(These are the editors who
do line edits.)
I may
do some line edits in the first pass while I'm there, but if the text changes significantly, these edits will need to be done again.
I trade cover art and formatting for their time, as well as that of my copyeditors, who according to your definitions,
do line editing too.
Because it's difficult to
do a line edit without also doing a copy edit, the two are often combined.
Line editing: When you feel your book is largely in the shape you want it to be — the plot works, the characters are fully realized, all the scenery and furniture is in place — I would
do the line editing.
Occasionally my crit partners will
do some line editing as they go, but I'm confident enough in my craft to know when a sentence is working or not.
Working in Track Changes, I'll go through the book
doing the line editing, as above, but will also give notes on plot and character, or any other relevant global issues that need attention.
That's what makes well -
done line editing so difficult — and why some folks insist that signs of well -
done line editing actually are what an editor necessarily shouldn't do.
Yes, I've got a friend with editorial experience
doing a line edit for me.
In addition, I will also
do some line editing, make notes of areas that could benefit from further clarification, and critique your writing technique on the actual manuscript pages.
Then
I do the line editing and structure evaluation and suggestions.
In a traditional publisher house, the editor who acquired your book would generally
do the line editing.
If you hire a freelance editor to
do the line editing for your book, expect to pay approximately $ 50 - $ 60 an hour.
What
does line editing encompass?
Not exact matches
But yes, David has
edited me before and I was out of
line when he
did.
This
line was added in the
editing process and
does not reflect the views of the author.
The data (
EDIT: Provided by the OP) also doesn't support that (
EDIT: the OP's assertion that) American's love the constitution more than other countries because we
do not have a similar
line for rate at which another country's constitution is googled by their citizens (What's the trend of Canadians googling the Canadian Constitution?).
«I'm not categorically against all human germ -
line editing,» Doudna says, «but I think there would need to be a reason to
do it that would justify the risks and costs.»
These editors are
editing out things like protruding ribs, hip bones, smearing out dark circles and filling out hair
lines to disguise the fact that in general, very skinny
does not mean healthy.
This lil shop is chock full of fabulous designers that you don't see everywhere (like by Malene Birger, Simone Rocha, Ulla Johson) plus well
edited selections of
lines more ubiquitous (Tibi, Alexander Wang, Proenza Schouler).
Hannah's script, polished by «Spotlight» screenwriter Josh Singer before production,
does a magnificent job of setting up the stakes and identifying the key players, while subtle gags about
line editing punctuate all the rousing displays of righteousness.
It's a shame because it had such potential but I fear the
editing room had a lot to
do with the final result as the flow didn't feel as smooth as I would have expected and there were too many story
lines to make a solid narrative.
The technical credits are superior down the
line including sharp
editing from Christopher Tellefsen, economically inventive production design from Jeffrey Beecroft and team, as well as the cinematography that doesn't miss a beat from Charlotte Bruus Christensen.
Godzilla hotshot director Gareth Edwards» initial cut of Rogue One: A Star Wars Story didn't fall in
line with expectations leading to Tony Gilroy reshooting, rewriting and
editing the final version.
As with her previous work, Lynne Ramsay leaves her cinematography and
editing to
do any heavy lifting that the narrative calls for, the richest and most telling moments always coming in the form of an image rather than a
line of dialogue.
He still doesn't give interviews, but since The Thin Red
Line, the word has gotten out about how Malick shoots fairly straightforward scripts for months and then spends a long time in the
editing room (and the overdub booth) rendering his stories more abstract.
There are a few instances where he wanted to amp up the drama or
do some fancy camera or
editing maneuver, but in the end he quashed those more ambitious, perhaps even pretentious, instincts to respect the all - important (especially for this genre) bottom
line.
And since, Social Network is positioned to take
editing and True Grit for cinematography...
does that weaken The King's Speech in other below - the -
line categories?
DVD Features: New
Line would have been better off not even bringing this film on DVD at all, but the single - disc release
does include a 60 - minute making - of featurette, perhaps to explain why it took so long for director Terrence Malick to
edit the damn thing.
Oh,
did I mention that Google Drive / Docs allows off -
line editing?
EDIT: (bottom
line)
Do I have this diagnosed properly?
Line editing doesn't involve grammar or punctuation; it examines structure overall and problems with the story itself.
Many new writers don't fully appreciate the difference between copy
editing and
line editing, let alone the effect an editor can have on a book's success.
I also offer
line editing, which involves actually
doing some story breakdown (content
editing).
* Most new writers don't necessarily distinguish well between
line editing and copy
editing.
And little or no
editing is
done anymore in a traditional house beyond making a writer change a book to better fit a
line of books.
Developmental
editing: Up to three months, $ 800 (and if I end up
doing both dev and
line / copy
edits, $ 1,000)(again, drop me a
line and we'll talk)
Oh yes, I won't
do everything for a writer — like rewriting or
line editing the whole thing.
It
does happen, just as readers will leave reviews that criticize poor
editing or a weak story
line.
I don't particularly want my students
line -
editing each other in a separate document either, and I'll talk about why at length sometime, but the tl; dr meat of it is in the Accountability item, above.
My
line editing service
does include the following, but these issues are not the primary focus of the service:
What
do I mean by
line editing?
If you make sure you
do your research, write a good story, get it professionally
edited, and give it a beautiful cover, then the
line between indie and traditional completely fades away.
Story
editing,
line editing, copy
editing, proofreading — what
does it all mean?
Line Editing answers the question, «
Does this read well?»
You
do big - picture
editing and revision first, followed by
line editing or copyediting, and then end with a final proofread to catch typos and obvious errors.
They say send in a sample and they will give you a free sample, but that's only really for
line editing, which doesn't interest me so much.
Many editors will flag POV errors or small scale showing vs. telling during a
line edit, but they will not
do it to the degree that a developmental
edit does.
Line editing is actual hands - on
editing: fixing sections that aren't working, moving passages as necessary, cutting things that aren't helping, reworking sentences that could be
doing their job better.
Later in the week, she answers the question, what is
line editing and what should
line editors
do?