Sentences with phrase «document collection at»
Based on your eligibility we initiate document collection at your doorstep and login your file in the selected bank.
http://www.personalloan-bangalore.com/ Not exact matches
If you are in the Washington, D.C. area, the USPTO provides public access to collections of patents, trademarks, and other documents at its Search Facilities located in Alexandria, Virginia.
The Bible is, in reality, a complex collection of historical documents, written over the course of at least 1,500 years, which represents various literary genres (everything from history to parables, poetry to pastoral letters and legal code to visions of the future), worldviews, languages, cultures, agendas and opinions.
(A copy of this document is on file in the collection of James Houghton Woods's papers at Harvard University.)
A wondrous world of nature hides in plain sight at the Chicago Academy of Sciences collections facility - Chicago Reader - March 21, 2017 The natural history haven in North Center contains nearly 300,000 specimens that document the biodiversity of the midwest, Illinois, and greater North America.
Now Rebecca Schane, a public health researcher at the University of California, San Francisco, and colleagues have identified 170 documents from this collection that record what Big Tobacco knew about people for whom...
While documenting that new species, a second new species of pillbug originally collected 142 years ago by biologists on a wooden sailing ship in Alaska was discovered in a collection room at the Natural History Museum of Los Angeles County (NHM) by researchers Adam Wall and Dr. Regina Wetzer.
This collection documents the web pages for the Icahn School of Medicine at Mount Sinai, The Mount Sinai Hospital, and the Mount Sinai Health System, all in New York City.
I, Sarah, vintage pattern hoarder extraordinaire, pledge to make at LEAST five garments from my collection and document said process OR I will give five patterns away to charity or the first claimant.
At once a brilliant riff on Star Trek and also one of the best Star Trek movies ever made, Dean Parisot's film revolved around the aging stars of a once - popular sci - fi TV series called Galaxy Quest who, after attending yet another sci - fi convention, are beamed up into space by a group of aliens that think the TV series was a collection of «historical documents.»
The Center for Education Policy and Law, based at the University of San Diego, last month issued a collection of documents on what it calls «electronic communication devices,» or ECDs, which includes a six - page model district policy that outlines proper and improper use of...
A collection of Church documents on Catholic education which affirm the Catholic school as integral to the mission of the Church and at the heart of its efforts at evangelization.
The collection of primary source documents assembled on this website creates a fascinating picture of a complex society at a crossroads in a nation's history.
ED references are documents available in microfiche collections at more than 900 locations or in paper copy from the ERIC Document Reproduction Service at 1 -800-443-ERIC (3742).
• In every case, the collector must carefully follow the procedures at 40.191 (d) by terminating the collection process, immediately notifying the DER of the refusal, and thoroughly documenting the circumstances surrounding the event in the remarks section of the CCF.
-- If the employee ultimately fails to provide a sufficient amount of urine during the remaining time, the collector discontinues the collection, discards any specimen the employee previously provided, appropriately documents the CCF, and immediately notifies the DER and the MRO — following the requirements at § 40.193 (b)(4) and (b)(5).
To facilitate interoperability of custom roles across Reading Systems, implementers are strongly encouraged to document their use of the collection element at http://www.idpf.org/epub/extensions/roles.
The metadata for embedded previews is largely the same as what we just looked at for standalone publications, but where it's expressed differs, as embedded previews are defined in the new package document collection element.
There is a three - panel view, which lets you navigate through filters and collections, view your document text, and see details of the document all at the same time.
They don't usually invite the debt collection company to sit down with them at the bank at the time of the sale, to ensure that all of the documents and information get transferred over accurately and in accordance with all of the federal laws.
At Golden Financial Services we often hear about people who receive scary debt collection letters that look like court documents, but after reviewing them we usually find that they are misleading documents that violate the law.
There's been fun with arranged music, some time spent with AJ LoCascio on Power Button, plenty of interesting artwork from a few favorite franchises, a deeper look at the concept document for Aero the Acro - Bat, recounts of how and when I acquired parts of my gaming collection, the arrival and departure of the Press The Buttons video show, and much more.
This selection of archival documents, compiled from the collections of the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, originally accompanied the essay «What Remains: Art and Archives,» by Ann Butler and Marvincollections of the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, originally accompanied the essay «What Remains: Art and Archives,» by Ann Butler and MarvinCollections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, originally accompanied the essay «What Remains: Art and Archives,» by Ann Butler and Marvin J. Taylor.
A few other titles explore artists featured in her collection, among them, «Kerry James Marshall: Mastry,» Gordon Parks's «Segregation Story,» and «Alma Thomas,» the exhibition catalog documenting the artist's recent survey at the Tang Teaching Museum and the Studio Museum in Harlem.
Curated by Noguchi Museum Senior Curator Dakin Hart, Self - Interned, 1942 brings together about two dozen works from the Museum's collection, dating from before, during, and after Noguchi's time at Poston, along with a substantial selection of archival documents.
Lynette Yiadom - Boakye: Natures, Natural and Unnatural is the third of four unique monographs documenting four contemporary artist's selections from Moscow's V - A-C collection and their subsequent display at Whitechapel Gallery during 2014/2015.
This collection of never - before - published talks at one of the leading art schools in the United States, documents an exciting decade in the development of contemporary art and arts education, featuring interviews with renowned artists, curators, and writers.
A book documenting the first 20 years of the collection, Landmarks: Sculpture Commissions for the Stuart Collection at the University of California, San Diego, was published in 2001 by Rizzoli International Publications, Inc..
Frank Mitchell runs the Amistad Center for Art and Culture, a collection of African - American arts and historical documents that is housed at the Wadsworth Atheneum.
What / Why: «Presented at a time when the compulsion to digitally document and share human activity has increased exponentially, this exhibition features works from deCordova's permanent collection that prefigure and inform current trends in social photography, as well as recent work by contemporary artists who utilize smartphones and social media to record the world around them.
Tate / UCLan Film Project — Making Histories Visible Collaborative project led by Professor Lubaina Himid The Point of Collection is the second DVD and publication research resource document, this time exploring the entire national collection at Tate including accessing works in the Tate store, which are not available to view on the Tate web site.
Price's commission will explore the archives and collections of the Ashmolean Museum and the Pitt Rivers Museum (which cares for Oxford's holdings of anthropology and world archaeology), looking particularly at photographs of artefacts and documents used historically by curators, anthropologists and archaeologists working in the field, while simultaneously engaging with the social and psychological implications of digital technologies.
[7] The Club maintains a document collection, mostly of correspondence with its artists, at the Newberry Library.
The archive also documents his studio at Butler's Wharf in a series of photographs, which was overflowing with a variety of found objects and scrap, from a fighter plane cockpit to a collection of gongs, all of which were potential elements of his work.
In this channel is a collection of videos documenting the exhibitions, events and performances in BALTIC's project space at BALTIC 39.
• Ogden Museum of Southern Art, Board of Trustees, (2018 to - present) • New Orleans Photo Alliance, Board of Directors, (2017 to - present) • Photographed Leah Chase for the cover of the Spring 2018 issue of Louisiana Cultural Vistas • Photographed the cover of the Spring 2017 issue of Gravy, a publication from the Southern Foodways Alliance • Photographed the cover and a photo essay for the Summer 2016 issue of Louisiana Cultural Vistas • Documented the Mississippi Gulf Coast with the Mississippi Arts Commission for the state's bicentennial, 2017 • Featured in the The New York Times and NPR for work in The Rising, at the Ogden's • Licensed a photograph to HBO's Treme for the opening credits of the fourth and final season, 2013 • Work is in the Wedge Collection in Toronto and private collections in Alabama, Louisiana and New York
At the collection's core are those photographers first exhibited in two seminal twentieth century exhibitions: New Documents (1967) at the Museum of Modern Art and New Topographics (1975) at Eastman HousAt the collection's core are those photographers first exhibited in two seminal twentieth century exhibitions: New Documents (1967) at the Museum of Modern Art and New Topographics (1975) at Eastman Housat the Museum of Modern Art and New Topographics (1975) at Eastman Housat Eastman House.
Thanks to careful study of documents, letters and photographs related to Szeemann and the 1969 show — carried out by the Fondazione Prada in collaboration with GRI curator Glenn Phillips and his team — and to detailed analysis of a collection of more than 1,000 black and white and color photographs, it was possible to identify both the works in the exhibition and the ones that were not put on display — for technical reasons — at the Kunsthalle or in the secondary exhibition space at the Schulwarte.
Collaboratively, participants considered the points of convergence between museums and contemporary performance, in search of answers to the question, «What if an art collection were treated like a musical or choreographic score — existing both as a historical document and as the material for an interpretive performance that could be played at any moment?»
Each of the artists will produce an art work for Istanbul by the end of 2010; a collection of 77 pieces of art will be presented to Istanbul.Visibility a one day intense programme October 2010, intends to make contemporary art, artist and Galata Visible to the people just like a flash of Lightning aiming to make visible historical architectural and sociological richness richness of Galata and the industry in Sishane.Highly regarded artists, organizers and museum executitives visiting Istanbul offered a platform where they can get to know the local production.Photography parade in December 2010, will aim to document an important cultural art and life a total of 12 photography exhibitions will be opened at the Fototrek photography centre or Istanbul street including works by local and foreign photographers.
2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR
The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art is the second in a series of catalogues documenting the magnificent works in the DMA's encyclopedic collection, following the 2009 publication of The Arts of Africa at the Dallas Museum of Art.
An important contribution was made by the Getty Research Institute directed by Thomas W. Gaehtgens.Thanks to careful study of documents, letters and photographs related to Szeemann and the 1969 show — carried out by the Fondazione Prada in collaboration with GRI curator Glenn Phillips and his team — and to detailed analysis of a collection of more than 1,000 black and white and color photographs, it was possible to identify both the works in the exhibition and the ones that were not put on display — for technical reasons — at the Kunsthalle or in the secondary exhibition space at the Schulwarte.The result was a complete and precise mapping of what happened in Bern.
Constantly renewing their collection in an open - minded and experimental manner, the collectors of these works have created an outstanding document of the last twenty years of art history: it reflects a profoundly heterogeneous art landscape that is grappling with the explosion of possibilities inherited from the artistic revolutions of the twentieth century, while at the same time responding to the glut of images enabled by a world that is ever more globalised and technologically interconnected.
During his three - and - a-half year tenure at the High Museum, Mr. Labaco helped to develop and strengthen the museum's collection of 20th - and 21st - century design, which he partially documented in the recent exhibition Under Construction: Building a Contemporary Design Collection for the High (2010).
Her time at Light Work will be spent realizing a portfolio of prints drawn from this series and others that she has in the works, including a collection of photographs that document the frenzied yet elegant dance of crows as they fly over the skies of Mumbai, India.
Published on the occassion of Anthea Hamilton Reimagines Kettle's Yard (15 September 2016 - 1 May 2017) at The Hepworth Wakefield, this publication documents the installation by Turner Prize nominee Anthea Hamilton of new works by contemporary artists and items from Kettle's Yard's collection.
Press Preview: April 12th, 11 am to 1 pm If you wish to attend the press preview, please contact Emily Salas at [email protected] Immediate Release ROBERT & ETHEL SCULL: PORTRAIT OF A COLLECTION On Tuesday April 13th Acquavella Galleries will open an exhibition that documents the amazing, unerring eye and acquisitive passion of the colorful New York couple who dominated the contemporary art world in the 1960s and early 1970s.
Cruising the Archive: Queer Art and Culture in Los Angeles, 1945 — 1980 explores the relationship between artistic practices and LGBTQ histories through artworks, objects, and archival documents culled from the collections at ONE Archives
The exhibition examines Noguchi's artistic output during his self - elected time at a Japanese internment camp, putting on display works from the museum's collection alongside archival documents.