Sentences with phrase «do film clubs»

Not exact matches

With sales of recorded music withering, the hot idea among record labels was to sign artists to so - called 360 deals, where a company didn't just release a band's recordings, but promoted the concerts, sold the merchandise, and shared in profits from websites, fan clubs and film deals.

The Spanish source, captioning the vid, suggest that the Canary Islander is doing work to prevent injuries, and that the clip was filmed in the club's Valdebebas training centre, on the outskirts of Madrid.

Yates Center knows who ate supper in the backyard last night, who had a new thermostat installed, who did or did not make his contribution to the Quarterback Club for buying films of the high school games, who takes cream in his coffee.

I don't think that is our problem, there are good times and bad times, all football clubs go through these times, I suggest mourinho should be given more time, I watch ball in a film hall where every Man U, Man city, fans yea they should sack mourinho, how is that of benefit to Man U fans as well as other clubs?

I think it's safe to say that Strip Club Massacre was pretty sexy and pretty fun, but I don't think you're going to get the same amount of «sexy n» fun» out this next film.

Im 26 and I dj all over the midlands I specialise in bashment dancehall bassline and house I do like abit of clubbing but as I work in them do nt go every week kond of thing im into music (thats obvs lol) watching films eating out and cooking chef styke meals; — RRB - I like to have a laff and want to...

I guess what I mean to say is if you're searching for Suicide Club's meaning in this film you're not bound to find any; instead, consider yourself treated to a director who has no idea what the fuck he's doing.

A.V. Club gave the film a B -, saying it «does show signs that Sandler and company still think about show business in terms beyond having a beer in paradise with David Spade.»

The Florida Project doesn't have the hook of Sean Baker's first film, Tangerine (a.k.a «the iPhone movie»), but according to The A.V. Club's own A.A. Dowd, it's got all of the charm.

However, they do make great «wallpaper» cinema: films to turn on in the background during a cocktail party to entertain your guests (especially fun when Thunderbirds are Go casts aside narrative and indulges in a prolonged dream sequence at a night club in space — call it a camp precursor to the Stargate sequence in Kubrick's 2001: A Space Odyssey).

The film doesn't get involved in Clough's personal life but focuses on his career with both clubs, starting off with Clough viewed firstly as a small - time Second Division manager then an arrogant manager on top of Division One.

It's not hard to pinpoint where the difference in quality between the two Vacation films comes from; although they have a solid comedy hit under their collective belt (Horrible Bosses), writer / directors John Francis Daley and Jonathan M. Goldstein just don't compare to the team of Harold Ramis (Ghostbusters, Caddy Shack) and John Hughes (Ferris Buller, Breakfast Club) working in their heyday.

In hindsight though, I didn't find The Single Moms Club to be a bad film.

That is a link you somehow made, to make the claim that I then shouldn't like Fight Club (which is even weirder, because I have never stated my opinion about that film, so you don't know whether I like it or not).

It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs — Objectif 49 (Robert Bresson, Jean Cocteau and Alexandre Astruc, among others) and Ciné - Club du Quartier Latin.

Despite cinematographer Shelly Johnson's admirable attempts to ape Janusz Kaminski's lighting style — covered up by the color grading, which A.V. Club contributor Adam Nayman likened to camouflage meant to hide the fact that anyone had put any effort into this movie — this basically looks and moves like an over-heated fan film, and Montiel's tin - eared use of country music doesn't make it seem any less amateurish.

But given that it was one of The A.V. Club's favorite films of the festival, here's hoping that Ramsay doesn't muck much with her fledgling neo-noir, which plays a bit like watching Taxi Driver through the haze of a really intense fever.

Giacchino is definitely in the club now, and like Guy (really) says, the music branch is generally all about the music, regardless of how the film is or did.

Charlie Kaufman went from TV scribe to red - hot screenwriter in 1999 with «Being John Malkovich,» and his timing couldn't have been better: That's a year the industry looks back upon as being a flashpoint of American indie cinema, with rule - breaking, ambitious films like «Pi,» «Boys Don't Cry,» «The Blair Witch Project,» «Three Kings» and «Fight Club» in multiplexes.

It's a dark echo in there, side - by - side with Jimmy's grim dedication to buying up lakefront property and turning this prelapsarian wonderland into an exclusive, members - only club, but the film explores neither beyond their mention and contents itself to wrap up with a few scenes of mayhem, three insipid montages set to horrible music, and the same finale involving the birth of a child it seems like Martin has done now in a good half of his films.

His other films include The State of Things (82), which won a Golden Lion; Wings of Desire (87), which won the Director's Prize at Cannes; Buena Vista Social Club (99), which was also nominated for an Oscar; and Don't Come Knocking (05).

Carolyn Seide's 2016 article, also from The A.V. Club, focuses on the character of Arthur Stuart (Christian Bale) stating that «the film's real twist is that it ultimately cares far more about Arthur than it does about [Brian] Slade.»

We don't have a list to hand of how many directors have casually tossed out three of the greatest films of all time in quick succession, but it's got to be a small club.

While Broken Lizard did go on to create another feature films, including Club Dread in 2004 and Beerfest in 2006, the films themselves didn't have the same cult - following fanbase as did Super Troopers has achieved.

back staging it on pop fashion and art food,, cold play and you being almost as funkadleic as,, kl f our totnes pop band the west country bring out comicness and fun with bil lbalies as standup comedy, but the uncanny, comic connections,, and ideologies,, divine intervention etc has to be confronted,, in this instance,, there, writer,, everything went,, lahlah lah when i found out1999 my first son was deaf,,,, your film baby driver now he is 21 effected,, very deeply as a deaf man him and he would love to meet you,, and help you do baby driver two accompanied rap back, on his life in the deaf community London as an artists and lover of fast cars,, and anti war gang block buster, he has all the locations and sights he just needs u when u next in London,, he is Leonardo Patterson on Facebook but as his mum - an interpreter,, i have to translate he wants to take u top the 32 floor of the shade, an ask u how come sign language music blips u got him quite emotional echoes his child hood with his Jamaican father,,,, he just wants the anti war second mix,, none violent comedy,, with bil bailey unit as a mixed race teenager growing up in south London, he has seen the,, how gangs nonviolence,, have ruined it,, for, cant give any more away he cant work out how to meet your pr,, as he is dyslexic,, soi he is getting me to write this,, Lamborghini,, s are his love,, its cosmic,, could u make a,, deaf teeagers dream come true,, we could meet you clpahm picture house where wesaw bay driver with subitles at thier subtitles for deaf club every Thursday,, can you messge me onfacebook messgenr,, thanks his deaf club,, eevry wed,, would also love avisit,, deaf club central, reards su and,,, leonardo patterson,,,

But «Book Club», starring screen legends Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen, is an amusing film that doesn't take itself too seriously.

W Magazine Taraji P. Henson, always fun, talks about getting the acting bug, auditioning for Precious and falling in love with «Cookie» on Empire even though she didn't want to do TV again AV Club Taraji also has a new leading film role as civil rights activist Ann Atwater who in 1971 had meetings with the Klu Klux Klan leader on reducing violence.

What a wild year with it being the return of Star Wars with Phantom Menance, Kubrick's final film Eyes Wide Shut, Fight Club, Magnolia, All About My Mother, Being John Malkovich, The Hurricane, Girl, Interrupted, Man on The Moon, Boys Don't Cr, Election, and THE MATRIX!

Hoping she doesn't wind up on The AV Club's Commentary Tracks of the Damned (which, given their D review, she might), Cody speaks engagingly, passionately, and screen - specifically about this film.

Pitt doesn't say much during the second half of the film; he and Fincher often casually defer to Norton, who cultivates his image as the intellectual's actor with astute evaluations of Fight Club's negative press.

(sigh) Film School Rejects on Disney's self cannabilization and the particular folly of trying it with Fantasia Variety TV is invading Cannes with many auteurs now doing both Vulture Tilda Swinton and Steven Yeun on making art in the new impossible - to - avoid - politics era AV Club Janelle Monáe and Leslie Mann are joining Steve Carell in Robert Zemeckis's next film MNPP Tom Hardy to play Spider - Man villain Venom in a standalone film Jezebel the only reporting on the Roseanne revival which includes Luis Buñuel asides Cinematic Corner visual parallels between Logan and Mad Max: Fury Road Hugh Jackman «see you soon Japan» - he's still on his Logan promo tour!

AV Club deep screen capture to reveal how well constructed shots in Divergent do nt make for a good film BuzzFeed great essay on the current relevancy of Before Sunrise (1995) and instant nostalgia Heat Vision Tyrese Gibson obsessed with playing Green Lantern in a film that's at least 5 years away based on a character already ruined by the movies Decider 10 essential movies about nuns from our beloved Black Narcissus to less impressive but famous offerings like Doubt

It's a confusing, slick film that can't quite decide what it's after; do we want to focus on Gere and his music dreams, the dancers and the fate of the infamous Cotton Club — or is this purely a mob movie that claims Gere and the infinitely moldable Cage in its clutches?

At the premiere of her new film Book Club, co-starring legends Candice Bergen, Diane Keaton and Mary Steenburgen, Fonda said, in her usual matter - of - fact tone, «I'm not dating anymore, but I did up until a couple of years ago.

Among the film clips featuring swearing was The Riot Club, featuring Josh O'Connor (left), who says: «Hands up who did f *** all at the back»

If his latest could be considered minor, it's only because films don't get more major than «A Separation» and «About Elly»; and few filmmakers have ever had a 2016 like Pablo Larrain, who started early with «The Club» and will close out with his best film to date, «Jackie.»

by Walter Chaw Saccharine, derivative, and overlong, Michael Hoffman's often - painful The Emperor's Club is remarkable only for the extremes to which it goes to avoid the clichéd ending — and the sad karmic (and ironic, given the film's carpe diem, hakuna matata catchphrase) completeness with which it fails to do so.

It was considerate that director Bradley Parker (a visual technician in films such as «Lake Placid» and «Fight Club «-RRB- followed a similar path as «Cabin in the Woods» director Drew Goddard did in turning the old teenage slasher / horror / mutant genre on its head with Chernobyl Diaries.

The film purports instead to show the rigidities of Victorian life: the social pressure to avoid divorce or annulment at all costs, the men's club aspects among the upper classes, the comparative freedom in Italy shown through the unhappy couple's trip to Venice, and especially the portrait of Margaret Cox Ruskin (Julie Walters) as the mother - in - law from hell who does not approve of her son's marriage, perhaps because she wants to continue bathing him.

Four years on, «An Education» director Lone Scherfig is hoping to do the same on screen with Wade's film adaptation of the play, now retitled «The Riot Club.»

For all of the versatility he's exhibited this year and last, for brilliant contribution to Wolf of Wall Street in giving it its theme song, for having lost 46 pounds to play Ron Woodruff, for starring in Focus Features» swan song, Dallas Buyers Club, for being the only reason that film got made — there seems to me no one more deserving of the accolade of Best Actor and I do believe McConaughey will take it, at last.

The problem here is that the whole plot hinges on a twist that has been done several times in films in recent years (Fight Club most notably), including a similarly delusional Coen Brothers film about writer's block that also starred John Turturro (Barton Fink — probably the reason he was cast in this film).

Astaire's way too old for Hepburn, and the dancing doesn't especially stand out (though there's an interesting overthetop Beat parody Hepburn performs in a club), at least relative to some of Donen's other films like Singin» In The Rain or Royal Wedding.

If the filmmakers had set out to make a film specifically for the A.V Club readership, they couldn't have done a better job, and not just because Caplan spends much of the film in various stages of undress (though, you know, that certainly doesn't hurt).

The film doesn't exist without her, written as it was with her constant consultation on everything, including the dance moves on the club floor, which, though choreographed, are almost entirely hers.

Then we'll take people who didn't work on it, from outside the club, to watch the films and vote on what they like.»

She'll also go into classrooms to do a «movie club» with the students, where they'll watch the film version of The Giver together and then talk about the film and how it contrasts with the book.

The Kennel Club has also provided an animated film, with graphics, about the dos and don'ts of buying a puppy which can be played in vets» waiting rooms and is available through the Vets Channel.

In his first New York City exhibition in 2009, titled The TV Show, PEET organized the concept around characters he coined «The Luxury Leaders» and «The Resistants» — symbolic metaphors for white - collar corporate America versus the anti-materialist, subcultural underbelly.3 Considering these fragmented story lines of rebellion and subversion, alongside the fact that the artist is sometimes positioned somewhere nearby covertly broadcasting an element of live feed into the gallery space, somehow it doesn't seem a stretch to imagine a grinning PEET tucked away in a dingy basement making human lard soap, à la Brad Pitt's nihilistic Tyler Durden from the 1999 film Fight Club.

In order to do justice to the film's bizarre rituals performed by Juliana Huxtable, Lourdes Leon Ciccone, and DeSe Escobar alongside Satterwhite, Gavin Brown's enterprise orchestrated the gallery similar to an underground club, from glow - sticks occasionally available at the entrance to the pitch - dark atmosphere elevating the film's visual and audial impact.