Sentences with phrase «documentary media by»

GoMA has been researching and acquiring documentary media by influential female artists, increasing the representation of women working in this field within the city's collection and highlighting the contribution of female artists to contemporary art practice overall.
GoMA has been researching and acquiring documentary media by influential female artists since 2007, increasing the representation of women working in this field within the city's collection and highlighting the contribution of female artists to contemporary art practice overall.

Not exact matches

As a result of such uncertainties, this documentary could well be viewed as just another escalation of the narrative being generated by Western media of a brutal and oppressive regime that needs to be brought to an end.
When the album finally arrives, it will be flanked by their documentary film, a social media full - court press, and an augmented reality app that invites fans to be subversive promotional collaborators.
Narrated by actor and New Generation Latino Media co-founder John Leguizamo, the new Duracell - branded documentary spot from W+K New York called «Island Without Power» examines how this loss of electricity has impacted everyday life for residents of the island.
This week, lost in the media circus caused by the resignation of Premier Stelmach and Finance Minister Morton, the announcement of the Alberta Government's Oilsands Panel and the David Suzuki CBC documentary on the oilsands was a very important announcement in advance of the next Federal Election.
The productions of the electronic media, by their nature, evade such distinctions as those between documentary and feature films.
The faith - group programs, representing Protestant, Catholics, and Jews, have consistently provided documentaries, dramas, and discussions which dealt with issues almost never touched by commercial broadcasting: the economic factors behind nuclear armaments; the issues behind draft evasion (during the Vietnam War); the real causes of worldwide starvation; and the problems of people who are ignored almost completely by the media, such as the aging who can not live on their pensions, unwed mothers, farm workers who have no homes, undocumented aliens whom we wish to employ but not pay, and refugees we are sending back to certain death in their own countries.
We have a special group of players that are doing special things on the pitch, but the media wont tell u that we have lost just one away match this year, and have the best defense in the league, infact i heard a documentary that says «Liverpool have the best defence in the league conceding only 9 goals only equalled by Arsenal» such reporting is typical in putting pressure on Arsenal.
She was already quite vocal in local media, and her passion for education under dire circumstances was captured in two documentaries made by New York Times reporters.
Some of my friends in the media vigorously attack Nigerian journalists and statesmen who openly commend the Ghanaian administration for the strides made so far.Chief Dele Momodu recently said this about of our President «People don't know why I love Ghana so much and the current leader in particular.He is modest, not flamboyant as we see of other leaders», on BBC few days ago Nigerians interviewed used the positive signs in Ghana as appropriate yardstick to attack their government, a documentary going round in the international media exposes the lackadaisical performance of the Nigerian government using the positive performance recorded under John Mahama.The latest BBC reports on the Nigerian economy captures that the cost of living in Nigeria continue to soar and in June, accelerated to 16.5 % the highest rate in almost 11 years.Gari which is supposed to be the cheapest commodity in the country can not be afforded by the poor.
National campaign finance is the topic of PRICELE$ $ a documentary by Portland, Oregon - based non-profit production company Habitat Media.
The first response I see comes from Eric Burns of Media Matters, whose presence in the documentary irritated activists, and who has put out a statement challenged Proctor and Gamble to «refuse to be taken hostage by the extreme anti-government fringe.»
«The move comes in the wake of a chilling three - part TV documentary about Macchiarini, a former media darling who was cleared of scientific misconduct charges by KI vice-chancellor Anders Hamsten last summer.»
By measuring an uptick in online searches as well as social media chatter and mass media coverage, Ion Bogdan Vasi, an associate professor of sociology at the UI and corresponding author of a new study, demonstrated how local screenings of Gasland — a 2010 American documentary that focused on communities affected by natural gas drilling — affected the public debate on hydraulic frackinBy measuring an uptick in online searches as well as social media chatter and mass media coverage, Ion Bogdan Vasi, an associate professor of sociology at the UI and corresponding author of a new study, demonstrated how local screenings of Gasland — a 2010 American documentary that focused on communities affected by natural gas drilling — affected the public debate on hydraulic frackinby natural gas drilling — affected the public debate on hydraulic fracking.
BEST SONG IN A DOCUMENTARY An Inconvenient Sequel: Truth to Power — «Truth to Power» — Written by Ryan Tedder and T Bone Burnett — Performed by OneRepublic (Paramount / Actual Films, Participant Media) Chasing Coral — «Tell Me How Long» — Written by Dan Romer and Teddy Geiger — Performed by Kristen Bell (Netflix / Exposure Labs) Cries From Syria — «Prayers for This World» — Written by Diane Warren — Performed by Cher with The West Los Angeles Children's Choir (HBO / Afineevsky — Tolmor Production, Cinepost Barrandov, Levy Entertainment Group, Studio Malibu) Dina — «Best I Can» — Written by Michael Cera — Performed by Michael Cera featuring Sharon Van Etten (The Orchard / Cinereach, El Peligro, Killer Films) Served Like a Girl — «Dancing Through the Wreckage» — Written by Linda Perry, Neil Giraldo, and Pat Benatar — Performed by Pat Benatar (Entertainment Studios, Freestyle Digital Media) Step — «Jump» — Written by Raphael Saadiq, Taura Stinson, and Laura Karpman — Performed by Cynthia Erivo (Fox Searchlight / Impact Partners, Stick Figure Productions)
DVD Review by Kam Williams Headline: Documentary on DVD Revisits Black Revolution of the Sixties During the Black Power Movement back in the Sixties, most folks only got to know the leaders by way of sound bites disseminated by the mass media.
Posted by Cole Smithey at 5:15 PM in Art House, Blog, Cannes Film Festival, Cinema, Comedy, Corporate Corruption, Corporate Culture, Criterion, Culture, Current Affairs, Documentary, Drama, Fantasy, Film, Filmmaking, FilmStruck, Historical Epic, Horror, Independent, International Cinema, Media, Music, News, Politics, Religion, Sci - Fi, Science, sex, Sports, War, Weblogs, Western Permalink Comments (0)
Composed by Matthijs Kieboom MovieScore Media / 64m A Dutch nature documentary, Wild follows the life cycle of some animals living in the woods in the enormous Veluwe park in the country.
Posted by Cole Smithey at 1:47 PM in Academy Awards, Action / Adventure, Art House, Books, Cannes Film Festival, Cinema, Comedy, Culture, Current Affairs, Documentary, Drama, Fantasy, Film, Film Festivals, Food and Drink, Games, Historical Epic, Horror, Independent, International Cinema, Media, Music, Musical, Noir, Podcast, Politics, Religion, Sci - Fi, Science, Sports, Television, Travel, War, Web / Tech Permalink Comments (0)
Sort of a Russian companion piece to Erik Gandini's nonfiction Videocracy, which looked at modern Italian life and the high - glitz, low - information media culture promulgated by prime minister Silvio Berlusconi, documentary Putin's Kiss throws a light on dissident voices and oppositional political groups in the former Soviet Union, where once - and - present president Vladimir Putin has in ways both subtle and not - so - subtle encouraged the stifling of political foes and those seeking greater governmental transparency through a youth group known as Nashi.
Posted by Cole Smithey at 3:28 PM in AFI, Art, Artists, Authors, Celebrity, Children's Cinema, Cinema, Culture, Current Affairs, Directors, Documentary, Ecology, Editorial, Events, Film, Film Criticism, Filmmakers, Filmmaking, Food and Drink, French Actresses, French Cinema, Genres, History, Hollywood, Horror, Literature, Media, Museums, Music, Nature, News, Podcast, Religion, Science, Shakespeare, Travel, Walking Tour, Women Filmmakers Permalink Comments (0)
The documentary - and «reality» - focused cable channel, launched last year by Vice Media, is starting, as many outlets have, by importing.
After winning Best Canadian Documentary, this insightful, involving portrait of breathtaking Haida Gwaii and the people who call it home also won Best British Columbia Film, which came with a $ 500 cash prize sponsored by the Canadian Media Production Association - BC Producers» Branch.
Best documentary short subject: China's Unnatural Disaster: The Tears of Sichuan, Province, A Downtown Community Television Center Production, Jon Alpert and Matthew O'Neill The Last Campaign of Governor Booth Gardner, A Just Media Production, Daniel Junge and Henry Ansbacher The Last Truck: Closing of a GM Plant, A Community Media Production, Steven Bognar and Julia Reichert Music by Prudence, An iThemba Production, Roger Ross Williams and Elinor Burkett Rabbit à la Berlin (Deckert Distribution), An MS Films Production, Bartek Konopka and Anna Wydra
Produced by Walden Media, the same folks who backed the high - profile 2010 documentary Waiting for Superman, this feel - good film has already courted controversy.
Help students link the game's content to events in the real world with classroom talks and writing assignments or by providing other media, such as documentaries and news clips.
That's right, «Waiting for Superman» was not nominated for a best documentary Oscar despite the $ 2 million spent by Bill Gates to promote the movie, and the efforts of NBC, Huffington Post, and other media outlets to create an aura of inevitability around this weepy charter school propaganda piece.
Walden Media, which produced Won't Back Down and funded the charter — school documentary Waiting for Superman, is owned by Philip Anschutz, an ALEC supporter and prominent Tea Party funder.
The full documentary, episodic segments, and lesson plans for students in grades 9 - 12, were produced by Wisconsin Public Television and are provided at no cost on the Wisconsin Media Lab website.
I started out with a political magazine in Chicago, In These Times, as an editorial intern, moved up to the role of associate publisher, and went on to an organization called The Media Consortium, where my job was to not only foster editorial collaborations among the 50 different media outlets from book publishers to documentary filmmakers to daily news organizations but also to help them strategize for the future and help them shift their planning so they were able to not get knocked on their heels by the internet, when the internet happMedia Consortium, where my job was to not only foster editorial collaborations among the 50 different media outlets from book publishers to documentary filmmakers to daily news organizations but also to help them strategize for the future and help them shift their planning so they were able to not get knocked on their heels by the internet, when the internet happmedia outlets from book publishers to documentary filmmakers to daily news organizations but also to help them strategize for the future and help them shift their planning so they were able to not get knocked on their heels by the internet, when the internet happened.
While picked up here and there by the U.S. media, the story of shaping purebred dogs to fit arbitrary human standards of beauty — despite the health ramifications — remains best told by the BBC documentary.
The caves in Belize are world famous, many of them are consistently featured in articles and Maya documentaries by National Geographic and other international media organizations.
The event is expected to be covered by international media, dive institutions and via a documentary program sponsored by Red Pepper Productions slated for production..
Fuel Entertainment brought the opportunity to Xbox Entertainment Studios, and now, as part of a documentary series (developed by Xbox Entertainment Studios and two - time Academy Award ® winning producer Simon Chinn and Emmy winning producer Jonathan Chinn, through their multi-platform media company, Lightbox), the team will excavate the legendary New Mexico landfill to reveal the true story of Atari's bizarre burial.
We present rare and rediscovered prints of movie classics, new and historic works by the world's great film directors, restored silent films with live musical accompaniment, thematic retrospectives, and innovative works made by today's film, video, and new media artists working in the areas of animation, documentary, experimental, and fiction film.
Highlights include works from the 1950s and 60s by Ivan Albright, Jean Dubuffet, Ibrahim el - Salahi, Yayoi Kusama, Roberto Matta, Robert Motherwell, Mark Rothko, Edward Ruscha, and Dorothea Tanning; a large archive of the works on paper by Sonia Landy Sheridan; noteworthy prints in a variety of media; and a large collection of works by documentary photographers and photojournalists, including Dmitri Baltermants, Susan Meiselas, Ed Grazda, and James Nachtwey.
Our primary interest is to place works by the artist in all media as well as documentary materials such as catalogues, posters and films in institutions with a reputation for their scholarly approach to exhibitions and publications that have already shown an interest in and provide regular public access to the artist's work.
Galvanized by the international student protest movement of the late 1960s, Farocki developed an experimental documentary style integrating his own material with footage appropriated from a range of sources, including mass media, surveillance, and political propaganda.
Farocki's practice is largely defined by an experimental documentary format integrating his own material with footage appropriated from various sources, including mass media, surveillance, and political propaganda.
By engaging a variety of media formats — sitcoms, documentaries, and reality shows — Eduardovna demonstrates that narrative, memory, and knowledge are convoluted things that must be deciphered, never passively accepted.
In 1969, Hamilton appeared in a documentary by filmmaker James Scott, in which he discussed the Swingeing London series and his preoccupation with mass media through a selection of his own work.
Photographic strategies used by Woodman along with the exploration of the photographic media itself distances her work from those of her contemporaries she has often been linked with - Hannah Wilke, Eleanor Antin or Ana Mendieta - for whom the photograph was more of a documentary imprint of their actions rather than an artwork in itself.
As one of the first artists to explore the possibilities of video as a mode of expression, especially through his long - lasting collaboration with Merce Cunningham, Atlas has teamed with numerous dancers and artists to create projects that range from feature - length documentaries to shorter media works, transforming the way performance is viewed by its audiences and the art world.
Recently voted, «Best Short Documentary» by the SF IndieFest, DEFAULT has received national media attention with exposure in The Nation, Forbes, AlterNet, Washington Post, Huffington Post, Salon, Common Dreams, The Norman Goldman Show, Ring of Fire Radio, NPR's All Things Considered, The Leslie Marshall Show, Fast Company and many others.
Lawson utilizes a wide spectrum of photographic languages: staged imagery, loose documentary, appropriated pictures given to her by her subjects, or images she discovers in the media.
The images and objects he creates pose questions about the limits of representation by examining complex associations between found photographs, videos, and sounds from documentaries, photojournalism, and online media streams.
The artist explores the mass proliferation of images and knowledge brought on by digital technologies through the fields of documentary film / video, media art and video installation.
The United Nations» documentary film festival is presented by Media Communications Association International.
Summit is also the exclusive licensee of the documentary film «Twilight in Forks: The Saga of the Real Town,» produced by Westend Entertainment, LLC dba Hecklesville Media, LLC, and which Summit refers to as an authorized documentary.
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