Sentences with phrase «documentary material as»

Combining documentary material as well as the analysis of the public's response to his work, this book demonstrates how Monet was able to achieve enormous success throughout his career.

Not exact matches

A final step toward Silence, as Scorsese sees it, was directing 2012's documentary on George Harrison, Living in the Material World.

Different genres of movies portray information differently, and so just as you would not expect accurate history and science to come from a love story, even documentaries, which often do portray accurate history and science, reveal history and science from a particular perspective, carefully selecting material to make a certain point, or tell a certain story.

Scorsese has also directed numerous documentaries including the Peabody Award winning No Direction Home: Bob Dylan and Elia Kazan: A Letter to Elia; as well as Italianamerican, The Last Waltz, A Personal Journey with Martin Scorsese through American Movies, Il Mio Viaggio in Italia, Public Speaking, Shine a Light and George Harrison: Living in the Material World, for which Scorsese received Emmy Awards for Outstanding Directing for Nonfiction Programming and Outstanding Nonfiction Special.

Spanning four countries and as many languages, you'd imagine there would be a wealth of material available for discussion, but the only extra on the two - disc set is a 87 - minute documentary («Common Ground: Under Construction») on the making of the film.

Disc two includes nearly six hours of additional material including a 196 - minute making - of documentary, entitled Strength and Honor: Creating the World of Gladiator, and as if this was not exhaustive enough more behind the scenes technical information is provided in the five - part Image and Design section which includes featurettes on sets, costumes, and weapons as well as extensive photo galleries.

Packed with never - released material, this documentary tells the life story of Muhammad Ali from angles we haven't seen before, even as it has a tendency to drift into hero worship.

Speaking of redundancy, this Blu - ray additionally ports over a mountain of (standard - definition) bonus material from the Platinum Edition DVD release, such as the lengthy and highly informative documentary «The Making of Bambi: A Prince is Born» and the 1937 Silly Symphony The Old Mill, the first use of an elaborate multi-plane animation camera Walt Disney himself explains in a «Tricks of the Trade» segment that's on board as well.

But for all the unauthorized biographies and oral histories and documentaries and other materials out there about Thompson's life and work (particularly after his death in 2005), his year as a foreign correspondent hardly warranted a mention.

Other bonus materials provided are; a making - of documentary, featurettes about the stunts, sound, music and «lights and magic» of the trilogy, as well as original theatrical trailers.

This exhilarating trove of original documentary material and archival footage is as much a vivid portrait of a time and place (San Francisco's historic Castro District in the seventies) as a testament to the legacy of a political visionary.

In the superb half - hour documentary extra, containing the pith of the full interviews which appear on the bonus disc alongside mostly inessential extra material, Spall tells us how, over two and a half years of art lessons from artist Tom Wright, he showed some aptitude and ended up «as good as he [Turner] was aged nine».

Nichols and his cast were able to draw from that material (Nichols regular Michael Shannon cameos as the photographer) and other footage from the period, including Nancy Buirski's 2011 documentary «The Loving Story,» to lend the film as much verisimilitude as possible.

Disc two provides numerous bonus materials such as: deleted scenes and the deleted song Any Day Now, a documentary about the filmmaker Norman Jewison, the Easter Egg The Tale of the Beggar, an interview with John Williams called Creating a Musical Tradition, interviews with the cast members who played Tevye's daughters, photo galleries, and the movie's trailer.

Though billed as a documentary, this 59 - minute doodle barely rises above homemovie status, featuring more material of Corfixen's two daughters dancing naked around hotel rooms than it does actual on - set footage — though ambient music from «Drive» composer Cliff Martinez gives her a distinct advantage over most amateur videographers.

However, Steve James» documentary is more than just a retelling of the book as it provides new material, making it a great companion piece.

As teachers striving to be culturally relevant, we do our best to include relatable materials into our curricula — articles, media, song lyrics, speeches, websites, and film and documentary clips.

Her resume also lists her as the Founder and Director of the Nuclear Waste Documentary Project, a nonprofit scientific organization that produces educational materials on nuclear waste issues for public television, museums, and schools.

Laura served as the Art Director for 5414 Productions» first documentary A SECOND KNOCK AT THE DOOR, and was instrumental in establishing the overall aesthetic of ASKATD's movie poster, marketing materials, etc.Since graduating with a Bachelor of Fine Arts in Graphic Design, Laura has worked as a designer and illustrator for a wide range of clients.

We were inspired by sci - fi books and movies, but real life sources were just as important: authentic space imagery, documentary material on space programs and personal accounts from astronauts as well as soldiers in 20th and 21st century conflicts.

An extensive archive of videos and documentary material related to works such as Damaged Goods Gallery Talk Starts Here (1986), Preliminary Prospectuses (1993), and Services (1994) will mark the beginning of this exhibition.

CTSMA collects documentary material such as studio detritus and discarded trials, which provide a view into the artist's creative process.

From Group Material co-founder Julie Ault's personal art collection from the 1980s and»90s on view at Artists Space to Fiona Tan's film of the Sir John Soane Museum's antiquities collection at the Philadelphia Museum of Art (echoing Alain Resnais's great 1956 documentary of Paris's national library, «Toute la mémoire du monde») to the Museum of the City of New York's upcoming show of graffiti art collected by the late artist Martin Wong, artists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gesture.

The documentary material that constitutes the Archive and Library is structured into holdings and collections, which include the archives of individuals and entities, artist's books, posters, photographs, invitations and pamphlets, etc., as well as reference books and audiovisual documents.

Taking the movie poster as a model, Asher eliminated the image and expanded the production information to focus on the film's structure and on the people whose work shaped the raw material of the documentary subject matter.

Using both archival and filmed material, his films question our reading of the documentary form as a fixed representation of reality, opening up the boundaries between the actual and the imagined, record and interpretation.

Overview: In conjunction with the exhibition Los Angeles to New York: Dwan Gallery, 1959 — 1971, the National Gallery of Art Library will present documentary material drawn from the library collection as well as the Dwan Gallery Archives and Virginia Dwan Archives.

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

In a more dramatic break from tradition for the space, they will also feature a variety of documentary materials that seek to place Adrià's work in the broader context of innovation as well as a new film that features images of all the dishes elBulli ever served.

The exhibition features documentary material that underscores Benglis's interest in exploring and subverting gender roles as well as pioneering video works which tackle themes of gender politics and experiment with the formal and performative potential of what was then a new medium.

Our primary interest is to place works by the artist in all media as well as documentary materials such as catalogues, posters and films in institutions with a reputation for their scholarly approach to exhibitions and publications that have already shown an interest in and provide regular public access to the artist's work.

Simultaneously with the work of artists will be on display and a small part of archival and documentary material with photos of the marine life of Patmos, from major monuments and ceremonies of island associated with water as well as images and texts associated with the collection, the management and the consumption of water in Patmos in the past and the present.

: Art and Black Los Angeles,» a comprehensive catalog edited by curator Kellie Jones with contributions by Jacqueline Stewart, Naima J. Keith, and Franklin Sirmans, among others, highlights participating artists and their works, and features documentary material from the period such as exhibition posters and promotional cards.

This online publication includes comprehensive information about Torres - García's art, exhibition history, and literary references, as well as a chronology with documentary materials related to the artist's life and career.

Building on SHoP's former exhibit «This House is Not a Home» we continue to explore the concept of home «as a place and a mindset, a psycho - geography, a set of relationships with things and people, within the home, and surrounding the home, a stage set with social and material parameters, an idea that is perhaps never realized, a story that we tell ourselves and others that is both documentary and fiction...» John Preus.

Having also made animations culled from well known documentary footage — the O.J. Simpson trial as well as the Zapruder film of the JFK assassination — it is clear that he mines popular culture in addition to art and photo history to garner his source materials.

«What Remains: Debris and Detritus in Fine Art» will include several large, site - specific installations created from recycled materials, as well as the debut screening of a documentary about the Tijuana River Watershed.

Having been part of the movement, she felt compelled to use the material to honor the Feminist Art Movement and the struggles it went through.1 While the documentary was released in 2010, it is still as relevant as it has ever been, with current research still showing disparities between the representation and sale of male and female artists.2

Ranging from video performances to feature length dramas, from documentaries to art films each respond to different aspects of Konrad Smoleński Installation «One Mind In A Million Heads» such as the body in relation to the environment, sound as material, or the structural configurations that can be found in both architecture and film.

The exhibition catalogue includes a dossier of relevant documentary material that evidences the different voices engaged in theoretical debate on the production from this period, as well as an important number of reproductions of works on exhibit.

Major works by each will be presented alongside their writings, studio and archival material, as well as documentary video and photography.

But far from a means of documentary, these images simply served as raw material that he would manipulate in the dark room.

Smith's films playfully explore the relationship between sound (the spoken word in particular) and image, often using documentary records of everyday life as their source material.

Materials in the exhibition vary from hand - painted ceramic sculptures, documentary drawings, and frame - by - frame erasures of video images, all intricate material processes that consider found natural and synthetic objects as markers of larger metaphysical questions.

Soulages in America contains a 2012 interview with the artist and his wife; a wealth of documentary material, including letters from Alfred Barr, Leo Castelli and Sam Kootz; correspondence from artists such as Robert Motherwell and Helen Frankenthaler; plus installation photographs and other archival documents.

The discussion in the Project Room will be accompanied by a presentation of conserved documentary materials that were created at a series of readings, as well as by audio - visual recordings made in Ljubljana and on a tour of the United States.

This large work involving more than 6,650 tons of material is now totally submerged in the lake and exists mainly in its documentary (non-site) form as photographs, a 35 - minute 16 mm film, and an essay.

As with many of Campbell's films this new work is underpinned by extensive research into archival and documentary material.

Unpacking the Green Book: Travel and Segregation in Jim Crow America explores the history of The Green Book in an interactive project space through materials such as a library and reading area devoted to the topics of segregation, automobility, travel, and leisure, specifically as they relate to the black American experience in the midcentury; digitized copies of The Green Book; interactive maps that explore travel destinations included in it; and multiple film excerpts from upcoming documentary projects.

Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.