Sentences with phrase «document public projects»
Special sections document public projects which have punctuated Whiteread's career, such as Watertower 1998 in New York and Embankment 2005 for Tate Modern's Turbine Hall.
http://www.luhringaugustine.com/ Not exact matches
The Kingston Common Council Tuesday night approved a resolution drafted by opponents of the Niagara Bottling plant proposal to extend the public comment period on a document that will guide an environmental review of the project.
The administration's recently released budget documents contain the little - noted proposal to create an agency that could oversee public construction projects worth more than $ 50 million.
Lately, the governor and his aides have portrayed Schwartz's role as more limited, saying that he will essentially just review contracts and documents that are already public, including any deals that result from a recent state allocation of $ 485 million to the Buffalo Billion's SolarCity factory project.
In addition to the SEQRA document, the DEC also allowed for public comment on the project earlier this year.
«ESDC has quietly made the «affordable» housing conditioned upon public subsidies, in contradiction with [the project's] approval document,» Carponter said.
You will also continue your project exploration by: carrying out the next step you identified in Session 5, documenting what happens, and making what you learn public.
MNCS recognizes that projects like documenting and testifying to legislators on mutated frogs near the school (which led to national attention because others later found similar phenomena) help develop problem - solving, research, and public - speaking skills.
The project involved scores of interviews with state and local education and law - enforcement officials, other experts, teachers, principals, parents, and victims, as well as an extensive review of court documents, journal articles, and public - policy records.
The significance of mounting millions of public documents into Internet - accessible files is a project that will have immense impact on social studies education in this century (the Library of Congress» American Memory website is http://memory.loc.gov/ammem/ndlpedu/index.html).
By documenting and recognizing schools that invest in a range of ways to support each and every student, the Schools of Opportunity project provides concrete evidence that schools can pursue and achieve the promise of public education in a democracy.
The project aims to document every species currently housed in zoos and educate the public on such wildlife to promote understanding and conservation efforts.
To this end, www.callistoproject.eu promotes a continuous exchange of information with main stakeholders and general public, using interactive spaces for discussion, such as blog and web conferences, and offering project documents, videos, scientific literature and other relevant documentation.
HABRI maintains the world's largest online library of human - animal bond research and information; funds innovative research projects to scientifically document the health benefits of companion animals; and informs the public about human - animal bond research and the beneficial role of companion animals in society.
Founded by Petco, Zoetis, and the American Pet Products Association and supported by a growing number of organizations, the HABRI Foundation maintains the world's largest online library of human - animal bond research and information; to date has funded more than half a million dollars in innovative research projects to scientifically document the health benefits of companion animals; and informs the public about human - animal bond research and the beneficial role of companion animals in society.
Founded by sponsors Petco, the American Pet Products Association, and Zoetis, the HABRI Foundation maintains the world's largest online library of human - animal bond research and information; to date has funded more than half a million dollars in innovative research projects to scientifically document the health benefits of companion animals; and informs the public about human - animal bond research and the beneficial role of companion animals in society.
The Human Animal Bond Research Institute (HABRI) maintains the world's largest online library of human - animal bond research and information; funds innovative research projects to scientifically document the health benefits of companion animals; and informs the public about human - animal bond research and the beneficial role of companion animals in society.
The MDW Fair in Chicago was formed in spring 2011 as a collaborative project between the Public Media Institute, Document,...
A comprehensive schedule of educational events throughout fall 2013 will be open to the public free of charge, including an international Symposium on September 28th; a screening of the film which documents the project, produced by The American History Workshop Brooklyn; along with lectures, panel discussions, and gallery talks with scholars and artists.
Donna Graves is a historian and cultural planner with over 20 years experience developing public history projects that document and interpret unrecognized histories.
A previous project, Absence without leave begins with a selection of iconic representations of male bodies and moments of AIDS pandemic in public and domestic spaces documented by photographers.
An archive of documents, regularly updated, will be presented to the public, displayed in the museum's lobby as well as on the project's website: www.leprincipegalapagos.com.
For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminating in the publication of a substantial book documenting the project produced by Dia Art Foundation.
Meg Shiffler presented several past and future projects that she organized at the San Francisco Arts Commission Gallery that highlighted local communities or sociopolitical circumstances such as the yearlong engagement (exhibitions and public programs) around the fact that San Francisco is a «Sanctuary City» and is defiantly refusing to comply with the Trump administration's request for personal documents related to its immigrant populations.
Her installations and public projects often employ the iconography of social movements and their residual documents to inter - rogate contemporary political engagement and social dialogue.
Taryn Simon's exhibition at the architecturally distinguished Milwaukee Art Museum offered up a generous and inquisitive photographic archive that spanned ten years and three distinct projects: «The Innocents,» 2002, portraits of people wrongfully convicted of violent crimes; «An American Index of the Hidden and Unfamiliar,» 2007, images of sites and holdings generally inaccessible to the public; and «Contraband,» 2010, a series that documents, with clinical precision, items seized over a given week from airline passengers entering the United States.
At the urging of his close friend, the artist Paul McCarthy, Puusemp gathered newspaper clippings, letters, and public notices that chronicled the Rosendale project, publishing them as a single volume titled Beyond Art — Dissolution of Rosendale, N.Y.. Now, in an exhibit titled «Against the Romance of Community,» the Swiss Institute explores those documents alongside other artworks focused on how communities behave, interact, and identity themselves.
His projects include public actions, installations, video, paintings and drawings and he often starts with a simple action, either by himself or others, that can be documented in a number of ways.
One of the first regarding a museum exhibition, a Wikipedia entry on Rembrandt in Southern California has been created to document this unique undertaking, to provide historical context about collecting in Southern California, and to encourage public participation in this project.
Commissioned by Creative Time, the temporary public art installation was documented by Google's Streetview team and is now a part of its Google Art Project.
As co-curator of street art exhibition and Prospect P. 3 + site ExhibitBE, Lydia researched and documented the history of the blighted apartment complex in which the work was created to guide the curatorial process, managed community programming and daily operations, and, after the exhibition closed, coordinated the #PaintWhereItAint Tour through which several ExhibitBE artists traveled across the southwest United States to collaborate with artists in other cities on community - centered public art projects.
Morley is the curator of the (External) Artist - led Archive, a project documenting over 80 Irish artist - initiatives, and was the 2014 Curator in Residence for Galway city where she developed a new public research programme titled The Para Institution.
More recently she has turned her focus on working with young people exploring how their voices are heard in society, including the Noise Summit commissioned by SLG, working with school - aged children who live on an estate in South London, exploring their relationship to noise, making noise and having their voices heard in public space and Baldwin's Nigger RELOADED a project with the sorryyoufeeluncomfortable collective that reflects on the contemporary relevance of Horace Ove's 1968 film documenting James Baldwin's visit that year to the West Indian Student Centre.
The project will exist as an ongoing live performance (rehearsals will be open to the public) and in its final form as a 30 to 45 minute video documenting the process of putting on the production, from auditions to opening night.
2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avigproject by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, AvigProject, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, AvigProject 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR
For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminated in the publication of a substantial book documenting the project produced by Dia Art Foundation.
Morley is the curator of the Artist - led Archive, a project documenting over 80 Irish artist - initiatives, and was the 2014 Curator in Residence for Galway city where she developed a new public research programme titled The Para Institution.
The display also documents Schottlander's role in the debate which raged during the late 1960s about the appropriate form and settings for public sculptures and culminated in Peter Stuyvesant's 1972 City Sculpture Project to which Schottlander contributed.
, Edited by Marysia Lewandowska and Laurel Ptak, Sternberg Press, Berlin «The Distance of a Day», Motto Books & Chert, Berlin «How to Shoplift Books (Come Rubare Libri)», Automatic Books, Venice «Comment voler des livres / Jak kraść książka», (Polish and French translations of How to Shoplift Books), Automatic Books, Venice «Cómo robber libros / Bogrov», (Danish and Spanish translations of How to Shoplift Books), Automatic Books, Venice «I was Serious, I was Eating Apples», Automatic Books, Venice «Watercolors», Natalie Haüsler and David Horvitz, Eberl Print GmBH, Immenstadt, Bavaria 2012 «Public Access», Publication Studio, Portland, Oregon «Sad, Depressed, People», New Documents, Los Angeles, California 2011 «The Open Daybook», Los Angeles Contemporary Exhibitions, Los Angeles, California «My Grandmother's Recipes», Morova, Poznan, Poland «Volume North + South», Publication Studio, Portland, Oregon 2010 «Everything That Can Happen in a Day», Mark Batty, Los Angeles 2009 «Rarely Seen Bas Jan Ader Film», 2nd Cannons Publications, Los Angeles 2007 «Xiu Xiu: The Polaroid Projects», published by Mark Batty Publisher, ISBN - 10: 0979048656
474: document work space, an exhibition resulting from a collaborative project between the Institute of Art, Design and Technology and the Irish Museum of Modern Art, opens to the public at the Drawing Project Gallery, DúnLaoghaire, on Friday 28 Marcproject between the Institute of Art, Design and Technology and the Irish Museum of Modern Art, opens to the public at the Drawing Project Gallery, DúnLaoghaire, on Friday 28 MarcProject Gallery, DúnLaoghaire, on Friday 28 March 2014.
ACR ensures transparency by requiring that project registration and verification documents be made public.
This technical document introduces EuroHEAT, a project co-funded by the European Commission Directorate - General for Health and Consumers, aimed to improve public health responses to weather extremes and to heat - waves in particular.
According to documents obtained by the Center for Media and Democracy (CMD), the American Petroleum Institute (API) and other oil industry groups have been directing state legislators to make public and legislative statements in favor of the pipeline project, and have provided legislators with draft legislation, language for op - eds and testimony to be presented as their own.
This document presents the BioCarbon Fund (BioCF), a public - private initiative, housed within the World Bank's Carbon Finance Unit, mobilizing resources for pioneering projects that sequester or conserve carbon in forest and agro-ecosystems, mitigating climate change and improving rural livelihoods.
Thomas Mitchell of Union Fenosa said (2013/02/08) that following the expected acceptance of the planning documentation the «documents will then form our Environmental Impact Assessment, and the Paling Yards project will then commence a period of public exhibition.
Katembo went undercover to document and release information about bribery and corruption in the quest to drill for oil in Virunga National Park, resulting in public outrage that forced the company to withdraw from the project.
Rodrigue Katembo, Democratic Republic of Congo: Putting his life on the line, Rodrigue Katembo went undercover to document and release information about bribery and corruption in the quest to drill for oil in Virunga National Park, resulting in public outrage that forced the company to withdraw from the project.
The good news is that the developer addressed the vast majority of these questions during the planning phase of this project, and anyone interested in the level of scrutiny this project underwent can review the minutes from numerous public hearings and meetings and the publicly available documents and permits obtained by the project.
The collection was worthless, nothing more than a disorganized pile of pilot project public relations campaign planning documents with a mismatch of lettering styles giving the appearance that some sections didn't belong with others.
SACRAMENTO, CA, February 17, 2017 - The American Carbon Registry (ACR), a nonprofit enterprise of Winrock International, is proposing updates to the following Program documents and is soliciting public comments: 1) The American Carbon Registry (ACR) Standard v4.0, which details ACR's requirements and specifications for the quantification, monitoring, and reporting of project - based GHG emissions reductions and removals, verification, project registration, and issuance of offsets Stakeholders are invited to review the proposed changes to the ACR Standard posted on the ACR website and submit comments to [email protected] by March 20, 2017.