Sentences with phrase «documentary photographs by»

The exhibition highlights familiar favorites from the collection, including classic documentary photographs by Walker Evans, Lewis Hine and Weegee, as well as major series commissioned by the museum from Lee Friedlander and Robert Glenn Ketchum.
This volume collects drawings and poems by the artist, alongside a selection of rare black - and - white portraits and documentary photographs by Ugo Mulas.
In addition, the catalogue contains an interview with Martin Harrison, author of the forthcoming catalogue raisonné; reprinted texts by Eddy Batache, Bruce Bernard, and Jeffrey Bernard; never before published documentary photographs by Edward Quinn; and an appendix of existing interviews conducted for international publications during Bacon's late career.
This one offers first - hand insight from Bobby Seale, who co-founded the Panthers with the late Huey P. Newton, and an amazing assemblage of documentary photographs by Stephen Shames.
The project also included indoor spaces where paintings by several artist and documentary photographs by Martha Cooper have been exhibited.
Also on view are documentary photographs by Hans Namuth and Tony Vaccaro, as well as the video produced by Gordon Hyatt, «What I Did On My Vacation,» which documents a series of Happenings staged by Allan Kaprow across the Hamptons in 1966.
Documentary photograph by Alethea Raban, «Interrogations and Interrelations: Iterations of the Rainbow Tribe»,] performance s p a c e -LSB-, 2014.

Not exact matches

The short documentary above (made by a Microsoft team from the Netherlands) is a conversation with photographer Charles O'Rear, who in 1996 took the photograph «Bliss,» which became the default desktop wallpaper of Windows XP, and as a result is one of the most - viewed photographs in history.
Eastern District Assistant United States Attorneys Lara Treinis Gatz and John Durham said in the letter that the strength of the government's case «is overwhelming and consists of dozens of witnesses... fully corroborated by numerous sources of evidence... including telephone call detail records, cell site records, photographs, financial records... and other documentary evidence.»
It's a first - person documentary and urban portrait par excellence, photographed by Ed Lachman.
Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.
Photographed by Academy Award nominee Ce» sar Charlone («City of God»), the documentary travels from war - torn Eastern Europe to the color and light of South America and is told through the voice of Willer's father, Alfred (as narrated by Tim Piggot - Smith), who witnessed bureaucratic nightmares, transportations and suicides but survived to build a post-war life as an architect in Brazil.
Dimly photographed by Jolanta Dylewska, there's dispassionate, documentary - like realism.
Directed, produced, and photographed by Zachary Heinzerling, this stands out as one of the more intimate, upbeat, and human of the five Documentary nominees.
The avant - garde documentary Field Niggas, directed and photographed (and everything else) by Khalik Allah, positions itself at the corner of Lexington and 125th in Harlem, where the poor and forgotten while away another night on the streets.
Split into three sections to reflect the different sides of London's nocturnal character, an accompanying book of the same name contains essays by Museum of London's Curator of Photographs, Anna Sparham, poetry by award - winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.
This photograph add to the ICA / Boston's strong collection of works by Dijkstra, and joins other documentary - style photographs and portraits in the collection by such artists as Roe Ethridge, Nan Goldin, Catherine Opie, and Collier Schorr.
She is also represented by the Berlin gallery Exile, whose website features a selection of her recent work plus some fascinating documentary photographs she took of performances by Joan Jonas and Jack Smith.
Featuring «What's Going On» by Barkley L. Hendricks on the cover, the catalog provides a visual journey through the period with documentary photographs and full - color images of art and ephemera, coupled with writings by Mark Godfrey and Zoe Whitley.
The third installment in Autograph ABP's Black Chronicles series, the exhibition includes more than 30 photographs by John Deakin presented along with rare documentary materials related to the Congress.
The Kinsey exhibition tells the story of the African American experience from 1632 to the present through historical documents, rare artifacts, documentary photographs and original art by Romare Bearden, Elizabeth Catlett, Sam Gilliam, Artis Lane, William H. Johnson and Henry O. Tanner, among others.
Here, he is represented by cybernetic drawings, documentary photographs and a video that shows him making an inflatable plastic sculpture with his students.
As a painter, Liu challenges the documentary authority of historical Chinese photographs by subjecting them to the more reflective process of painting.
If he lets his domestic realism go a bit haywire, almost like the documentary chill of staged photographs by Thomas Demand, that adds to the fun, too.
Her powerful documentary book first appeared in 1971; the current reissue includes many of the original photographs, along with previously unpublished ones, all supplemented by Ms. Freedman's street-wise annotations.
There are also documentary photographs and other archival ephemera, books printed on campus by BMC poets and sound works of readings, and a stage and piano for performances to take place regularly during the run of the exhibition.
The duo's Art Institute selections include documentary and landscape photographs by Ansel Adams and Lewis Hine, and self - portraits by László Moholy - Nagy and his Bauhaus student Florence Henri.
No Mountains in the Way: Photographs from the Kansas Documentary Survey, 1974 In 1974, with a grant of $ 5,000 from the NEA, No Mountains in the Way was organized by Jim Enyeart, then curator of photography at the University of Kansas Museum of Art.
Her powerful documentary book first appeared in 1971; the current reissue includes many of the original photographs... all supplemented by Ms. Freedman's street-wise annotations.
LaToya Ruby Frazier: A Haunted Capital January 17 — March 9 Anderson Gallery VCUarts Informed by an intensely personal and socially activist stance that combines elements of portraiture and social documentary, LaToya Ruby Frazier's photographs and videos portray her family and her hometown of Braddock, Pennsylvania, the site of Andrew Carnegie's first steel mill.
Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.
Her reworked photographs, taken by the artist in her native Karachi, Pakistan, present a destabilized documentary tradition.
On view will be photographs by James Van Der Zee and Carl Van Vetchen, and documentary photographs of the 1960s Modern Civil Rights Movement, including photographs of Dr. Martin Luther King, Jr..
In the re-worked photographs, taken by Bhabha in her native Karachi in southern Pakistan, the artist undermines the documentary tradition with a darker, personal and often fantastical dimension.
, these include Rasheed Araeen's Chaaryaar (1968/2014), a sizeable sculpture of different - coloured cube - shaped wood frames; Hassan Sharif's series of documentary photographs with the self - explanatory title Drawing Squares on the Floor Using a Cube (1982); Saloua Raouda Choucair's small carved - wood sculpture Poem (1963 — 5); and Dóra Maurer's Seven Rotations 1 — 6 (1979), an infinity - mirror - like set of photographic self - portraits, in which Maurer starts by holding a blank square, which in the second in the series is replaced by the previous photograph, and so on.
The book also features new scholarship by Diedrich Diederichsen and Bob Nickas, an illustrated timeline for both cities and compelling archival material — from documentary photographs from the period and reproductions of Cologne's historic Spex Magazine to reviews of exhibitions from the period.
Other nostalgic highs include Rosalind Fox Solomon's black - and - white documentary photographs of down - and - out artists, AIDS patients, graffiti - covered subways, Reagan posters, and Princeton grads, which poignantly expose the contradictions of a city marred by class divisions.
Her documentary evidence includes a Brazilian documentary film festival, with photographs by Mario Cravo Neto.
The project combines my documentary photographs and photomontage with a long - form essay written by Sarah Dohrmann.
Primarily documentary in nature, the exhibition presents photographs, correspondence, contracts, price lists, reproductions of sold key paintings plus original works on paper and graphics by Pollock.
I was inspired to make this photogram by two things: finding in the New York Times a documentary photograph of a house blown apart by a hurricane, and thinking about the notion of shape as form in high Modernist painting.
Also features a selection of paintings by Klein's father, the Abstract Figurative painter Fred Klein, as well as documentary photographs from the 1920s through the 70s.
Photographic strategies used by Woodman along with the exploration of the photographic media itself distances her work from those of her contemporaries she has often been linked with - Hannah Wilke, Eleanor Antin or Ana Mendieta - for whom the photograph was more of a documentary imprint of their actions rather than an artwork in itself.
This sensitive and beautiful series of photographs by Tamas Dezso, a fine art documentary photographer based in Budapest, documents the centuries - old traditions that he believes are slowly disintegrating in Romania.
The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.
While engaged as Supervisor of classes at the Philadelphia Museum of Art, he photographed and became assistant director of the first art documentary produced by the museum.
Frazier aims to shift the script on documentary photography guided by a concern over how Florence Owens Thompson, the subject of Dorothea Lange's image Migrant Mother, would have photographed herself and her family.
ZZHK Gallery is pleased to present Chicken Are Not Naked, the first solo exhibition in Hong Kong of photographs by German documentary and portrait photographer, Stefanie Schweiger.
Inspired by photographs passed down from Scott's grandfather, filmmaker Rey Scott, the works in this series mine the harrowing episodes of his travels and subsequent 1941 Oscar - winning documentary, «Kukan,» revealing uncharted war torn China during the late 1930s and 1940s... Continue reading Michelle Scott at 2 Rules
The announcement card image for the exhibition is a documentary photograph of the protest, by Brooklyn photographer Sai Mokhtari.
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