Sentences with phrase «do narrative writing»

It is important for many reasons and teachers should be encouraged to do narrative writing with their students.

Not exact matches

«All your clear and pleasing sentences will fall apart if you don't keep remembering that writing is linear and sequential, that logic is the glue that holds it together, that tension must be maintained from one sentence to the next and from one paragraph to the next and from one section to the next, and that narrative — good old - fashioned storytelling — is what should pull your readers along without their noticing the tug.»

I call this alchemy «narrative theology» because I'm usually just wanting to write what I think and experience about God and the best way I know how to do that is through story - telling.

How in the name of all things right and good did we get to this wrong place, and how does every parent look at their sons and daughters and write a different narrative?

Nor did it occur to Marcus to write his book for Jewish readers anyway; what he put together was a narrative of the mighty works and death of Jesus — a book largely devoted to explaining why Jesus had died — and he wrote it, not for Jews, but for Gentile converts and «listeners to the word.»

I call the made - up thing I do «narrative theology» because in almost all of my writing, I'm exploring the ways that I encounter God theologically in my life as it stands.

«How stupid the Jewish theologians were who wrote this narrative and did not even understand what an explosive concept they included in their own representation of God.

Oral epic song is narrative poetry, composed in a manner evolved over many generations by singers of tales who did not know how to write.

Interestingly, the depictions are what would be expected of relatively primitive hunting societies, but to my knowledge, they certainly do not reflect a literate people, let alone a people who were familiar with the particular oral or written narrative contained in Genesis or this book's alleged supreme deity.

The Iliad and Beowulf were writing in the genre of fantasy... «Once upon a time inky, pinky and bod got into a boat» The bible contains poems, historical narrative, precise directions that is why you do not compare it to the Iliad.

A narrative of a Lenten meditation in poetic form written from the standpoint of the apostle Thomas: And if it were not for his love, his grace that sought me out behind locked doors, called me to touch and then believe, I would not be here at your humble table ready now with you, to break the bread and pour the wine as he did years ago.

However, several scholars have suggested that mocked is not a later alteration, but what Mark originally wrote, I believe that Mark took mocked from Psalm 69:9; in his narrative of Jesus» death, Mark weaves together Psalms 22 and 69, as he does other Old Testament passages elsewhere in his Gospel.

I can only hope that this attempt is taken more seriously than the largely muted and clearly unsuccessful protests of late last season... although the plane writing escapade brought some much - needed attention to the matter, it failed to resonate with fence - sitters and those who had just recently fell off the Wenger truck... without a big enough showing of support the whole endeavor appeared relatively weak and poorly organized, especially to the major media outlets, whose involvement could have significantly changed what was to follow... but I get it, few wanted to turn on their club, let alone make a public display of their discord... problem is, they are preying on that vulnerability, in fact, their counting on you to keep your thoughts to yourself... who are you to tell these fat cats how to steal your money... they have worked long and hard to pull the wool over your eyes... they even went so far as to pay enormous sums of cash to your once beloved professor to be their corporate spokesmodel so that the whole thing would be more palatable... eventually the club made it appear as if this was simply a relatively small fringe group of highly radicalized supporters, which allowed the pro-Wenger element inside the club hierarchy to claim victory following the FA Cup win... unfortunately what has happened to this club can't be solved by FA Cups or a few players coming in, the very culture of this club needs to be changed and that starts at the top... in order to change the unhealthy and dysfunctional narrative that has absorbed this club we need to remove everyone who presently occupies a position of power... only then can we get back to the business of playing championship caliber football, which should always be the number one priority of this organization... on an important side note, one of the most devastating mistakes made in the final days of this hectic and poorly planned transfer window didn't have to do with the big name players like Sanchez or Lemar, but the fact that they failed to secure Jadon Sancho, who might even start for Dortmund this season... I think they might seriously regret this oversight... instead of spending so much time, energy and manpower pretending that they were desperately trying to make big moves, they once again lost the plot due to their all too familiar tunnel vision

How can a respected MMA journalist ask this with a straight face, when him neither any of this colleges have written any articles or done interviews with DJ to help build that narrative.

As Astro and Danielle Teller write in their book Sacred Cows: The Truth About Divorce and Marriage, «the narrative is, true love, if it exists at all, by definition exists with the person you said «I do» to.

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But Sturm, senior scientist at the U.S. Army Corps of Engineers Cold Regions Research and Engineering Laboratory in Fairbanks, Alaska, had not done two things in his notable career: taken an outlandish trek to explore the human history of the North or written a narrative book.

Furthermore, you can write in here some brief or long narratives about yourself, the things you like to do, your favourite places for a date, and the type of person you would like to meet.

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Speaking to Variety's chief film critic Scott Foundas, Mann discusses growing up in Chicago, becoming interested in crime stories, the visual ideas he had for the film, the nonfiction book he discarded but still credited, the influence of real criminals and past films (particularly his eye - opening time shooting The Jericho Mile in Folsom Prison), choosing Tangerine Dream to do the score (a decision he still second guesses), the film's writing (including basing characters on real crime figures), casting, explosive stunts, changes made from the shooting script, and the modernist narrative.

Suffice to say they don't bring out the best in each other, but while Baumbach's dawdling narrative gradually runs out of fresh places to take their on - again - off - again courtship, the writing is shot through with gentle melancholy and compassion.

Mark Neveldine and Brian Taylor (genre mechanics with a gift for narrative momentum but weak on story) write and produce but don't direct (Jimmy Hayward gets credit there), and this dull mess could really used some of their hairbrained excess just to make it interesting.

The writing is the first problem with «Huff», leaning hard as it does on the Dr. Phil Handbook for Fake Shrinks in its therapy sessions (leave out the dead gay kid, incidentally, and until episode four's guy - who - refuses - to - shit Huff's patients all appear to be beautiful women) and making the bad mistake of thinking that castrating bitch goddess mothers (Blythe Danner, playing Estelle Getty), nymphomaniac wives (Paget Brewster), and precious / precocious kids (Anton Yelchin) will write themselves out of narrative Bermuda Triangles.

The Russos, aided by a script from Christopher Markus and Stephen McFeely (the writes of both previous Captain America films), have the unenviable task of corralling a mammoth cast (that recap paragraph didn't even have room to mention Paul Bettany's Vision, Jeremy Renner's Hawkeye, Paul Rudd's Ant - Man or the debuting Tom Holland, bringing Spider - Man into the main Marvel Cinematic Universe) and steering them through a twisty narrative chock full of multiple belligerents coming from all angles.

Apparently Emmerich and producer Dean Devlin wrote two first drafts, one with Captain Hiller at the heart of the narrative and another without him, so even if Smith's exit is a done deal, there still are options.

From what I've seen on - screen, Mr. Right's writing is the film's strongest element, even if it does have narrative flaws and inconsistent character moments.

While the film starts off with a promise, by mid-point the film ceases to exist as the dialogues are sort of campy and lazily written and the narrative doesn't much bother with logic or reason either.

With its imitations of Robert Bresson close - ups, pointless references to European political change, actors talking about acting, junkies who are never seen doing drugs, «unexpected» pop songs, and deliberately obscured narrative (probably because — wait for it — it has the arc of a bad Victorian social novel), Schanelec's studious bore seems intended for an audience of people who write film festival catalogue descriptions.

Even though The A.V. Club's Mike D'Angelo gave it a lukewarm C + review at Cannes — «the movie ultimately doesn't have a narrative so much as it has a Message, and while Winding Refn doesn't actually go so far as to spell that Message out in big neon letters, he might as well have,» he writes — the arrival of a new...

Even though The A.V. Club's Mike D'Angelo gave it a lukewarm C + review at Cannes — «the movie ultimately doesn't have a narrative so much as it has a Message, and while Winding Refn doesn't actually go so far as to spell that Message out in big neon letters, he might as well have,» he writes — the arrival of a new Nicolas Winding Refn movie is still a movie - going event.

I'm sure I watched this movie missing some vital narrative information (I had to run over some plot details with a friend before writing this), but I honestly can't remember the last movie based on source material that felt as impenetrable to an outsider as this film does.

Ask the kids to write a one - page explanation or narrative of what they might do to solve a realistic problem or sticky situation that students may relate to.

Fine says that although she misses the «doing» part of the education equation — teaching — «part of how I process experience is through narrative writing.»

There is a very tight cultural and political narrative that exists in these cities, and if you did not spend your life reading and writing that narrative, you have to prove that you understand its significance.

Some common answers: the stakes are high, students haven't written many personal narratives, and they don't understand what admissions officers are looking for in their essays.

It covers the following lesson objectives: • become very familiar with... traditional tales, retelling them and considering their particular characteristics • begin to punctuate sentences using a capital letter and a full stop, question mark... • make inferences on the basis of what is being said and done • write sentences by: saying out loud what they are going to write about; composing a sentence orally before writing it; sequencing sentences to form short narratives; re-reading what they have written to check that it makes sense • read aloud their writing clearly enough to be heard by their peers and the teacher.

it's critical for teachers to help them write a narrative that includes a strong belief that they were born to do math.

The Common Core doesn't call for eliminating creative writing or personal narratives, and Belle Chasse Primary still teaches those forms of writing as well.

This can be done by using end - level tests, a written narrative of what the students already know, KWL, interview, etc..

It's been a year since David Coleman, president of the College Board and architect of the Common Core State Standard initiative, gave a speech to a New York audience, shocking many when he, while discussing narrative writing, said «as you grow up in this world you realize people really don't give a [expletive] about what -LSB-...]

Therefore, students do not have a curriculum rich in writing experiences which develop their inductive, explorative, and narrative thinking — all keys to success in higher education and the workplace.

Do you own Unit 2 - Narrative Writing in 5th Grade?

Omitting or reducing the role of narrative writing to a technique does not represent (the Common Core) stated goals of being more rigorous, or of being internationally benchmarked, or of trying to ensure that students are well prepared for the 21st century.

Without negating the importance of and relative difficulty of other forms of writing, omitting narrative writing as a form for high school students does not represent the rigor that is possible and necessary within these documents.

How was your experience of writing for the images different from other narrative writing you have done in class?

Again, a search of the benchmark standards demonstrates that 90 % of these nations / regions that outperform the United States in student achievement actually do emphasize narrative writing at the high school level.....

Choosing Your Voice: Narratives from the Classroom Communing with Chaos: The Real Process of Teacher Research Inside the Kingdom: The Children and Their Classroom Making the Classroom Culture Visible: The Collective Voice of the Teacher Researcher «Did You Write Down All of My Words?»

Teaching Nonfiction Writing K - 3, Tony Stead shows you how to open the door to the rich world of nonfiction writing that goes beyond «what I did» narratives and animal rWriting K - 3, Tony Stead shows you how to open the door to the rich world of nonfiction writing that goes beyond «what I did» narratives and animal rwriting that goes beyond «what I did» narratives and animal reports.

Have you ever written a lengthy narrative of how students did over the course of an entire school year?

The current era of corporate education reform began with the 1983 publication of the Reagan administration's report A Nation at Risk: The Imperative for Education Reform, prepared by a committee of prominent professors, politicians, teachers, and business executives.5 Not only did the report attack many of the equity - minded federal education reforms that preceded it, A Nation at Risk also manufactured a narrative of public education in crisis, steeped in the language of Cold War military paranoia: «If an unfriendly foreign power had attempted to impose on America the mediocre educational performance that exists today, we might well have viewed it as an act of war,» the authors wrote.