Sentences with phrase «do exhibitions which»

We were inspired by Gilbert and George's idea of «art for all», and wanted to do an exhibition which like the musical score could be performed differently in many parts of the world.

Not exact matches

Does the age really need a ridiculous exhibition by a religious enthusiast in order to get something to laugh at, or does it not need rather that such an enthusiastic figure should remind it of that which has been forgotDoes the age really need a ridiculous exhibition by a religious enthusiast in order to get something to laugh at, or does it not need rather that such an enthusiastic figure should remind it of that which has been forgotdoes it not need rather that such an enthusiastic figure should remind it of that which has been forgotten?

An exhibition - which opened to the general public on Saturday and will continue to do so on weekend afternoons - is in the refurbished centre within Dunscore Church near Dumfries, where Jane Haining grew up.

However, the exhibition begs the question: what do her paintings provide that an exhibition of the photographs which inspired the paintings would not?

Few events do a better job of demonstrating mainstream Britain's baffled relationship with comics, which is now the subject of a major exhibition at the British library: Comics Unmasked: Art and Anarchy in the UK.

Conservationists also needed to match the original 1930s colors of the animals» fur, which was not easy to do — especially because the photographs from the original exhibition preparation are black and white.

For now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works too.

Foreign - language films and documentaries are Kino Lorber's twin specialties, though this year it also released a trio of British dramas (which doesn't quite count as a foreign - language) from director Joanna Hogg: Archipelago, Unrelated, and Exhibition.

The question of colour is everywhere in Southside With You — the African exhibition Obama takes Michelle to before the gathering, in a rundown part of town where the black community can't get a local centre built; the movie date, where they see Spike Lee's just - released Do The Right Thing, which prophetically highlights the race riots that would resurface during Obama's presidency.

I'd probably choose to do the same thing — curate exhibitions — which I would enjoy infinitely more without the stress of how I pay my mortgage.

Current FoMoCo behemoth Excursion is already equipped with these bumpers, which are intended to contact and catch a smaller vehicle's front or rear bumper, reinforced side door beams, rear hatch, or tail section, thus preventing the larger vehicle from doing a poor imitation of a monster truck exhibition.

In a similar spirit, I also took the time to get the Consulting page up to date with details of my recent consultancy and exhibitions (which hopefully will prove equally useful for people who want to hire me to do comics things for money).

The exhibition, which first appeared at the Whitechapel Gallery in London, is called DO or DIY.

Did You Know: The city's largest event is the annual Oyster Festival, which features arts, crafts and exhibitions that pay tribute to the area's oystering history.

LAWCS uses a wide range of resources and activities to deliver their lessons including drama and role play, discussions and debate, videos, stories, exhibitions, welfare clubs, drawing, and games — all of which were done to encourage the children to form their own positive opinions and attitudes to the animals in their lives.

The provisions of this subdivision do not apply to captive wildlife, the exhibition of which is regulated by section 97A.041.

Besides food and drink, the city boasts and amazing array of entertainment including live theatre, musicals, performance - art, festivals, art exhibitions and nightclubs, which makes it easy for everyone to find something to do depending on their mood.

We decided to do the 2 - day - hike with Alpaca Exhibitions, which included a tour through Machu Picchu, but before that one day hiking.

In addition to serving the luxury business traveller, the hotel is targeting the lucrative and increasingly important MICE (meetings, incentives, conferences and exhibitions) market, which currently does not have a hotel of sufficient scale to host such large groups.

EMP Museum And don't forget that you can play an arcade build Lovers in a Dangerous Spacetime any day of the week at the EMP Museum, which is being exhibited as a part of the beautifully designed Indie Game Revolution exhibition.

Like most games that you downloaded (which I'm pretty sure you're done with, you're just installing it) You can play exhibition game while installing.

This game is fun as hell, the exhibition mode is fun (with friends), classic fights are a good way to get someone who wasn't into MMA interested in it (e.g. me) Career mode is fun but the problem is that you don't age is kinda dumb to be honest, you're «CRED» has no real purpose other than to get you new equipment, sponsors, sparring partners and opportunities to increase your «CRED» the controls are confusing to someone who's never played a game like this A.K.A me but I'll give it credit for innovation, you can go to training camps which upgrade you're striking and grappling which gives you new moves, their is a few exploits in the game No. 1 if you manage to get all the sponsors you can use them in create a fighter (which by the way has a decent enough amount of options) you can put all of the sponors that give the most cred and get everything easily and I mean everything No. 2 when you go to a training camp all you have to do is watch two demonstrations by the camp fighter and you have full stamina No. 3 any fighter you can beat within a minute of the first round you can beat a few times and shoot up the ranks, the music is good but you'll soon get sick of it and turn it off cause it repeats itself soo often, they didn't add intro walks, music and cage entries which would've made you feel more like an actual UFC fighter, but overall its a fun game but there's a few missed opportunities and not many fighting styles to choose from but rent it if you are curious about the game.

Kessler writes that the exhibition «is not only about a group of Mark Rothko paintings done at the peak of his career, but it's also about an ingenious restoration technique — a way to restore the color of these faded murals via non-invasive digital projections... The exhibition features a much - damaged five - panel mural that Rothko was commissioned to make in 1961 - 62 for the penthouse dining room of Harvard University's Holyoke Center... 38 studies for the murals... And, presented here for the first time, a sixth [undamaged] mural which was painted for the commission and held in reserve until Rothko decided which five paintings he wanted for the final installation.»

I came home, staged an exhibition in London which loads of people came to, and I thought, right — this is what I want to do from now on.

Perhaps Jeffrey Deitch knew about this, which is why, for this year's Armory Show (March 2 — 5, 2017), he reprised a group exhibition focusing on Stettheimer that he did more than twenty years ago.

He has also collaborated with Dul Fin Wah to make a full soundtrack for the exhibition which he has not done before.

Coming across Drexler's paintings singly, or even in solo gallery shows, doesn't prepare you for the chromatic intensity of her canvases, especially the mid-1960s paintings, which were the main focus of the exhibition.

This exhibition explores some of the ways in which human beings create and manipulate patterns, and why we are intrinsically driven to do so.

In doing so, the exhibition demonstrates the ways in which the past and present continually reshape each other, transcending geographic and social boundaries.

«I believe that one reason I began writing essays — a form without a form, until you make it — was this: you didn't have to borrow from an emotionally and visually upsetting past, as one did in fiction, apparently, to write your story,» Als writes in the introduction to his forthcoming book, which is titled after the exhibition.

Atlanta's High Museum of Art, which organized the exhibition, recently acquired «Para III,» a hot - colored and loosely arranged 1959 work that doesn't fit into any of Louis's series, and is treating the painting as the show's signature piece.

The exhibition Mitchell / Riopelle: Nothing in Moderation, which originated at the Musée national des beaux - arts du Québec last year, is now on view at the Art Gallery of Ontario (AGO).

In 1999, Rudolph W. Giuliani, then the mayor of New York, threatened to cut city financing to the Brooklyn Museum if it did not shut down an exhibition that included Chris Ofili's «The Holy Virgin Mary,» which incorporated the use of elephant dung.

At Ad Reinhardt's prodding, in late 1961 his Parisian dealer Iris Clert offered him a solo show in her gallery, but because of expenses and scheduling it did not become a reality until June 1963.1 Reinhardt was elated about how great his painting looked as part of the Guggenheim survey exhibition, Abstract Expressionists and Imagists, which had opened October 13, 1961.

Art writer Joyce Beckenstein writes: «At first glance these two wildly different exhibitions, which are in fact consigned to separate gallery spaces, have absolutely nothing to do with one another.

Touring exhibition organized by the American Federation of Arts which traveled to Southern Illinois University, Carbondale (January 31 — February 26, 1960); John Herron Art Museum, Indianapolis (March 12 — April 2, 1960); Andrew Dickson White Museum of Art, Cornell University, Ithaca (April 19 — May 5, 1960); Holiday Art Center, Watch Hill, Rhode Island (July 22 — August 15, 1960); Atlanta Public Library, Georgia (December 14, 1960 — January 4, 1961); and Wells College, Aurora, New York (February 23 — March 13, 1961) 1959 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August —exhibition organized by the American Federation of Arts which traveled to Southern Illinois University, Carbondale (January 31 — February 26, 1960); John Herron Art Museum, Indianapolis (March 12 — April 2, 1960); Andrew Dickson White Museum of Art, Cornell University, Ithaca (April 19 — May 5, 1960); Holiday Art Center, Watch Hill, Rhode Island (July 22 — August 15, 1960); Atlanta Public Library, Georgia (December 14, 1960 — January 4, 1961); and Wells College, Aurora, New York (February 23 — March 13, 1961) 1959 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August —Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August — October).

Both English, we naturally started to talk, and it turned out that Margaret was also doing shows — renting spaces short term for exhibitions, which today would be called pop - up galleries.

All of which was brought to mind by I Don't Give A Damn / Every Moment Counts, an exhibition of abstract paintings and works - on - paper by Peter Plagens.

A number of works in the exhibition were included in the Hirshhorn Museum's acclaimed retrospective this past fall in Washington, D.C., which did not travel.

I also think it is healthy to have a fight and to spawn other exhibitions, which as I remember did happen.

Natasha Kurchanova: Mark, I am interested in the beginning of your career as an artist because I would like to trace the transition between painting, in which you majored at Stanford University, and puppetry, which you started doing almost immediately after your first exhibition.

Ms. Madey said she was also worn down by the «relentless» cycle of five - week exhibitions, which does not allow time «to work closely with the artists.»

The lecture - performance is a part of a series of talks Merve does at exhibitions or sites of collaborationsin which she tries to reconsider her position as an image - maker in the ever - changing world of representation and presentation.

These exhibitions don't offer easy answers to such cynical questions, which effectively suggest that Atlanta would be better served by insular local showcases.

Featuring Adam Fearon, Vanessa Safavi, Richard Frater, Renata Har and Clémence de La Tour du Pin among others, the exhibition follows last year's Blue Majik, which aqnb reviewed here as the second iteration a project series exploring «the ongoing dissolution between the biologic and the synthetic.»

The first day I went to work, an artist had just canceled an exhibition, and he gave me six sets of 35 mm slides and he asked, «Which one of these people do you think I should give a show to.»

His exhibition Gerhard Richter: Lines which do not exist, 2010, which opened at The Drawing Center, New York, showcased the artist's works on paper for the first time in the United States.

It's not a museum; we don't have a permanent collection that you can go and see, but in terms of mounting a single exhibition — temporary exhibitions — which is what we do, we have the largest space.

So, when the rents for my three spaces on Grand Street, Wooster Street, and Windward Avenue combined were under $ 50,000, that allowed me to maintain the program that I want to maintain, which means being able to afford doing exhibitions that do not sell work and being able to show whatever I want at any art fair without worrying about making sales or not making sales.

It's a much bigger reward for me to create a thematic exhibition, instead of just running as fast as I can on a treadmill to create 30 shows a year, which we used to do.