Sentences with phrase «documentary recordings from»

A new display opening at the Whitechapel Gallery this September presents significant documentary recordings from the archives of New York based art organisation Performa.
They then compared their findings with documentary records from Bermuda and Florida, to find that hurricanes were moving north.

Not exact matches

He has also edited cool stuff, like photo essays from the Canadian tar sands to the streets of Cairo, a profile of Vine's hottest star, and documentaries on the binge - watching world record and hacking the grid.
I quote from the «executive summary» of the report's cold and methodical scrutiny of schools run principally by the Christian Brothers but also by some other Congregations, written after an examination in detail of the documentary evidence of abuse contained in the records of the establishments concerned.
Emphasis lies in comparing regional - scale reconstructions of environmental and climatic processes using natural archives, documentary and instrumental data, with evidence of past human activity obtained from historical, paleoecological and archaeological records.
This special consists of two parts: «It's Just A Ride», a documentary about Hicks» life which features interviews from friends, admirers, and family; «Revelations», a recording of his last live performance in the United Kingdom.
In the new documentary «Becoming Mike Nichols,» the Oscar, Tony and Emmy winner discusses key moments from his early career with his close friend, fellow theater director Jack O'Brien, recorded not long before Nichols died in 2014.
Blu - ray extras include a making - of documentary; four deleted songs and two deleted scenes; a discussion with co-directors John Musker and Ron Clements; a piece on the Broadway adaptation of Aladdin; outtakes from Williams» recording session as the Genie; and, for those so inclined, music videos of Aladdin tunes by the likes of Clay Aiken and Jessica Simpson.
From that point, the film becomes more a video diary than a documentary, recording Campbell's life in real - time.
From «King: A Filmed Record» to «Freedom Riders,» eight documentaries that tell the story of the U.S. Civil Rights movement through film
The documentaries always stand out at Sundance, and one of the best kicked off opening night, Morgan Neville's «Twenty Feet From Stardom,» about the notoriously unheralded backup singers who have provided so many memorable riffs and refrains on our favorite pop, rock, and R&B recordings from the 1960s and»From Stardom,» about the notoriously unheralded backup singers who have provided so many memorable riffs and refrains on our favorite pop, rock, and R&B recordings from the 1960s and»from the 1960s and»70s.
Carried over from the 2002 DVD release is commentary by director Robert Altman and producer David Foster (recorded separately but edited together for good effect) and a 10 - minute promotional behind - the - scenes documentary from 1971.
Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.
(For the record, there's a lot of otherwise - AWOL documentary material from the SE that I suspect got warehoused in the Datastream.)
Audio Commentary by Director / Co-Screenwriter John Carpenter & Producer / Co-Screenwriter Debra Hill (Recorded in 1995) / Documentaries: 2002 Documentary: «Tales From The Mist - Inside The Fog» (27:55) + 1980 Documentary: «Fear On Film: Inside The Fog» (7:10) / Outtakes (4:07) Widescreen (2.35:1) / Storyboard - to - film comparison (1:25) / Advertising Gallery: Original Posters (6), Film Memorabilia (3) / Photo Gallery: Behind The Scenes (48), Publicity Stills (18) / 3 -LRB-: 30) TV Spots / 4 page colour booklet / Theatrical Trailer (2:49), 2 Teasers -LRB-: 51) each for «The Fog»
You Don't Like the Truth (Unrated) War on Terror documentary culled from surveillance tapes recorded at Guantanamo during the four days of the interrogation of a Canadian teenager named Omar Khadr who was captured on the battlefield in Afghanistan.
An audio commentary was supposedly recorded, and the terrific but short fly - on - the - wall documentary that appears on the current Lilo & Stitch DVD was surely trimmed down from a more significant running time.
Special Features Conversation between director Robert Altman and actor Tim Robbins from 2004 Luck, Trust & Ketchup: Robert Altman in Carver Country, a feature - length 1993 documentary on the making of Short Cuts To Write and Keep Kind, a 1992 PBS documentary on the life of author Raymond Carver One - hour 1983 audio interview with Carver, conducted for the American Audio Prose Library Original demo recordings of the film's Doc Pomus Mac Rebennack songs, performed by Rebennack (Dr. John) Deleted scenes A look inside the marketing of Short Cuts PLUS: An essay by film critic Michael Wilmington
Foo Fighters Director: James Moll The definitive documentary of the last great American rock n» roll band: chronicling Foo Fighters» 16 year history from their first club gigs to the recording of their new album in Dave Grohl's garage.
Now, Nonesuch Records have unveiled an outtake from the documentary with the intimate, magical session that resulted in the track «Hu,» which features on the Junun album (via Pitchfork).
Assertive, emotional, and deeply engaging, the new documentary from Catherine Bainbridge and Alfonso Maiorana, Rumble: The Indians Who Rocked the World sets the record straight on the Native American influence on rock «n» roll and pop music.
«All Things Must Pass: The Rise and Fall of Tower Records,» a documentary directed by Colin Hanks, from a screenplay by Steven Leckart.
January 29, 2018 • Judd Apatow is one of the directors of a new documentary airing on HBO that follows the recording of a Grammy - nominated album from the North Carolina band.
It features commentary (in French, with English subtitled) by Truffaut's co-screenwriter Jean - Louis Richard and Truffaut scholar Serge Toubiana (originally recorded in 2000), the half - hour 1999 documentary Monsieur Truffaut Meets Mr. Hitchcock (about the famous interview book), a new video essay by film critic Kent Jones, and an archival interview with Truffaut from 1965 about the film, plus a leaflet with an essay by Molly Haskell.
The Wrecking Crew (PG for mature themes, mild epithets and smoking) Reverential documentary recounting the considerable accomplishments of The Wrecking Crew, the legendary backup band which played on recording sessions with everyone from Frank Sinatra to Bing Crosby to The Beach Boys.
Now, a clip from a new documentary about one of the men responsible gives us a glimpse at the recording of one of the film's greatest moments.
One of the most unpredictable races in years for the Oscar for Documentary Feature has come down to 15 films, narrowed from a record - breaking tally of 170 qualifiers.
Since 1998 Bori has written and recorded music for numerous projects, including 28 full ‑ length theatre performances (ranging from contemporary dance to traditional theatre), two seasons of a TV show screened on the Slovenian national television, several short films, documentaries, and other audiovisual works and public events.
Steve Wiebe of the documentary The King of Kong is attempting to beat Billy Mitchell's (noted D - Bag) record for high score in the arcade classic Donkey Kong, live from E3.
$ 15,000 7 % non-payment from backers = approximately $ 10,000 Project PR (Worldwide) = $ 10,000 Marketing (Facebook, YouTube, Spotify, Twitter, etc.) = $ 20,000 Domestic U.S. Shipping & Handling of Rewards = $ 5,000 International Shipping & Handling of Rewards = $ 10,000 Physical Reward products (mouse pads, posters, commemorative tickets & passes, Sheet music, etc.) = $ 5,000 Donkey Kong Country piano album creation & recording = $ 5,000 Video recording & editing for the «Making of» documentary = $ 10,000 Music Orchestrating / Copying / Proof Reading / Printing for new arrangements = $ 20,000 5 % Contingency = $ 7,500
Students from the SALT Program in Documentary Studies will be conducting live interviews and audio recording on first Friday, February 2 and there will be a Story Circle event on Saturday, February 3 from 3:00 - 6:00 PM.
Where conceptual art often leaves a physical or documentary record, it can make a point instead of its own vanishing, like the invitation from Yoko Ono to cut away her dress.
During a second trip, undertaken with his wife in 2004 to 2005, Montoya explored large tracts of south - eastern Africa, driving some 29,000 kilometres and recording the experience in four video and photographic documentaries, News from Africa (2008).
Both documentary and conceptual in style, the photographs of Catherine Opie record communities, from political gatherings to transgendered women and men to high school football players, all distinct subcultures of contemporary America.
Harun Farocki more lovingly compiles documentary records of Romanian uprisings, while Igor Grubic sticks to gay pride in Croatia, but one needs a wall label to tell them apart from one another — or sheer anarchy.
The collection also includes all applications of the medium, from artistic pursuit to commercial enterprise and from amateur pastime to documentary record, as well as all types of photographic processes, from daguerreotypes to digital prints...
From screens to recording, and from documentary processes to highly complicated experimental works, they have indeed transformed and re-invented themselves as artists, and stillFrom screens to recording, and from documentary processes to highly complicated experimental works, they have indeed transformed and re-invented themselves as artists, and stillfrom documentary processes to highly complicated experimental works, they have indeed transformed and re-invented themselves as artists, and still do.
The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.
And a thousand years from now, if someone is wondering about what we twenty - first century humans were like, searching for our cultural memories, they might turn to our sitcoms, documentaries, and reality shows for answers as records of shared experience.
While she clearly mines records and photographs from her childhood, the character of the work feels more like literary fiction than documentary.
Barroca draws from a wide - range of historical and documentary material — photographs, videos, and sound recordings — produced at the time of major epochal events.
There are also reminiscences by gallery owner Eleanor Ward and her assistant Alan Groh, a sound cassette recording of Eleanor Ward, and a videoreel (1/2 inch) documentary of a 1973 Sotheby auction of works from the Robert C. Scull collection.
«She is also at the forefront of experimental approaches to film, combining recorded staged performance, documentary footage, and found archival material, which she overlays with narration ranging in tone from poetic to political.»
Performance Series, 1968 - 1997 This series, relating to performing arts events held at the Whitney Museum and its branches from 1968 to 1997, is chiefly publicity - related and contains press releases and news clippings, event programs, photographs (promotional and documentary), memoranda, budget records, and correspondence.
Seen for the first time outside New York, the documentary recordings screened in Commissions from Performa's Archives present pieces by influential choreographers, such as Yvonne Rainer, whose RoS Indexical enacts a reworking of Igor Stravinsky's Rite of Spring.
These fledgling projects show budding artists striking out to discover a visual language of their own, and range from documentary photography to photography as a record of conceptual and performance art pieces.
In her film work, Morris both seduces and alienates the viewer, employing different kinds of cinematography, from documentary recording to seemingly set - up narrative scenarios.
The recorded material was combined with archived recordings gathered from numerous, global sources to produce a series of audio documentaries, later exhibited at The Showroom in spring 2012.
This rich resource includes the artist's personal writings, sketches, correspondence, and audiovisual material, as well as documentary photographs and records from his collaborators.
Additional information about past climate change has also been obtained purely from documentary records in Europe (e.g., Martin - Vide and Barriendos, 1995; Brázdil, 1996; Pfister et al., 1996, 1998, 1999; Pfister and Brázdil, 1999; Rodrigo et al., 1999).
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