the tensions and fears that are flooding our collective conscious on a daily basis.

Labor intensive doesn't begin to describe the technique New York - based artist Stephen Dean uses to create the large - scale «Crossword» watercolor compositions featured in this exhibition of recent works.

My move to NY, and going to the Studio School, including a student exchange I did at the Slade in London, was the first step in combining the two very different art educations I had and in this combination finding my own voice, and it is a continuation of exactly this combination which acts as the basis for my new exhibition.

2005 Flashback: Revisiting the Art of the 80s, Kunstmuseum, Basel (catalogue) Extreme Abstraction, Albright - Knox Art Gallery, Buffalo, New York (catalogue) 25 Years: Selected Solo Exhibitions 1979 — 2004, Part 1, Baumgartner Gallery, New York The Shape of Colour: Excursions in Colour Field Art 1950 — 2005, Art Gallery of Ontario, Toronto (catalogue) Drawings: 1945 — Now, Russell Bowman Art Advisory, Chicago Picturing America: Selections from the Whitney Museum of American Art, Nagasaki Prefectural Museum, Nagasaki (catalogue); travelled to Fuchu City Museum of Art, Fuchu, Japan; 21st Century Museum of Contemporary Art, Kanazawa, Japan; Kitakyushu Municipal Museum of Art, Kitakyushu, Japan; Koriyama City Museum, Koriyama, Japan Logical Conclusions: 40 Years of Rule - Based Art, Pace Wildenstein, New York (catalogue) Universal Medium, McClain Gallery, Houston Another Look at the Collection, Fundació La Caixa, Sala de Exposiciones del Mercado del Este, Santander, Spain A View from 1988 Up to Now, Proje4L Elgiz Museum of Contemporary Art, Istanbul Contemporary Voice: The Contemporary American Art from Misumi Collection, Tottori Prefectural Museum, Japan (catalogue) We Can Do It!

And the Pulitzer Goes To... — Phillip Kennicott, the Washington Post journalist who pens the paper's column on art and architecture, has been awarded this year's Pulitzer award for criticism based on his articles on the Kevin Roche exhibition at the National Building Museum, photography at the Corocoran Gallery, and representations of the first family in contemporary images, stating that he was «especially happy to win at a time when arts criticism is not doing well.»

Around 2000, as time passed, I started to do more solo shows, and I came up with a lot of conceptual shows that were more about «the rule of the game,» and time - based exhibitions too, like «Do It» and «Cities on the Move,» co-curated with Hou Hanrdo more solo shows, and I came up with a lot of conceptual shows that were more about «the rule of the game,» and time - based exhibitions too, like «Do It» and «Cities on the Move,» co-curated with Hou HanrDo It» and «Cities on the Move,» co-curated with Hou Hanru.

In 2011, the Paris - based Institut du Monde Arabe made him the subject of a retrospective; another comprehensive exhibition was held in 2012 at the Beirut Exhibitiexhibition was held in 2012 at the Beirut ExhibitionExhibition Center.

Featuring works by Cory Arcangel, Alice Aycock, Ross Bleckner, and Iran do Espírito Santo, «In The Beginning / End - States» is a group exhibition based loosely around the physical processes associated with the birth and death of stars.

In other words, the exhibition does not aim to track a historical development, but to identify precedents for the particular mix of instruction - based art making amongst close acquaintances or intimates that characterizes the more recent art in the show, and the spaces and contexts within which these works are set.

However, I'd be remiss if I didn't point out that our current exhibition by the Albuquerque - based collective, Basement Films, entitled «Happiness is a Warm Projector» (on view through May 31), is mounted in conjunction with the «On the Map» initiative in Albuquerque, and I believe we're the only Santa Fe arts organization involved in that effort.

Doggedly focused on the flat picture plane (though he does occasionally make sculpture) and eschewing performance, Uemae was forced onto the «solitary path» alluded to in the exhibition's title — one that was not travelled by his action - based contemporaries Kazuo Shiraga or Shozo Shimamoto.

Gonzalez - Foerster belongs to the generation of French artists — among them, Philippe Parreno and Pierre Huygue — who in the 1990s distanced themselves from art that centred on the object, and instead focused on creating scenarios and evoking suggestive atmospheres; in doing so, they reformulated the dynamics on which an exhibition is generally based.

Departing from previous painting - dense retrospectives of Chicago - based artist Lee Godie's work, Intuit's recent exhibition — though it did include several strong canvases — focused instead on some fifty of the several hundred self - portraits that Godie took in public photo booths during the 1970s and»80s.

The exhibition «A Drawing show» at the Matthew Marks Gallery in New York is spanning 75 years of drawing history, is an ode to the medium, as stated the most important representative of video - art Bill Viola:» It is the basis, if you do not know good drawing you can not make video».

The exhibition often pairs photographs based on models with the models, although Fig does not make photographs, and Casebere will not display his trade secrets.

For example, an entire exhibition - within - the - exhibition, «Dios es marica» (God Is Queer), organized by Peruvian curator Miguel A. López and including self - portraits by Mexico's Nahum Zenil and Franco - era Spanish drag artist José Pérez Ocaña, among others, occupies a central position in the biennial's trajectory, as do the samplings of comparable work by São Paulo — based artist Hudinilson Jr. and Peruvian philosopher and drag queen Giuseppe Campuzano, whose ambitious Línea de vida / Museo Travesti del Perú (Life's Timeline / Transvestite Museum of Peru), 2009 — 14, a fictional museum, is one of many things in the biennial «that don't exist» — yet.

Based on Pietro Martini's classic engraving, The Exhibition at the Salon Du Louvre in 1787, Parterre refers to the open space in a the theater where the public could traditionally interrupt and intervene in performances, and their opinions, much as the populist bent of the Salon could do for the artist, could validate or obliterate a production's success.

The collective Don't Follow the Wind, whose inaccessible, Fukushima - based 2015 group exhibition has been written about before in these pages, is now made accessible via A Walk in Fukushima, 2016 — 17, a 360 - degree video experience of what has been, since the 2011 nuclear - plant disaster, an uninhabitable area, with crafty headsets made in collaboration with artist Bontaro Dokuyama and three generations of a Japanese family who live in a zone deemed «safe to live» by the government but still subject to restrictions due to its proximity to a radioactive locale.

While, intentionally, the core exhibition doesn't present a single theme, Macel sorted the works on view into nine chapters, which she calls Trans - Pavilions, each featuring a trans - national selection of different artists based on similarities and consonances in approach, personality, influences, and creative vision, thus focusing more on art and artists than on a theoretical, superimposed curatorial subject.

The London - based gallery's latest exhibition DO N'T WORRY showcases a playful selection of zany ceramics, loud sculptural works, furniture and tapestry pieces.

This retrospective will showcase the underappreciated New York — based artist's work, and the fun doesn't end within the exhibition — the museum will also reconstruct You & Me, originally made for New York's High Line and featuring the words «you» and «me» arranged in various combinations with colorful designs, in a nearby project space.

We're only doing one solo exhibition this year in November and that's with Reno based artist Overunder, who will also be taking part in our «House Warming» as well.

It was this sense of magic, embodied in works like Image Tirée du Boudoir (1922) and Klee's use of spontaneous or «automatic» drawings as the basis for his paintings, that caught the eyes of Surrealists, who included Klee's paintings in their first group exhibition in 1925.

The Belkin Art Gallery is a research - based institution and does not program exhibitions through unsolicited submissions.

That's Life as Shrigley Takes His Place in Turner Exhibition The Herald; October 25, 2013; Miller, Phil; 700 + words David Shrigley, the Glasgow - based artist in this year's Turner Prize final four, does not... familiar to viewers of Shrigley's sketches and drawings... It is a shame that Shrigley did not present any... honestly, said that the Turner Prize usually gives people...

For three years following the 2018 Carnegie International, we planned not to do large loan exhibitions but instead be as nimble as possible with the permanent collection in an iterative and more team - based way than is traditional, with education and outreach teams paired with curatorial teams.

That's Life as Shrigley Takes His Place in Turner Exhibition The Herald; October 25, 2013; Miller, Phil; 700 + words... Glasgow - based artist in this year's Turner Prize final four, does not believe he, or fellow nominees Laure Prouvost and Lynette Yiadom - Boakye, have a chance of winning the pound (s) 25,000 top prize.

Q.ta do Lago, 8135 - 106 Almancil, Portugal Free Forms is an apt title for ArtCatto's Summer Exhibition at the Conrad Algarve, which features two UK - based artists — paintings and prints from the late John Hoyland, and sculptures by Jeff Lowe.

Among the highlights is a collective exhibition at the Institut du Monde Arabe organised by Olfa Feki, an independent exhibition curator based in Tunisia.

Rod Barton are pleased to present our first solo exhibition by London based artist Robert Rush, Don't Drop it Roby!

We do tend to present a solo exhibition that is more installation - based for our shorter, three - week show in December though.

One would not expect three - dimensional work that is also time - based to be well - conveyed in print, but this catalog to an exhibition at the Rose Art Museum does a remarkable job.

see abstract snatches of Lund's Strings Attached, a series of 24 text - based paintings on fabric wallpaper, or The Paintshow, an exhibition Lund did that features paintings made on his Microsoft Paint - like website, Paintshop.biz.

Téllez has extensively researched Antonin Artaud's psychonautic journeys in Mexico, which were the basis of his recent exhibition To Have Done with the Judgment of God at Koenig & Clinton, New York.

It would be easy initially to criticise the curatorial intent of the exhibition; how does one isolate one year in one city as the basis for a show?

As a new exhibition, Christopher Williams: The Production Line of Happiness, at the Museum of Modern Art in New York suggests, perhaps no artist has done more over the last 30 years to explore the specific «social relations among people» that our image culture and media embody and conceal than the American - born and Düsseldorf - based conceptual artist Christopher Williams (b. 1956).

A decade later his Cowboys based on Marlboro cigarette advertisements quickly achieved cult status and were amongst the highlights of the group exhibition That's the Way We Do It at Kunsthaus Bregenz in 2011.

SOHO20 is hosting an exhibition to celebrate women leaders and to provoke discussion and action about what more can be done to give young people inspirational role models, to provide fair opportunity to women regardless of race and class, and to cultivate a human race that values good ideas and strong ethics based on their quality and not gender.

The group exhibition «Time Will Tell — A selection of artists from the Ricard Foundation Prize» is based on the history of the Ricard Prize, which was inaugurated in 1999, and since has distinguished an emerging artist on the young French art scene each year, invites us to think beyond the very logic of what a prize does, which is to single out a personae at a given time.

Warren founded Whoop De Do, a nonprofit with which she engages community groups to stage elaborate DIY performances and exhibitions and creates films based on historic paintings.

They have ranged from Andrew Norman Wilson's performative lecture Movement Materials and What We Can Do; Brian Khek's Sister Cities, an exhibition of new sculptural and printed work; Eva and Franco Mattes» online exhibition Emily's Video; and the production and launch of ClumpTV, one of the three web - based episodic series on the American Medium Network.

The December 17 opening brings an 8 pm performance by artist Beatrice Loft Schulz, starting off the three - week exhibition on the basis of «an investment in embracing the performative potential within these hierarchies, whilst at once making known the paradoxes in doing so» through everything from reality show dating, physically imposing oneself onto objects, or «creating contingent situations from a masculine vocabulary tied up in the miasma of power relations».

At Sperone Westwater, the most prominent piece in Long's exhibition Crescent to Cross was a «large - scale mud work» that recapitulated his effort in Magiciens de la terre, something he has been doing on a regular basis since that show.

The exhibition will display key work he did in the postmodern vein as part of Memphis, the Milan - based design collective — a group whose work was all about elaborate juxtapositions of bright colors and wild shapes.

The Seven Deadly Sins from Dürer to Nauman, Kustmuseum Bern and the Zentrum Paul Klee, Bern, Switzerland 2010 GSK Contemporary — Aware: Art Fashion Identity, Royal Academy, London, England 2010 Raw, 242nd Summer Exhibition, Royal Academy, London, England 2010 Lust and Vice: The 7 Deadly Sins from Dürer to Nauman, Art Museum of Bern, Switzerland 2010 Aware: Art Fashion Identity, Royal Academy of Arts, London, England 2010 21st Century: Art in the First Decade, Queensland Art Gallery, Brisbane, Australia 2010 The House of Fairy Tales, Harris Museum and Art Gallery, Preston, England 2010 Huckleberry Finn, CCA Wattis, San Francisco, California, USA 2010 Spanish Muse: A Contemporary Response, Meadows Museum, Southern Methodist University, Dallas, Texas, USA 2010 Eye of the Pacific Rim, Gyeonggi Museum of Modern Art, Ansan City, Korea 2010 Foundation of Art: Sculpture and its Base since Rodin, ARP Museum, Bonn, Germany 2010 Summer Exhibition, Royal Academy, London, England 2010 Who Knows Tomorrow, Friedrichswerder Church, Berlin, Germany 2010 Until Now: Collecting the Contemporary (1960 - 2010), Minneapolis Institute of Arts, Minneapolis, USA 2010 Size DOES Matter, The FLAG Art Foundation, New York, USA 2010 Contemplating the Void, Guggenheim Museum, New York, USA 2010 Pattern I.D., Akron Art Museum, Akron, Ohio, USA 2010 Nothing is Forever, South London Gallery, London, England 2010 Performance / Art, Dallas Center for the Performing Arts, Dallas, USA 2010 DaDaFest International, Liverpool, England

The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two - channel interaction installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.

Claudia Pestana stated, «The inspiration and premise for the exhibition is, when confronted with unfamiliarity, on what basis do we ground our ability to understand and engage with new circumstances?

You Have Did the Right Thing When You Put That Skylight In, the San Francisco — based artist's largest exhibition to date and his first solo show in Switzerland, is a selection of sculptures spanning from 2000 to the present plus the premiere of a large new body of work.

Kavi Gupta CHICAGO BERLIN is proud to announce its first solo exhibition with New York based artist Mickalene Thomas, entitled I was born to do great things.