Today marks the birthday of influential British filmmaker (also documentarian, theater director, and film critic) Lindsay Anderson, whose legacy is most deeply felt with his membership in the Free Cinema
documentary film movement of the 1950s and his contributions to the British New Wave.
Not exact matches
For the most part, though, this
documentary is worth watching because of the vintage footage, and because someone thought to capture on
film almost all of the principal figures of the Black Power
movement of the late «60s and early «70s.
However, this year has seen
movement on a prequel series of
films, a
documentary about real life Quidditch players, and even a short story updating the...
From «King: A
Filmed Record» to «Freedom Riders,» eight
documentaries that tell the story of the U.S. Civil Rights
movement through
film
Also new this week: «Blank City» (Kino Lorber), a
documentary on the «No Wave»
movement of DIY
films in New York City in the eighties (Blu - ray and DVD); Nicolas Roeg's «Track 29» (Image), with Theresa Russell and Gary Oldman; «A Town Like Alice» (VCI) and «Carve Her Name with Pride» (VCI), two British war dramas starring Virginia McKenna.
Kicking off this week's dose of daily video content is a time capsule: a 1972
documentary from Luca Verdone entitled Neorealism, which explores the the Italian
film movement that came to personify Italy's cinematic identity in the late 1940s and early 1950s.
Kicking off this week's dose of daily video content is a time capsule: a 1972
documentary from Luca Verdone entitled Neorealism, which explores the the Italian
film movement that came to personify Italy's cinematic identity...
However, I give director Stephen Hopkins credit for including an interesting subplot involving famed German director Leni Riefenstahl, who was commissioned by the Nazis to
film the entire Olympics for a
documentary that was supposed to become a propaganda
film for the Nazi
movement, but instead became a showcase for Owens.
With his charismatic and incredibly likable character clear throughout the
film, this biographical
documentary reveals his true passion is not just singing and acting but fighting injustice and creating awareness for the civil rights
movement, on which he had great impact.
He has researched and completed academic papers on a numbers of
films, filmmakers and historical
film movements, including French New Wave, Italian Neorealism, Hollywood Cinema, New Korean Cinema, New Iranian Cinema,
Documentary Cinema, Silent Cinema, New German Cinema and Post-Revolutionary Cuban Cinema.
NEW JOURNALISM AND NEW NONFICTION By Eric Hynes Embedding himself in the production of hybrid
film Kate Plays Christine provokes a writer to think about
documentary's fresh affinities with a seminal journalistic
movement
In the Society's most prestigious category, the Buried Treasure, the nominees are: DAVE MADE A MAZE, a unique adventure
film about a frustrated artist and his creation; the compelling
documentary THE DEATH AND LIFE OF MARSHA P. JOHNSON, about an icon of the queer and trans
movements; Dee Rees» MUDBOUND, a story of 2 families working the same land in 40s Mississippi; PATTI CAKE$, whose eponymous white lead dreams of being a rapper; the latest from the Dardennes brothers, psychological drama THE UNKNOWN GIRL; and WINDOW HORSES, an animiated
film based on a graphic novel written by its Asian - Canadian director.
One was familiar to me: «The War at Home», the
documentary about the anti-Vietnam War protest
movement in Madison, Wisconsin, which was compiled from the news
film archives of Madison TV stations.
The
film didn't emerge from Tony Richardson and John Osborne's Woodfall Films, which produced «Saturday Night and Sunday Morning», «A Taste of Honey» and «The Loneliness of the Long Distance Runner», but it was very much part of the same
movement of filmmakers coming to drama from
documentaries and theatre, and looking to represent the lives of young working - class men and women more truthfully.
This
documentary film project, produced in collaboration with WHYY and Equality Forum, will illuminate the 50 - year history and progress of the LGBTQ civil rights
movement by highlighting the powerful experiences of Gay Rights
movement pioneers and documenting a planned reenactment of the 1965 — 69 peaceful demonstrations at Independence Hall.
Filmed by the artist on New Year's Day, its footage shifts between
documentary and experimental styles, using both wide - angle and detail shots that, at times, abstract the figures» bodies into a chaotic arrangement of imagery, colour, and
movement.
Focusing exclusively on art -, music - and culture - related movies, Arthouse Films («Where art and
film collide») produces and / or distributes around 15 to 20 titles a year, from
documentaries about specific artists (c: The Radiant Child) or other figures in the art world (Herb & Dorothy, on art collecting duo Herb and Dorothy Vogel) to in - depth looks at specific
movements (Beautiful Losers, a tribute to the»90s DIY
movement) or communities (The Cool School, about the Ferus Gallery and its role in bringing the L.A. art scene of age).
Filmed by the artist on New Year's Day, its footage shifts between
documentary and experimental styles, using both wide - angle and detail shots that, at times, abstract the figures» bodies into a chaotic arrangement of imagery, color and
movement.
Kicking off the 2018 Spring Season on April 24 at the San Francisco Main Library Koret Auditorium is Sanctuary Rising, an in - progress
film screening by
documentary filmmaker Theo Rigby followed by a panel discussion addressing the history of the sanctuary
movement in San Francisco.
This includes photography and many
films — including the forthcoming
documentary, Linda Karshan, Choreographic Page, by Ismael Annobil of Stonedog Productions; a group of 4 short
films from Dresden by Harald Schluttig; the seminal
film by Candida Richardson,
Movements and their Images; and the acoustic drawing, «Soundings» as Karshan drew during one day in her London Studio.
The
documentary A Fierce Green Fire, a
film synthesizing major environmental
movements of our time, was screened and the
film's director, Mark Kitchell, skyped in to discuss his vision and motivations behind the
film.
When I posted the trailer for In Transition — the
documentary about the Transition Towns
movement as a response to peak oil and climate change — commenter CB was less than enamored with the
film making style.
The environmental
movement seemed to have a leader in former Vice President Al Gore, whose
documentary film An Inconvenient Truth had raised more awareness of the issue than McKibben's books ever could.