My guest is Toni Harman,
documentary filmmaker turned birth warrior turned author.
Not exact matches
Synopsis: The veteran award - winning
documentary filmmaker Frederick Wiseman
turns his lens on the world of boxing, specifically on a gym in Austin, Texas.
Lauded
documentary filmmaker Morris (The Fog of War, The Thin Blue Line) makes the jump to narrative films with this darkly comedic adaptation of We Froze The First Man, the memoir by TV - repairman
turned cryonics pioneer Bob Nelson.
And their efforts at deconstructing each fateful
turn of events are monitored by a fledgling
filmmaker (Wilmer Valderrama) who tags along to make a
documentary.
A former basketball player
turned acclaimed photographer, a late - blooming student
turned Ivy League professor, a recipient of the Sundance
Documentary Film Program's prestigious Art of Nonfiction fellowship
turned — thanks to Hale County This Morning, This Evening — 2018 Sundance Special Jury Prize - winning
filmmaker, Ross keeps it moving.
Just as modernist painting bears the traces of the painter's movements and presence, and modernist literature has moved toward the first - person essay, the autobiography, and the diary, so the strain of modernist filmmaking that was launched with the French New Wave has integrated the
filmmaker's methods with the movie itself, and
turned fictions into
documentaries about their making.
Feature: Julia Montejo, Jesus Nebot, No
Turning Back
Documentary: Bill Holloway, Go the Distance Short Drama: Jeff Bemiss, The Book & The Rose Short Comedy: Vengeance Animation: The Last Mouse Screenplay: Richard Guimond, The River Pirates Granite State
Filmmaker: Bobby Owen
Borrowing from the best but, at the same time, forging a bold style all his own, British
filmmaker Bart Layton, known for his highly successful, U.S. - set 2012
documentary The Imposter, again
turns to the history of bizarre American crimes to relate a story that would be hard to invent.
Photographer -
turned -
filmmaker Lauren Greenfield has made the perfect
documentary for a recession that never seems to end.
A
documentary exploring genre based monster art takes an odd
turn when the
filmmakers are contacted by a man who claims he can prove that monsters are indeed real.
The
documentary visits more thriving places like the docks of Le Havre, or a factory in Château - Arnoux - Saint - Auban, before
turning to Varda herself, and her recollections of her earlier days as a photographer and avant - garde
filmmaker.
Sarah Polley especially
turned heads with her most recent film, a
documentary that proved her talent and diversity as a
filmmaker, Stories We Tell.
The respected
documentary filmmaker Steve James («Hoop Dreams») found out about this early on and he follows the case with no one knowing how things will
turn out.
Monica Baptista is a painter -
turned -
documentary filmmaker who has created several films on topics ranging from Chechnyan soldiers on the TransSiberian Express, to tracts on herbal tea, to experimental investigations of architectural structures.
Writer, producer and
documentary filmmaker Todd Kent recently
turned me on to his short YouTube.com video of Cadillac Ranch (1974) sponsor Stanley Marsh 3.
Randy Olson, a marine biologist
turned filmmaker and storytelling maven, captured Morano's style in «Sizzle — A Global Warming Comedy» — his prescient 2008 mock
documentary on the climate fight.
Amusingly, one
filmmaker at the meeting
turned the tables on Randy and ambushed him with some of the same questions he asked people in his semi-mock
documentary on climate, «Sizzle ``: