Revealing moral values, biases, and ideals, the video confessional and
documentary interview formats serve to conflate fact and fiction and to complicate the performance of character versus the performance of self.
Not exact matches
This is really a shame, not only since the movie played at the Sundance Film Festival in 2012 (where it picked up the World Cinema Cinematography Award in
Documentary) and would in theory have some
interviews and press material from that event, but because the subject matter itself cries out for the deeper exploration and updates to which the home video
format is uniquely suited.
Giving them the freedom to make their final report in the form of an
interview, video
documentary, or other creative
format will inspire even more engagement.
In an
interview in the NYT, Walden's CEO said they realized «there were inherent limitations of the
documentary format,» of W4S, and they wanted to reach a larger audience through characters who struggle with issues that are «ripped from the headlines.»