Sentences with phrase «documentary portraits from»

Not exact matches

Fellini: I'm a Born Liar is a documentary on Federico Fellini's life and work by filmmaker Damian Pettigrew, who combines vintage interview footage of Fellini, new conversations with those who worked with him (including actors Donald Sutherland and Terence Stamp), and excerpts from Fellini's films (some of them previously unseen outtakes) to create an insightful portrait of a remarkable creative mind.

Great Speeches From a Dying World is an unsettling documentary portrait gallery of nine homeless people living on the streets of Seattle.

This documentary series from Emmy ® Award - winning SHOWTIME Sports provides viewers with an intimate portrait of some of the most compelling personalities in sports.

Using a wealth of sources — from interviews to newsreels to documentary footage of the conflict at home and abroad — Davis constructs a powerfully affecting portrait of the disastrous effects of war.

The late - career, breezy documentary short Portrait de Raymond Depardon from anthropologist filmmaker Jean Rouch consists of the director simply following and interviewing French photographer and direct cinema pioneer Raymond Depardon.

Corsicato compiles footage taken from around Schnabel's home, recent interviews conducted with family and friends, and an assortment of photographs and film clips spanning the artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait of Schnabel's psychology as it was generated from the unusual circumstances of his youth.

2 I Am Not Your Negro Raoul Peck's stirring documentary portrait of James Baldwin draws on electrifying interview footage of the writer from the 1960s but places him at the center of today's national conversation on race.

I also admired Stephen Frears» «The Queen,» with Helen Mirren's haunting portrait of Queen Elizabeth; Paul Greengrass» uncanny realism in «United 93 (which deserved the comparisons with a documentary), and Clint Eastwood's visionary, incredibly ambitious war drama, «Letters from Iwo Jima,» which considered the bloody struggle from the Japanese point of view.

This disturbing documentary portrait of power and delusion gets a satisfying Blu - ray upgrade and a few new extras from the Criterion Collection.

It's a city portrait from the»70s, a very lyrical documentary.

The first full day of Sheffield Doc / Fest included world premieres of Magali Pettier's portrait of farming in North Yorkshire Addicted To Sheep, Brian Hill's noir - thriller documentary about a man who confessed to over 30 murders in Sweden The Confessions of Thomas Quick and an EU premiere of Landfill Harmonic following the fortunes of a Paraguayan orchestra with instruments made from rubbish dump materials.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

The festival's Grand Jury Prize for Documentary went to this portrait of a couple, both on the autistic spectrum, from the directors Antonio Santini and Dan Sickles (who made the excellent Mala Mala, which looked at Puerto Rico's trans community).

DVD Extras Includes audio commentary from John Cleese, deleted / alternate scenes, «Fish You Were Here» documentary, John Cleeses thoughts on the USA, Jamie Lee Curtis Halloween Memento, «Portrait Of A Fish» photo gallery, original theatrical trailer.

Any of these films would be worthy of an Oscar win, but I'm personally rooting for the race documentary «13th» (a must - see for anyone, the kind of film they should show in schools) and «O.J.: Made in America,» which is a marathon at nearly eight hours in length (it was shown in parts on ESPN earlier this year), but a completely fascinating look at race, media and society as it was in the 1990s and today, and just happens to be a tragic portrait of the worst fall from grace for a sports star in the history of our country.

Next up in the World Cinema Documentary Competition: From Russia, Tony Gerber and Maxim Pozdorovkin's portrait of a convicted international arms smuggler, THE NOTORIOUS MR BOUT.

Also too good to pass up: Garry Winogrand: All Things Are Photographable, a striking documentary profile of one of the strongest practitioners of urban street photography, directed by Sasha Waters Freyer, Apr. 15; Godard Mon Amour, director Michel Hazanavicius» cool, dramatized portrait of iconic French auteur Jean - Luc Godard (Louis Garrel), as told by Godard's one - time wife, Anne Wiazemsky, Apr. 15; and, from Japanese master Koreeda Hirokazu, The Third Murder, a chambered nautilus of a murder mystery, starring Fukuyama Masaharu and Yakusho Kôji, Apr. 6.

Jane Gets Left in the Jungle Regarding Best Documentary Brett Morgen's documentary culled from over 100 hours of raw footage of Jane Goodall and made a portrait of a strong, steadfast, iconic woman that felt like Oscar voter manna — it felt like a frontrunner to win, much less get nominatedDocumentary Brett Morgen's documentary culled from over 100 hours of raw footage of Jane Goodall and made a portrait of a strong, steadfast, iconic woman that felt like Oscar voter manna — it felt like a frontrunner to win, much less get nominateddocumentary culled from over 100 hours of raw footage of Jane Goodall and made a portrait of a strong, steadfast, iconic woman that felt like Oscar voter manna — it felt like a frontrunner to win, much less get nominated this year.

Although it spans the entire length of the previous presidency, from inauguration to those last few days in office, and features ominous televised footage of the man who would start mucking things up in the White House shortly thereafter, Quest isn't exactly the definitive documentary portrait of «the Obama years.»

- New, restored 4K digital transfer of the English - language version of the film, with uncompressed monaural soundtrack on the Blu - ray - Alternate French - language version of the film - Audio commentary from 2005 featuring film scholar Adrian Martin - Portrait: Orson Welles, a 1968 documentary directed by François Reichenbach and Frédéric Rossif - New interview with actor Norman Eshley - Interview from 2004 with cinematographer Willy Kurant - New interview with Welles scholar François Thomas - An essay by film critic Jonathan Rosenbaum

Bobcat Goldthwait's documentary feature manages to avoid both excessive cronyism and soapboxing as it traverses from a portrait of his professional mentor, influential standup Barry Crimmins, to something that could scarcely be less of a laughing matter.

Cave, Iain Forsyth and Jane Pollard are not trying to stray from the central mission of creating a portrait of the man in his mid fifties, but they do not have any interest in adhering to the narrative and imaginative limitations of a traditional documentary.

According to interviews, the documentary project was conceived to keep her from getting bored abroad, but as such, she merely passes the boredom along to audiences, who were surely expecting not only access, but a deeper portrait of Refn's process.

Described by Byrne as being like «60 Minutes on acid,» True Stories presents itself as a documentary portrait of the (fictional) town of Virgil, Texas, with Byrne himself as the nameless investigative journalist dispatched there — quite possibly from Mars.

Split into three sections to reflect the different sides of London's nocturnal character, an accompanying book of the same name contains essays by Museum of London's Curator of Photographs, Anna Sparham, poetry by award - winning poet and playwright Inua Ellams, and over 100 images from the exhibition that span the genres of architectural, documentary and portrait photography.

I feel like this is a body of work where I'm departing from my history of documentary photography, because the portraits in particular are about a very internal space, even though they're images of real people.

We will be in Indigo from 8:30 am to 11:30 am, screening the documentary Joan Mitchell: Portrait of an Abstract Painter starting at 9:30 am.

Accompanying a selection of portraits, documentary images and fashion photographs, are excerpts from his films The Learning Tree and Shaft, both of which signalled the start of the popular Blaxploitation genre.

Most recently these have been drawn from publications of cinema history; film - stills, portraits of stars or documentary images on - set.

A short documentary / portrait of the painter Regina Bogat, who at the age of 84 had her first solo show at Zurcher Gallery in New York, of work from the 1960's.

«Like Phaidon's excellent volumes on painting (Vitamin P) and drawing (Vitamin D), this is a comprehensive effort, representing artists from all fields (documentary, portraits, video, etc.) and 30 countries... The scale of the project and the talent of those chosen is undeniable.»

She was chosen as a finalist for the Outwin Boochever Portrait Competition 2013, her work was included in the competition exhibition at the Smithsonian's National Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis Portrait Competition 2013, her work was included in the competition exhibition at the Smithsonian's National Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis in 2008.

Alice Neel feeds pigeons from the window of her apartment, plus an excerpt from Michel Auder's video documentary «Portrait of Alice Neel 1976 - 1982.»

The Social Medium features work spanning from the mid-twentieth century to the present, and includes multiple photographic genres such as social documentary, street, society / celebrity, and portrait photography.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

[3] Alice Neel quoted in footage from Michel Auder's Portrait of Alice Neel (1976 - 1982) included in the documentary Alice Neel (Andrew Neel, 2007)

His project Sansaram from 2005, meaning «people of the mountain», combines landscape views with documentary portraits of native visitors to the Sobaek mountains, encountered on hiking trails.

In his ongoing series Beautiful Strangers, American portrait and documentary photographer Peter Zelewski loves to capture people on the streets of London from a diverse range of ethnicities, cultures and styles.

Miami Says ART December 3 - 9, 2012 martinkreloff.com Visionary artist Martin Kreloff's retrospective, presented by the JW Marriott Hotel Miami, is an exhibition 35 years in the making — with a time capsule full of portraits and a multimedia documentary with photos and videos from 1976.

Lisa Sutcliffe, photography curator at the Milwaukee Art Museum, selected works by 34 artists that range from documentary scenes and portraits to landscapes and experimental imagery.

Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humleportrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, HumlePortrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015

The solo exhibition features selections from three groups of Muholi's works: black - and - white portraits from her ongoing project Faces and Phases, a sequence of color photographs from the Beulah series, and a documentary video work.

Viewers have been treated to a surge of new documentary films featuring artists, from a panoramic portrait of Sol LeWitt's career to a tribute to an art obsessive.

New Directions in the Art of the Moving Image, Smithsonian Museum of American Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contemporary Art, IL

The exhibition will feature a selection of Alec Soth's documentary photography from the Georgia series, creating a time - lapse portrait of the region.

The documentary Eva Hesse, structured around excerpts from her journals, provides a psychological portrait of the artist.

Known for her sublime and intimate documentary portraits, here Honigmann combines full orchestral performances with individual musicians speaking about specific instruments and musical pieces, interactions with concertgoers from different cultural backgrounds, and the dynamics of the musicians» lives on the road.

This short documentary shows Rashid Johnson's decades - long aesthetic and professional development, from his early portrait photographs to his later conceptual sculptures made out of glass, wood, and tile.