Sentences with phrase «documentary photographs of the artist»

Documentary photographs of the artist creating the Trip Wire Project on various site locations.

Published to accompany German Expressionist Anselm Kiefer's 2008 exhibition at Galerie Thaddaeus Ropac, Salzburg, this exquisitely produced volume features black - and - white documentary photographs of the artist and his fabled indoor - outdoor Paris studio, a very generous selection of color reproductions and details and an insightful interview of Kiefer by Klaus Dermutz.

The gallery followed with the 2015 publication of this volume which is rife with lavish images, about 150 pages of full - color plates, along with vintage and contemporary installation views, and documentary photographs of the artist.

Not exact matches

«Manufactured Landscapes» (July 20) Jennifer Baichwal has made an absorbing, highly original documentary out of the work of Canadian artist Edward Burtynsky, whose large - scale photographs of factories, recycling yards, mines and dams create visual beauty out of industrial ugliness.

Corsicato compiles footage taken from around Schnabel's home, recent interviews conducted with family and friends, and an assortment of photographs and film clips spanning the artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait of Schnabel's psychology as it was generated from the unusual circumstances of his youth.

Faces Places is built on such a simple concept, almost too slight for a feature documentary: Varda and mural artist JR go on a road trip across rural France to take photographs of the people they meet, and paste the pictures over local structures.

Chad Gracia (right) with artist Fedor Alexandrovich, the subject of his documentary «The Russian Woodpecker,» photographed in Los Angeles.

Executive Director and celebrated documentary photographer Ruth Morgan has collaborative with visual artist Dee Morizono to curate a site - specific installation of compelling large format photographs, video diaries, and multi-media artwork that challenges assumptions about people behind bars and their families.

This photograph add to the ICA / Boston's strong collection of works by Dijkstra, and joins other documentary - style photographs and portraits in the collection by such artists as Roe Ethridge, Nan Goldin, Catherine Opie, and Collier Schorr.

This richly illustrated and strikingly designed catalogue, the most authoritative volume ever published on this prolific artist, presents nearly 400 reproductions of artworks from across his oeuvre and documentary photographs of his creative process.

The documentary material that constitutes the Archive and Library is structured into holdings and collections, which include the archives of individuals and entities, artist's books, posters, photographs, invitations and pamphlets, etc., as well as reference books and audiovisual documents.

This publication traces the trajectory of Latham's practice and brings together archival material, including documentary photographs, texts, correspondences and various ephemera, in order to build a picture of the artist's life and work.

Screening: «John Maybury's Read Only Memory» at Le Petit Versailles From the maker Francis Bacon biopic «Love is the Devil,» and the famous Sinead O'Conner music video «Nothing Compares 2 U,» comes «Read Only Memory,» documentary of the fabulous life of Australian performance artist and London underground celeb Leigh Bowery, who danced for choreographer Michael Clark, modeled for painter Lucian Freud, and was one of the most photographed, influential, and outrageous fashion icons of the 1980s and «90s.

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

This documentary surveys his career and includes original footage shot on location in New York and Gloucester, Massachusetts; interviews with scholars and a musician; images of Davis's paintings; and archival footage and photographs of the artist.

The latter includes both new works — an assemblage of photographs titled An Essay on Equivalents and the video Cornered — and a selection of the artist's earliest documentary production from the late 1970s and early 1980s.

Other nostalgic highs include Rosalind Fox Solomon's black - and - white documentary photographs of down - and - out artists, AIDS patients, graffiti - covered subways, Reagan posters, and Princeton grads, which poignantly expose the contradictions of a city marred by class divisions.

Group Shows: «The Bronx Artist Documentary Project: Photographs of Bronx Artists» Group Shows: Invitation >> > pdf September - October, 2014: The Andrew Freedman Home, 1125 Grand Concourse, Bronx, NY,.

He is the author of two critically acclaimed books Inside the Artist's Studio (2015) and Inside the Painter's Studio (2009) which include his interviews and documentary photographs of todays leading contemporary artists.

Although the majority of the photographs in the collection function as visual records of Still's body of work, these documentary images reveal the depth of his extensive efforts to detail his own legacy as a revolutionary artist.

The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

Through the comparison of documentary photographs and three - dimensional objects, the exhibition illuminates the role of art and artists in protest.

Other works record specific places, such as Rudy Burckhardt's documentary - style photograph of a gas - station in Astoria, New York taken in 1940 and Andrew Lenaghan's detailed landscape Off Route 52, Irvine, Kentucky (1998) painted on site during the artist's travels across the South.

Familiar with work by artists such as Nan Goldin and Larry Clark in the United States, or Richard Billingham and Wolfgang Tillmans in Europe, the photographs presented in «Give Me Yesterday» turn the immediacy and spontaneity of documentary style into an extreme control over the gaze of those who observe and are observed.

This volume presents more than 500 crisp documentary photographs that Gianni Berengo Gardin — winner of the 2008 Lucie Award for Lifetime Achievement — made of Morandi's studio during the course of its legendary move from the artist's home in the center of Bologna to the Museo Morandi.

Child's Play brings together an exhibition of photographs, a symposium and a book by artist Mark Neville, who works at the intersection of art and documentary.

Abstract images — a flashlight beam lighting a dark path, photographs of dark shapes and rudimentary objects — interspersed with moments of blackness viscerally and poetically evoke the subject matter against the artist's documentary - style voiceover.

It includes documentary and family photographs from the artist's youth, as well as reproductions of artworks that are traced to specific times and places during her life.

REBECCA COONEY Features Photo Editor, Newsday SEAN CORCORAN Curator of Photographs, Museum of the City of New York IVAR DAMERON Photo Editor, The Wall Street Journal SHAMINDER DULAI Director of Photography, Newsweek JAMES ESTRIN Co-Editor of New York Times Lens Blog NOELLE FLORES THEARD Program Associate, Magnum Foundation GENEVIEVE FUSSELL Senior Photo Editor, The New Yorker ADREES LATIF Editor in Charge, U.S. Pictures, Reuters BRENT LEWIS Senior Editor, ESPN KAREN MARKS Gallery Director, Howard Greenberg Gallery SABINE MEYERS Photography Director, National Audubon Society PAUL MOAKLEY Deputy Director of Photography and Visual Enterprise, TIME Magazine GRAHAM MORRISON Managing Editor for Visual Media, Bloomberg CHRISTINE NESBITT Senior Photography Editor, UNICEF AZU NWAGBOGU Director, African Artists» Foundation and LagosPhoto Festival KIRA POLLACK Director of Photography and Visual Enterprise, TIME Magazine SIOBHAN RIORDAN Exhibition Associate, Documentary Photography Project, Open Society Foundations GLENN RUGA Executive Editor, ZEKE Magazine BRENDAN WATTENBERG Managing Editor, Aperture Magazine JAMIE WELLFORD Senior Photo Editor, National Geographic DAMON WINTER Staff Photographer, The New York Times

This volume collects drawings and poems by the artist, alongside a selection of rare black - and - white portraits and documentary photographs by Ugo Mulas.

Exquisitely tailored life - size dolls, tender photographs of a stylish Lankton posing with these sculptural companions, and searing drawings of her sex change were juxtaposed with extensive documentary material and works by the artist ’s

The Mind's Eye: 50 Years of Photography by Jerry Uelsmann is the first major retrospective exhibition to consider the full range of Uelsmann's work including his earliest documentary photographs and his experiments with artist books and three - dimensional photo - sculpture.

The images are staged in the documentary style of German artist Barbara Probst, who captures the same moment in time from different vantage points, interrogating the idea that a single photograph represents the entire truth.

Lucas Blalock's highly constructed photographs obliterate distinctions between documentary and artifice through the artist's use of filmic and digital photographic techniques.

Soulages in America contains a 2012 interview with the artist and his wife; a wealth of documentary material, including letters from Alfred Barr, Leo Castelli and Sam Kootz; correspondence from artists such as Robert Motherwell and Helen Frankenthaler; plus installation photographs and other archival documents.

Los Angeles based artist Marten Elder creates photographs containing seductive, brilliant colours that, at first glance, mask the essentially documentary nature of his work.

This original documentary provided an artistic and historical context to Miró's works through stunning high - definition video, historical footage and photographs of the artist at work in his studio, and in - depth interviews with the Marshall Price, the Nasher Museum's Nancy Hanks Curator of Modern and Contemporary Art; Nasher Museum Director Sarah Schroth and Miró scholar Robert Lubar.

This book will be the only accessible, affordable survey of Auerbach's work on the market Including a new essay by art historian T. J. Clark, the book also features statements from the artist and previously unseen documentary photographs.

Tracing the development of the artist's extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.

On view will be a selection of documentary photographs from a series of installations the artist produced during a self - imposed residncy, creating in - situ installations using only found items along the Rockaways waterfont in Queens, New York.

Photographs make up 30 % of the collection, with many of these works made in the late 1980s and early 90s, a period in which some artists used the documentary form of photography and related mediums to develop powerful portraits of themselves and their communities, while others highlighted the violence done to such communities.

Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.

Overflowing with scholarship and research, it features critical writings, more than 200 images of the artist's paintings and works on paper from the 1930s to 1970s, documentary photographs, and a comprehensive 26 - page chronology that includes a number of question marks, conflicting information and references to «unknown» details to encourage further research.

Until the installation of his 1973 solid - light film, Line Describing a Cone in Chrissie Iles's Whitney exhibition Into The Light in 2001, Anthony McCall remained one of those artists whose work circulated almost entirely in the form of two or three very well - known documentary photographs: his art was immediately recognizable, canonical even, but rarely experienced firsthand.