Sentences with phrase «do as a young artist»

What Mr. Walt Disney did as a young artist to capture the imagination of the masses should not be overlooked as passé, but rather as a learning point and possible path to follow, at least in some small way.

Over late - night drinks Schnabel told him: «What you really need to do as a young artist is to figure out where you fit in art history, find your place, and then move into that new direction instead of rehashing what you've already done.»

They are what is taught in art schools, and increasingly attract the uninspired and untalented because it is what you do as a young artist if you don't question received ideas.

Not exact matches

But I was just amazed by how everyone, young and old wanted to be involved... and was so deeply enriched and touched by the experience and the laughter and the love I experienced from the people I met and how women would in particular open their hearts to me and tell me the stories of where they've come from, particularly because I have the language and was coming there as a woman and just how touched they were that I was there as a woman from England who's learned the language and who's an artist and running this project and come all the way to see them so they didn't feel forgotten I think that was pretty much what they felt... that their stories were being heard so they don't feel forgotten knowing the tents would be around the world.

I am not a particularly confident person, neither do I have a network before social media whom I could channel my own art to, said Alexandria Coe, a young artist who has used Instagram as a tool to share her work with the world.

MAC Cosmetics is known to collaborate with many famous and young artist and performers so this one didn't come as a surprise.

Hoffman, Howard and Phoenix gave better performances that year quite frankly but none of them dies young as a tortured artist so i guess they do nt get the Kurt Cobain treatment.

One of the films that didn't blow us away at Sundance, but offered a solid film full of jokes made just for cinephiles, was In a World... The film directed by actress Lake Bell follows a young female voice coach (Bell) as she joins the all - male race to land the white - hot new trailer of a blockbuster trilogy, and with it lay claim to the legendary trailer catchphrase «In a world...» She faces stuffy, douchebag competition in Ken Marino and even her own father (Fred Melamed), a legendary voice - over artist who can't bring himself to recognize his daughter's talent.

Deliver they did as their performances got them nominated for a Young Artist Award for Outstanding Young Ensemble Cast in a Motion Picture.

My Life as a Dog did get plenty of other accolades around the world, winning Best Film and Actor in Sweden's Guldbagge Awards, claiming foreign film honors at the Golden Globes and Independent Spirit Awards, and picking up three special Young Artist Awards at a ceremony that also celebrated Fred Savage, Cory Feldman, and «Growing Pains.»

I love the idea that these remarkable and lasting works of art were done by unschooled young artists who were basically inventing the art of painting — just as the caves were the first art galleries!

I was ready to do my part in shaping the young artists of my hometown as a drama teacher (in training) at one of the myriad theater camps in the area.

Younger artists do, however, focus on death, decay, and transformation, as Berlinde de Bruyckere does.

The other thing I see with middle - aged artists (and young artists as well) is that they have that fear of being criticized but they overcome it to show their work some — but when they do get any criticism, they completely fall apart.

What we do know, however, is that this «Greater New York» won't focus on young, emerging artists, as it had in the past three versions.

The paintings by this great Color Field innovator, now 80, looked as every bit as fresh as they did when they were first made in the»60s and»70s — prompting some fair goers to ask the gallery, «who is this young artist you are showing?»

The answer is long and complex, and has much to do with the radical shifts in culture that have occurred over the past 25 years or so, both in Britain and the world: the unstoppable rise of art as commodity and the successful artist as a brand; the ascendancy of a post-Thatcher generation of Young British Artists (YBAs) who set out, unapologetically, to make shock - art that also made money; the attendant rise of uber - dealers such as Jay Jopling in London and Larry Gagosian in New York; and the birth of a new kind of gallery culture, in which the blockbuster show rules and merchandising is a lucrative sideline.

While popular cliché is that young artists are often baristas, bartenders, or waiters, if not trust - fund babies, a lot of them do actually manage to find employment within the art world, and the luckiest art - school grads find jobs as assistants in the studios of more established artists.

«Organizing this exhibition with Musée du Quai Branly allows us to see many of the masterpieces that Picasso saw as a young artist,» Zugazagoitia said.

As a group of young artists who were interested in actually making things, these dry theorists didn't seem to serve us at all.

As someone who has worked with so many young aspiring artists, what do you make of the Whitney Biennial as an institutioAs someone who has worked with so many young aspiring artists, what do you make of the Whitney Biennial as an institutioas an institution?

The company does more than promote the works of its founder: Kaikai Kiki works as a nurturing environment for new, fresh talent, supporting young, emerging artists.

I was a young gallery assistant and Claude Rutault's work opened me up to conceptual art, although Claude Rutault doesn't see himself as a conceptual artist, but as a painter (which no longer surprises me, because Bernard Frize doesn't see himself as a painter).

We've had a lot of younger artists through and people do know him, they have been students of Gilliam, but it's also important for the younger generations to see these works especially as abstract painting has entered the center of the conversation again.

Even though newcomer artists and young professionals do create hype in certain neighborhoods, the expulsion of longtime residents is a result of (international) property speculation and its subsequent utility as a tradable asset for securitizing debt — financial capitalism.

The artist's previous exhibitions include a recent solo exhibition entitled Lovelady, at the University of Texas, Austin, TX (2014), as well as various other group exhibitions including Mote et Air du Temps, Paris, France (2011), Always the Young Strangers, Higher Pictures, New York, New York (2011), Post-Now, Marty Walker Gallery, Dallas, Texas (2010), and Perspectives 168, Contemporary Arts Museum, Houston (2009).

All in all, Acid Free serves as a great opportunity to view works by three young artists using craft materials as a means to produce what is traditionally considered «fine» art and has as much in common with painting and sculpture as it does craft and fashion, representing this latest trend in the blending of high and low in art.

At the same time, just as importantly, there is a new generation of dynamic young dealers who are very active in post-war Italian art — doing a lot of research and promoting artists with catalogs, museum shows and major highly focused art - fair booths.

The young digital artist Tabor Robak has made a real splash in recent years with his large - scale video pieces, which borrow as much from desktop screensavers and smartphone games like Candycrush as they do the storied history of art.

Watch as the iconic video and performance artist Joan Jonas advises her younger colleagues to enjoy what they're doing as you never know how people will respond to your work.

Given the mythic qualities of Switzerland's topography, it is surprising that the works included — videos by both young, lesser - known artists like Judith Albert, Nicolás Fernández, and Laurence Huber, and firmly established ones like Sylvie Fleury, Roman Signer, and Beat Streuli — do not necessarily reflect on a sense of place or on the history of landscape as an artistic genre but rather

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young artists.

But in 2000, when he became the youngest person and first photographer to win the Turner Prize, with a collection that featured socks drying on radiators and portraits of Concorde, the world did not see photography as art, nor Tillmans as an artist.

Now 87, Mr. Irwin started out, as did many young artists entering the field in the 1940s and 50s, in thrall to Abstract Expressionism.

When young Gilberto Zorio entered Turin's Accademia di Belle Arti in 1963 to study painting, little did he now that this Italian city would be praising him as one of its greatest and most achieving artists in a few decades.

In fact, at the time I didn't even refer to it as a performance — a word used so unhesitatingly by young artists today — since my generation were against the term, in France at least.

«He's not a Young British Artist, he's doing something different, but just as the American artist Edward Hopper is revered, I hope some of that could rub off on Vettriano.&Artist, he's doing something different, but just as the American artist Edward Hopper is revered, I hope some of that could rub off on Vettriano.&artist Edward Hopper is revered, I hope some of that could rub off on Vettriano.»

«As a young architect, I worked for Keyes Condon Florance, the architect of the building, and got to do some design work on it, as well as on the office building next door,» the artist recallAs a young architect, I worked for Keyes Condon Florance, the architect of the building, and got to do some design work on it, as well as on the office building next door,» the artist recallas well as on the office building next door,» the artist recallas on the office building next door,» the artist recalls.

ART21: You've said before that when you were young you knew you wanted to be an artist with a capital «A.» Do you see your recent portraits of painters as being related to a mythic or romantic conception of what being an artist is and is supposed to mean?

Yet for the duration of his life, his success as a young artist did nothing to change the fact that he was repeatedly confronted with racist clichés and prejudices.

In 1986, Jimmie Durham, a young conceptual artist who had spent much of the 1970s as an activist with the American Indian Movement, was asked by the Kenkeleba Gallery in the East Village to do a self - portrait as part of a group show.

This post — Civil Rights movement — if it can be called a movement, as loose and divisive as the idea of post-black art is today — has made new room for Civil Rights — era artists who did not fit during their day, Gilliam and Young among them.

This cross-generation show is meant «to celebrate (established) artists who continue to do vital work as well as younger artists who are contributing new things.»

To better understand these ghosts that haunt the landscape of contemporary artistic practice and politics, I spoke with several young artists to find out whether they felt unencumbered by the prejudices of the past, as Isaacs optimistically described, and whether feminism does indeed have something to say today.

Cash prizes in the arts generally do not go to help struggling young artists; they go to reasonably affluent, famous names who have had acclaimed exhibitions or well - reviewed, best - selling novels; the money can make the winners, as Marten indicated, a little embarrassed in front of their fellow nominees and fellow artists generally.

The collection they have built over the decades defies easy categorization, ranging as it does from the 1950s to the present, with photography by Diane Arbus, works on paper by Sol LeWitt and pieces by younger artists like Anne Collier, Gareth James and Rirkrit Tiravanija.

I knew Goldberg well, as did many other younger artists, and he made quite an impression.

As someone who has assiduously nurtured many young careers, who is as much a friend as a business partner to artists, how do you react when an artist leaves the gallerAs someone who has assiduously nurtured many young careers, who is as much a friend as a business partner to artists, how do you react when an artist leaves the galleras much a friend as a business partner to artists, how do you react when an artist leaves the galleras a business partner to artists, how do you react when an artist leaves the gallery?

On the occasion of his show at Betty Cunningham, Bailey, in an interview published in the Huffington Post, mentions a wealth of figurative painting being done by young artists, «at a time when painting is being viewed more and more as a niche activity» and «with little recognition among the museum curators and the galleries.»

Taken as a whole, they don't form a representative cross-section of what younger artists are up to these days, which is pluralistic and likely to remain so.