Sentences with phrase «documentary portrait by»

Not exact matches

On Sunday night, Citizenfour, a film about Edward Snowden holed up in a Hong Kong hotel room revealing the global spying programs run by the U.S. National Security Agency, won the Oscar for best documentary for its chilling portrait of technology and surveillance.

Produced by Robert Redford, Terrence Malick, & Nick Offerman and directed by Laura Dunn (The Unforeseen), this documentary is «a beautiful and poignant portrait of the changing landscapes and shifting values of rural America in the era of industrial agriculture, as seen through the eye of American novelist, poet, and activist, Wendell Berry».

Opening night features a live concert with David Bromberg following the screening of a documentary portrait of him, and Thursday's world premiere of Stone Ridge resident Jon Bowermaster's anti-fracking concert documentary Dear Governor Cuomo, to be followed by a performance by Natalie Merchant, is long sold out.

Critic Consensus: Gleason stands out among sports - themed documentaries by offering a clear - eyed look at its subject's physical deterioration — and an intimate portrait of the family affected by his ordeal.

«Ai Weiwei: Never Sorry,» an inspiring and important documentary portrait of the Chinese artist and political dissident, begins calmly, with its subject talking of dogs and cats, then cuts to a shot of a cat opening a door by leaping up to pull the handle.

Fellini: I'm a Born Liar is a documentary on Federico Fellini's life and work by filmmaker Damian Pettigrew, who combines vintage interview footage of Fellini, new conversations with those who worked with him (including actors Donald Sutherland and Terence Stamp), and excerpts from Fellini's films (some of them previously unseen outtakes) to create an insightful portrait of a remarkable creative mind.

CHAVELA — Centerpiece Documentary Directed by Catherine Gund and Daresha Kyi This larger - than - life portrait showcases one of the toughest, most talented singers of her generation, the iconic chanteuse and sexual outlaw Chavela Vargas — a favorite of filmmaker Pedro Almodóvar.

2, Rules Don't Apply, Free Fire, Alien: Covenant, Mindhorn, Pirates of the Caribbean: Dead Men Tell No Tales, Wonder Woman, The Mummy, Trench, War Machine, Transformers: The Last Knight, Baby Driver, Spider - man: Homecoming, The Beguiled, Dunkirk, War For the Planet of the Apes, The Big Sick, Mean Dreams, PACMen, Mountain, Watch the Sunset, Valerian and the City of a thousand Planets, Jungle, Call Me By Your Name, 78/52, Guardians of the Strait, Final Portrait, Tragedy Girls, Australia Day, Faces Place, Song To Song, Chasing Trane, Lucky, Manifesto, Killing Ground, Loving Vincent, Let Sunshine In, Brigsby Bear, The Killing of a Sacred Deer, Hostages, Voyage of Time (IMAX Edit), The Belko Experiment, Glory, Winnie, The Square, Rey, The Documentary of Dr G Yunupingu's Life, Wonderstruck, Austerlitz, Beatriz At Dinner, Logan Lucky, It, mother!

It's a first - person documentary and urban portrait par excellence, photographed by Ed Lachman.

by Bryant Frazer Before Krzysztof Kieslowski became the standard - bearer for the latter - day European art film with ravishing portraits of unspeakably beautiful women living their lives under unutterably mysterious circumstances, he was a gruff but adventurous chronicler, in both documentary and narrative films, of lives lived in the rather more drab surroundings of communist Poland.

Charlotte Rampling: The Look DVD Review by Kam Williams Documentary Offers Intimate Self - Portrait of Legendary Actress The legendary Charlotte Rampling has been making movies since the mid-Sixties when she first stole scenes as the late Lynn Redgrave's sidekick in Georgy Girl.

This calming documentary portrait directed by Ashleigh Goh Hua captures Anggir in his element...

Hilary Hahn: A Portrait — It's not really a movie, more like an hour long documentary that appears to have been done by some German TV station (or as a promotion by her record company).

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

La última película: Inspired by The Last Movie, this filmmaking portrait offers a movie within a movie, a blurring of documentary and fiction, and an on - screen dose of Listen Up Philip director Alex Ross Perry.

Also too good to pass up: Garry Winogrand: All Things Are Photographable, a striking documentary profile of one of the strongest practitioners of urban street photography, directed by Sasha Waters Freyer, Apr. 15; Godard Mon Amour, director Michel Hazanavicius» cool, dramatized portrait of iconic French auteur Jean - Luc Godard (Louis Garrel), as told by Godard's one - time wife, Anne Wiazemsky, Apr. 15; and, from Japanese master Koreeda Hirokazu, The Third Murder, a chambered nautilus of a murder mystery, starring Fukuyama Masaharu and Yakusho Kôji, Apr. 6.

Criterion's «Director Approved» release includes the French - language documentaries Making of by Raphael Duroy (a 26 - minute portrait with Olivier Assayas, Charles Berling and Juliette Binoche) and Inventory (a 50 - minute doc about the film's unique and personal approach to art) and an original 28 - minute, English - language interview with Assayas discussing his inspirations and aspirations for the film.

A documentary portrait of the renowned Brazilian photographer by Wim Wenders and Juliano Ribeiro Salgado manages to be both illuminating and uplifting

Extras on The Immortal Story include audio commentary by film scholar Adrian Martin; an interview with co-star Norman Eshley; and the 1968 documentary Portrait: Orson Welles.

The pair (whose difference in age is 55 years) met after years of admiring each other's work and decided to create a documentary portrait of France — by making a number of actual portraits.

- New, restored 4K digital transfer of the English - language version of the film, with uncompressed monaural soundtrack on the Blu - ray - Alternate French - language version of the film - Audio commentary from 2005 featuring film scholar Adrian Martin - Portrait: Orson Welles, a 1968 documentary directed by François Reichenbach and Frédéric Rossif - New interview with actor Norman Eshley - Interview from 2004 with cinematographer Willy Kurant - New interview with Welles scholar François Thomas - An essay by film critic Jonathan Rosenbaum

Best Documentary: Marwencol, directed by Jeff Malmberg (USA, 2010) Jury Statement: «For its ingenious, organic storytelling and respect for its subject, the documentary jury recognizes a complex and multi-layered portrait of a survivor and artist which comes to life thanks to an amazing level of trust between filmmaker and subject that allows director Jeff Malmberg to bring his audience deep into the fascinating and very private world that is MarwenDocumentary: Marwencol, directed by Jeff Malmberg (USA, 2010) Jury Statement: «For its ingenious, organic storytelling and respect for its subject, the documentary jury recognizes a complex and multi-layered portrait of a survivor and artist which comes to life thanks to an amazing level of trust between filmmaker and subject that allows director Jeff Malmberg to bring his audience deep into the fascinating and very private world that is Marwendocumentary jury recognizes a complex and multi-layered portrait of a survivor and artist which comes to life thanks to an amazing level of trust between filmmaker and subject that allows director Jeff Malmberg to bring his audience deep into the fascinating and very private world that is Marwencol.»

My Prairie Home / Canada (Director: Chelsea McMullan)-- A poetic journey through landscapes both real and emotional, Chelsea McMullan's documentary / musical offers an intimate portrait of transgender singer Rae Spoon, framed by stunning images of the Canadian prairies.

INDEPENDENT & FOREIGN FILMS 45365 (Unrated) Droll, slice - of - life documentary, co-directed by siblings Bill and Turner Ross who paint a matter - of - fact portrait of their humble hometown of Sidney, Ohio, the nondescript city with the zip code 45365.

Red Desert (Criterion) The DVD debut of Michelangelo Antonioni's color debut is accompanied by two early Antonioni documentary shorts: his debut film «Gente del Po» (1947), a portrait of the hard loves of the people living on the Po River, and «N.U.» (1948), about the street cleaners of Rome.

Described by Byrne as being like «60 Minutes on acid,» True Stories presents itself as a documentary portrait of the (fictional) town of Virgil, Texas, with Byrne himself as the nameless investigative journalist dispatched there — quite possibly from Mars.

An impossibly intimate portrait, this 1976 documentary by Albert and David Maysles, codirected by Ellen Hovde and Muffie Meyer, quickly became a cult classic and established Little Edie as a fashion icon and philosopher queen.

After winning Best Canadian Documentary, this insightful, involving portrait of breathtaking Haida Gwaii and the people who call it home also won Best British Columbia Film, which came with a $ 500 cash prize sponsored by the Canadian Media Production Association - BC Producers» Branch.

Mala Mala, the impressive documentary debut by NYU grads Antonio Santini and Dan Sickles, plays against this trend, painting a dark, witty and remarkably humane portrait of gender and sexuality in Puerto Rico today.

Audio Commentary # 1: Composer David Raksin & Historian Jeanine Basinger / Audio Commentary # 2: Historian Rudy Behlmer / Documentary: «Biography Gene Tierney: A Shattered Portrait» (44:20), with 4 indexed chapters / Documentary: «Biography Vincent Price: The Versatile Villain» (44:13), with 4 indexed chapters / 1 Deleted Scene (1:37) with optional commentary by Historian Rudy Behlmer / Theatrical trailer

Split into three sections to reflect the different sides of London's nocturnal character, an accompanying book of the same name contains essays by Museum of London's Curator of Photographs, Anna Sparham, poetry by award - winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.

Myers surprised Wurtzel with the portrait, and luckily the moment was captured in Please Touch the Art, a short documentary by Cantor Fine Art.

This photograph add to the ICA / Boston's strong collection of works by Dijkstra, and joins other documentary - style photographs and portraits in the collection by such artists as Roe Ethridge, Nan Goldin, Catherine Opie, and Collier Schorr.

Directed by Margaret Brown, this acclaimed documentary, Be Here to Love Me, is a compassionately directed portrait of Townes Van Zandt's life and career.

The presentation includes the premiere of «David Adjaye: Collaborations,» a documentary film by Oliver Hardt that presents a portrait of the architect through the eyes of people with whom he has worked.

Her projects include documentaries such as No Restraint: A portrait of Matthew Barney, feature film Mister Lonely, which premiered in Cannes 2007, T.V show Dr. Portnoy Provocateur premiered at Sundance 2008 and A Better Life by Isaac Julien in Competition in Venice 2010.

The presentation included the premiere of «David Adjaye: Collaborations,» the documentary film by Oliver Hardt presents a portrait of the architect through the eyes of people with whom he has worked.

The duo's Art Institute selections include documentary and landscape photographs by Ansel Adams and Lewis Hine, and self - portraits by László Moholy - Nagy and his Bauhaus student Florence Henri.

This moving, penetrating documentary, made by his granddaughter Cosima Spender, is both a brilliant portrait of the artist — a man who told myriad lies about his true identity — and the haunted tale of a family still grappling with his turbulent ghost.

In the documentary film by Neel's grandson shown here, the artist describes how, when painting people, she «went so out of myself and into them» that afterwards she felt like «an untenanted house», encapsulating the intensity and estrangement in her portraits.

, these include Rasheed Araeen's Chaaryaar (1968/2014), a sizeable sculpture of different - coloured cube - shaped wood frames; Hassan Sharif's series of documentary photographs with the self - explanatory title Drawing Squares on the Floor Using a Cube (1982); Saloua Raouda Choucair's small carved - wood sculpture Poem (1963 — 5); and Dóra Maurer's Seven Rotations 1 — 6 (1979), an infinity - mirror - like set of photographic self - portraits, in which Maurer starts by holding a blank square, which in the second in the series is replaced by the previous photograph, and so on.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

Los Angeles documentary and portrait photographer Damon Casarez was recently commissioned by the New York Times Magazine to create Boomerang Kids, a series of portraits of young adults who've had to move back home with their parents after college for financial reasons, or of those who have never been able to leave.

Miami Says ART December 3 - 9, 2012 martinkreloff.com Visionary artist Martin Kreloff's retrospective, presented by the JW Marriott Hotel Miami, is an exhibition 35 years in the making — with a time capsule full of portraits and a multimedia documentary with photos and videos from 1976.

Lisa Sutcliffe, photography curator at the Milwaukee Art Museum, selected works by 34 artists that range from documentary scenes and portraits to landscapes and experimental imagery.

ZZHK Gallery is pleased to present Chicken Are Not Naked, the first solo exhibition in Hong Kong of photographs by German documentary and portrait photographer, Stefanie Schweiger.

Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humleportrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, HumlePortrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015

Calia's talent has been recognised by the National Portrait Photography Prize, the BSG National Photography Prize and the Documentary strand of the Kodak Salon.

Athens - based documentary photographer Anna Pantelia composed a series of photos by recycling photos of urban landscapes by combining them with portraits.

This volume collects drawings and poems by the artist, alongside a selection of rare black - and - white portraits and documentary photographs by Ugo Mulas.