Sentences with phrase «do open architecture»

Not exact matches

Facebook chose a proprietary architecture because at the time it was the only option for adding extra profile data to a digital ID, but now «they'd love to be very open with what they're doing.
Our open source AI project OpenCog has an architecture for general intelligence that incorporates all the different aspects of what the mind does.
The effort was to look at my favorite movies of the year (inspired, to begin with, by the opening of «No Country for Old Men») solely through establishing shots, architecture, landscapes, inanimate objects... and a few glimpses of extras and motionless actors who don't speak.
The high ceilings characteristic of Balinese architecture lend a breezy feel to the living and dining rooms, as do louvered doors opening to the terrace.
GamerToken uses the Blockchain architecture to allow safe transactions, and does so with an open, development friendly framework to benefit publishers and developers as well as gamers.
From that competition arises the question of the intentionality of the architecture, installation or art object: does it seek to engage the viewer on an equal footing of open dialogue or does it seek to talk down and manipulate?
With a PC the open architecture means you can build a machine that does whatever you want it to, but at the cost of making it harder to get the bits to connect properly.
ROYAL DANISH ACADEMY OF FINE ARTS, Copenhagen, Denmark 2011 «Some Structures; drawing, writing, finance» AARHUS, SCHOOL OF ARCHITECTURE, Aarhus, Denmark 2011 «Hunting Life in an Open Book» «Arts, Letters and Numbers: An expanded disciplinary geography» PARSONS THE NEW SCHOOL FOR DESIGN, New York, NY 2010 «Design and Existential Risk» Fall Lecture series «Risk Distribution: Why I teach algorithmic trading in an art school» GLASS HOUSE CONVERSATIONS; Dialogue in the Digital Age 2010 Invited Participant by Geoff Manaugh philipjohnsonglasshouse.org ACADIA 2010 Conference LIFE in: formation, New York, NY 2010 Lecture: «Time Promise Land: Notes on our current geographies» COOPER UNION, New York, NY 2010, «Hejduk, Hamlet and the Ghost Promise» with response from David Shapiro (poet) Rhode Island School of Design, Providence, RI 2010, National Science Foundation, Making Science Visible Conference «Embodied Knowledge Navigating Disciplinary Geographies» COOPER UNION Panel discussion, New York, NY 2010, «Light is Calling» Participant and moderator Bill Morrison, Kyna Leski, Chris Rose CÍRCULO DE BELLAS ARTES, Madrid, Spain Conference on John Hejduk 2009, «Hejduk, Hamlet and the Ghost Promise» COOPER UNION, New York, NY Public Art lectures with Dennis Adams 2009, «No More Shall We Part» HARVARD UNIVERSITY, GSD, Cambridge, MA Critical Digital Conference 2009, «Creative Imagination In the Shadow of Oppenhiemer» Rhode Island School of Design, Providence, RI How Do We Look to the Outside?
Rist guides us through her exhibition at the Hayward Gallery in 2011 and discusses why her works look as they do, and what videos can potentially do to a space: «You can open the walls — you can change the architecture
Matta - Clark's audacious hybridization and redefinition of three mediums — architecture, sculpture, and painting — opened new modes of contemporary expression just as decisively as the maverick actor had done.
Born in France, after studying at Beaux - Arts in Rennes (France) and architecture / product design at Camondo in Paris, Nicolas left to travel for almost a year all around Asia.2001, Nicolas stopped in Singapore where he opened a creative studio / showroom, doing art direction for brands and hosting exhibitions (such as ChinArt town, where he had his first solo show).
Described by La Tour du Pin as a «labyrinthine network of tunnels as intrauterine architecture, [comparable] to the unconscious side of the city of Torino — with its forgotten souls, desires and hidden phobias,» it will be open to the public for the first time since 1705.
The path of the exhibition is determined by the architecture of Palazzo Grassi, playing on the specificities of the site, particularly on the contrast between the open spaces devoted to installations that don't require complete darkness, and the enclosed, dark - ened spaces.
LeBlanc is kind enough to note my criticisms of shipping container architecture in the article, where I go on about them being «too small, too expensive, and too toxic»; Daniel Kroft of Giant Containers rebuts them, noting that they have lots of steel lying around to reinforce openings, air conditioning is easy with modern mini-split units, and spray - foam insulation does wonders at keeping it all airtight.
The open architecture of craigslist, quintessential to the value it provides for users, simply does not allow for the absolute prevention of solicitation or pornography, with respect to any of its categories and functions.
It has taken years for my husband to understand that when I go to open houses, look at magazines or tour neighborhoods that I don't want to move, I just want to «look» at the architecture, design, colors, furniture placement.
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