Sentences with phrase «documentary film editor»

She began her career as a documentary film editor before finding her passion for the classroom.

Not exact matches

Through her company, she began making films and short documentaries for science nonprofit organizations, working together with a small crew consisting of two cameramen, a sound technician, and a video editor.

The Sally Menke Editing Fellowship is designed to support an emerging narrative editor who has edited at least one narrative film (no more than four), and any number of shorts, documentary films, industrial films, or webisodes.

Extras include an audio commentary track with director Doug Liman and editor Stephen Mirrione, a commentary with writer / actor Jon Favreau and Vince Vaughn, «Making it Hollywood» documentary series, a short film, Swingblade, deleted footage taken from raw dailies, and a trailer.

Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.

Both a documentary about the production of an issue of Vogue magazine and a profile of its editor Anna Wintour, this film struggles a bit to find some focus.

Their journey — physical and metaphorical — takes them to some very dark places, and though the film has elements of gentle humor that leaven the proceedings — and two fine performances from Jay Duplass («Transparent «-RRB- as Nick and Linas Phillips (Young Adolescents) as Conrad — we can never get away from the uncomfortable fact that writer / director Davis (editor on Duplass's documentary Kevin) has made a conscious decision to put a mass murderer at the center of his story.

In 2014, the TFCA established the Peter Wintonick Documentary Fund to commemorate the legacy of Peter Wintonick, a writer, director and editor whose films include Manufacturing Consent, and who won the 2006 Governor General's Award for Media.

Seven of the branches — actors, casting directors, costume designers, designers, documentary, executives, and film editors — invited more women than men this year.

Also includes the half - hour documentary «DCU: The New World,» a retrospective of the «Crisis» series of DC comic stories that inspired the film, featuring interviews with the creators and editors of the original comics.

2 - Disc DVD Extras: 11 newly - discovered deleted and extended scenes, director's commentary, feature commentary with Spike Lee, cinematographer Ernest Dickerson, actress Joie Lee and production designer Wynn Thomas, retrospective documentary with the cast and crew, storyboard gallery, 1989 Cannes press conference, interview with film editor Barry Brown, trailers, and «Behind the Scenes» and «The Making of» featurettes.

Murder: The Making of The Grifters», A brand new feature length documentary on the film's production, including new interviews with director Stephen Frears, cinematographer Oliver Stapleton, editor Mick Audsley, executive producer Barbara De Fina and co-producer Peggy Rajski.

In addition to his background in documentary, Greene has worked as an editor for Alex Ross Perry on Listen Up Philip (2014) and Queen of Earth (2015), and this film announces his potential to become a major American independent filmmaker.

NEW Sounds from the Cold — interviews with supervising sound editor David Lewis Yewdall and special sound effects designer Alan Howarth NEW Between the Lines — an interview with novelization author Alan Dean Foster Audio Commentary by director John Carpenter and actor Kurt Russell John Carpenter's The Thing: Terror Takes Shape — a documentary on the making of THE THING featuring interviews with John Carpenter, Kurt Russell, special effects make - up designer Rob Bottin, legendary matte artist Albert Whitlock plus members of the cast and crew (80 minutes — SD) Outtakes (5 minutes — SD) Vintage featurettes from the electronic press kit featuring interviews with John Carpenter, Kurt Russell and Rob Bottin (12 minutes — SD) Vintage featurettes — The Making of a Chilling Tale and The Making of THE THING (1982 — 14 minutes — SD) Vintage Product Reel — contains a promotional condensed version of the film with additional footage not in the film (19 minutes — SD) Vintage Behind - the - Scenes footage (2 minutes — SD) Annotated Production Archive — Production Art and Storyboards, Location Scouting, Special Make - up Effects, Post Production (48 minutes — SD) Network TV Broadcast version of THE THING (92 minutes — SD) Teaser Trailer Theatrical Trailers (U.S. and German Trailer) TV spots Radio Spots Still Gallery (behind - the - scenes photos, posters and lobby cards)

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

From asides to an unseen editor and DP Michael Chapman, to the referral to pre-production notes on anecdotes he wants to capture on film, said deconstruction reaches its peak as Scorsese reveals as much about the rehearsed nature of storytelling as he does his magnetic raconteur, and by extension the very notion of documentary truth.

Travis was the Director of Photography and Editor for 5414 Productions» friendly fire documentary A SECOND KNOCK AT THE DOOR.Travis puts to good use his Bachelor of Arts in Film, working with a wide array of clients, shooting everything from commercials and television shows, to documentaries, webseries, and feature films.

Luckily we are editors with years of experience on documentaries, TVCs, large corporate videos, music video clips, feature films and TV shows.

He has also worked as a supervising sound editor and re-recording mixer on a number of independent films and documentaries.

AS: Portrait of Wally is my first documentary, but I have been a director, writer, producer and editor in film, theatre and television for nearly thirty years.

Jenny McCormack is a New York - based film editor, experienced in all styles of editing: shorts, features, commercials, documentary and scripted.

There's a panel discussion of the iconic 1975 cult documentary Grey Gardens including clips from the film and speakers Iris Apfel, Harlem historian Michael Henry Adams, Grey Gardens subject Jerry «the Marble Faun» Torre, Grey Gardens editor and producer Muffie Meyer, and Sara Maysles (daughter of filmmaker Albert Maysles and co-author of the book Grey Gardens).

This year's jury included: John Akomfrah, filmmaker; Iwona Blazwick, director of the Whitechapel Gallery; Avi Grewal of Channel 4 documentaries; Mark Rappolt, editor of ArtReview; artist Gillian Wearing; and Stuart Comer, film curator at Tate Modern.

Collaborated with directors and video editors for feature narrative films and documentaries including «The Royal Road» (2014), «Test» (2013), and «Idiosyncrasies» (2010).