Sentences with phrase «documentary photography as»

The Wikipedia entry states, «Conservation photography combines nature photography with the proactive, issue - oriented approach of documentary photography as an agent for sustaining the biosphere and ethnosphere.

Multidisciplinary, Bay Area artist Will Rogan has recently been using documentary photography as a guiding element in producing sculptures.

With a particular focus on an examination of subculture communities, Opie's photographs unite current day politics and societal structures with a classical art aesthetic, culminating in a body of work that expands upon the tradition of documentary photography as well as the greater art historical canon.

Not exact matches

Moctezuma routinely shows his students science documentaries such as Al Gore's An Inconvenient Truth and the time - lapsed photography movies produced by plant biologist Roger Hangarter, «so they can watch a film and discuss or write how the film relates to the different concepts they would learn in class,» Moctezuma says.

We both like documentary style wedding photography where the photographer captures both small intimate moments of the wedding as well as the big important ones.

Highly skilled in providing creative documentary wedding photography to couples across the UK as well as corporate events, press, public relations launch events & portraits.

The latest documentary from Disneynature — they also brought us Earth (2007)-- begins with a daunting series of ocean photography; waves crashing on top of themselves, an army of jellyfish floating as if without a care in the world, a pack of dolphins skipping across the water and marine iguanas sunbaking on the Galapagos Islands amongst others.

The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern - day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them.

The film reunites Freeman with Drew Fellman, who also wrote and produced the 2011 IMAX 3D documentary «Born to Be Wild 3D,» and director David Douglas, who served as director of photography on that film.

Also too good to pass up: Garry Winogrand: All Things Are Photographable, a striking documentary profile of one of the strongest practitioners of urban street photography, directed by Sasha Waters Freyer, Apr. 15; Godard Mon Amour, director Michel Hazanavicius» cool, dramatized portrait of iconic French auteur Jean - Luc Godard (Louis Garrel), as told by Godard's one - time wife, Anne Wiazemsky, Apr. 15; and, from Japanese master Koreeda Hirokazu, The Third Murder, a chambered nautilus of a murder mystery, starring Fukuyama Masaharu and Yakusho Kôji, Apr. 6.

This arts documentary follows the progress of Upper School students as they create books of their own photography with Teacher of Visual Arts Thomas Holton...

I am available for in - home companion animal and documentary - style family photography sessions, where your everyday is captured by me in as much detail as possible.

In my spare time, I enjoy hiking, birding, reading, photography, watching documentaries, and am enthusiastically taking piano lessons as an adult student.

This is the most comprehensive list of best Documentary Photography blogs on the internet and I'm honoured to have you as part of this!

This is the most comprehensive list of best Documentary Photography blogs on the internet and I'm honoured to have you as part of this!

Ron Levine, Prisoners of Age >> Specializing in documentary photography spanning decades, Ron Levine's work is internationally known for spurring introspection as well as inspection of relevant social issues.

Highly skilled in providing creative documentary wedding photography to couples across the UK as well as corporate events, press, public relations launch events & portraits.

This wide - ranging, multidisciplinary category could include art typically defined as sculpture, performance, documentary photography, and even large - scale interventions in both man - made and natural environments, such as wrapping architectural landmarks, or sketches and maquettes related to MOCA Jacksonville's Project Atrium series.

As his friend and mentor Ralph Ellison stated, «Adelman has moved beyond the familiar clichés of most documentary photography into that rare sphere wherein technical ability and social vision combine to create a work of art.»

Photography is a constant and ubiquitous element in Fallen Fruit's artistic practice — utilized both as documentary process and image production — as well as an informal way of establishing trust with a range of citizens, and asking them to lend specific for inclusion in their installations.

As a Long Island - based photojournalist, documentary photographer, curator, and educator, Susan Dooley's artistic education includes a BS in Journalism and Mass Communications from the University of Illinois and an MFA in Photography from Long Island University, C.W. Post.

For the FotoFocus Biennial 2016, participating venues are invited to propose exhibitions that examine the wide sphere of activity between photography's documentary tradition and such challenged notions as «objectivity,» or «authenticity;» to photography as a means of questioning «realism» and «reality;» to photography as a medium easily capable of fictions of fabrications.

Pairs have been chosen for the dynamic interplay between the two selected works, and based on similar or contrasting themes, formal motifs, or geographic interests, as well as topics endemic to photography's discretely defined history: social documentary, performative, and formal modes will be explored within the expanded discourse of film and video.

Mthethwa's work challenges the conventions of both Western documentary work and African commercial studio photography, marking a transition away from the visually exotic and diseased — or «Afro - pessimism,» as curator Okwui Enwezor has described it — and employing a fresh approach marked by color and collaboration.

Such searches harked back to the artist's perception of the early post-Soviet years as a crisis point in direct documentary photography: «It seemed that objective vision was thematically generated.

Demand, who is among a number of accomplished photographers trained at the Kunstakademie Düsseldorf in Germany, complicates the precedent of photography as documentary practice.

Danny Lyon: Message to the Future, which opens at the Whitney Museum of American Art in New York this weekend, collects 175 pictures, vintage work prints, never - before - seen films and ephemera from Lyon's archives to take an in - depth look at his work as an immersive documentary storyteller who is just as engaged in writing, filmmaking and collage as is he in photography.

They will explore the ways these recent bodies of work both extend and depart from Opie's longstanding interests in documentary photography, community and identity, the built and social American landscape, as well as the capacity of photography to bear witness to what might otherwise remain unseen.

Through the seemingly fictional quality of these spaces, the purposes of which are as often as not ill - defined, Cohen creates a cross between documentary photography and artifice, sense and nonsense, the ordinary and dream - like.

With a small number of contemporaries, he championed the elevation of color photography as art and redefined the documentary tradition in American photography.

The curator, Naomi Beckwith, sees him as a challenge to documentary photography, Goldblatt's included.

The exhibition features documentary, analytical, and interpretive drawings that provide an alternative understanding of modern architecture as an evolving language, together with stunning archival photography of some of the iconic architectural projects of the period.

It's the idea that documentary photography can, and often is, used as a vehicle to generate meaning that conceptually reaches far beyond the superficially inferred subject (s) of the image itself.

Broomberg and Chanarin regularly teach workshops and give master classes in photography, as well as teaching on the MA in Documentary Photography at LCC in London and the MFA at the School of Visual Arts iphotography, as well as teaching on the MA in Documentary Photography at LCC in London and the MFA at the School of Visual Arts iPhotography at LCC in London and the MFA at the School of Visual Arts in New York.

In a conversation moderated by Yale Professor Rick Moody for the catalog accompanying the exhibition, the students discuss questions that have lingered since photography's inception, such as «the nature of documentary versus art, what the camera is best suited to do, and who should be allowed to depict what.»

The digital process enabled a wide variety of approaches that include abstract and documentary photography, scanning of flat - work made expressly for the project, digital compositing and image manipulation, as well as the use of vector - based software and hand - coded algorithms.

Heidrun Holzfeind uses photography, documentary video and sculpture to explore individual and collective narratives that reveal the concept of identity as a social construct dependent on cultural and socio - economical circumstances.

«Origin of the Universe» includes four installations that re-create the photography sets she uses in her studio, as well as a documentary she made about her mother (a frequent model for her work), and 50 of her collages hung salon - style.

Exhibited at New York's Museum of Modern Art in 1984, and published to acclaim the following year, Rich and Poor established Goldberg's reputation as a transformational figure in the history of documentary photography.

Drawn from a collection of photojournalism and documentary photography, many of the images have appeared in the press — but here they are presented as works of art in their right.

The foundation's new home in south - east Bristol will present an ongoing exhibitions programme, beginning in late October with a show of one of Parr's photographic series, as well as talks and seminars, primarily focusing on documentary photography in the United Kingdom and Ireland.

«This exhibition serves as a timely examination of the great American tradition of documentary photography,» said Judith F. Dolkart, The Mary Stripp and R. Crosby Kemper Director of the Addison Gallery of American Art.

The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.

She was chosen as a finalist for the Outwin Boochever Portrait Competition 2013, her work was included in the competition exhibition at the Smithsonian's National Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis in 2008.

It engages in deconstruction of photography's essentialist definitions, while challenging prevalent perceptions regarding photography as a documentary tool which records and reflects reality, thereby revealing other facets of photography as a mechanism of camouflage which generates blindness and promotes blurring and ambiguity.

The Social Medium features work spanning from the mid-twentieth century to the present, and includes multiple photographic genres such as social documentary, street, society / celebrity, and portrait photography.

Relating to performance - based and conceptual approaches to video and photography, the art of Phil Collins employs elements of popular culture, low - budget television and reportage - style documentary to address the camera as an instrument of both truth and deception.

Strongly influenced by the shore and woodlands of outer Cape Cod, Maine, and now Nova Scotia, Witkowski's «research sketchbook» consists of documentary photography and video of the environmental installations exploring light, reflection, and color she creates as references for mixed and multi-media works in painting, photography, and video projection.

Then, in the postwar era, another Düsseldorf School was born in a different medium, when the famed teachers Bernd and Hilla Becher ushered in a new era of documentary - style photography through such students as Ruff, Candida Hofer, and Andreas Gursky.

Andrea Geyer is a New York - based artist, who works with photography, video and performance, using both fiction and documentary strategies in order to address larger concepts such as national identity, gender, and class.