A new display opening at the Whitechapel Gallery this September presents significant
documentary recordings from the archives of New York based art organisation Performa.
They then compared their findings with
documentary records from Bermuda and Florida, to find that hurricanes were moving north.
Not exact matches
He has also edited cool stuff, like photo essays
from the Canadian tar sands to the streets of Cairo, a profile of Vine's hottest star, and
documentaries on the binge - watching world
record and hacking the grid.
I quote
from the «executive summary» of the report's cold and methodical scrutiny of schools run principally by the Christian Brothers but also by some other Congregations, written after an examination in detail of the
documentary evidence of abuse contained in the
records of the establishments concerned.
Emphasis lies in comparing regional - scale reconstructions of environmental and climatic processes using natural archives,
documentary and instrumental data, with evidence of past human activity obtained
from historical, paleoecological and archaeological
records.
This special consists of two parts: «It's Just A Ride», a
documentary about Hicks» life which features interviews
from friends, admirers, and family; «Revelations», a
recording of his last live performance in the United Kingdom.
In the new
documentary «Becoming Mike Nichols,» the Oscar, Tony and Emmy winner discusses key moments
from his early career with his close friend, fellow theater director Jack O'Brien,
recorded not long before Nichols died in 2014.
Blu - ray extras include a making - of
documentary; four deleted songs and two deleted scenes; a discussion with co-directors John Musker and Ron Clements; a piece on the Broadway adaptation of Aladdin; outtakes
from Williams»
recording session as the Genie; and, for those so inclined, music videos of Aladdin tunes by the likes of Clay Aiken and Jessica Simpson.
From that point, the film becomes more a video diary than a
documentary,
recording Campbell's life in real - time.
From «King: A Filmed
Record» to «Freedom Riders,» eight
documentaries that tell the story of the U.S. Civil Rights movement through film
The
documentaries always stand out at Sundance, and one of the best kicked off opening night, Morgan Neville's «Twenty Feet
From Stardom,» about the notoriously unheralded backup singers who have provided so many memorable riffs and refrains on our favorite pop, rock, and R&B recordings from the 1960s and»
From Stardom,» about the notoriously unheralded backup singers who have provided so many memorable riffs and refrains on our favorite pop, rock, and R&B
recordings from the 1960s and»
from the 1960s and»70s.
Carried over
from the 2002 DVD release is commentary by director Robert Altman and producer David Foster (
recorded separately but edited together for good effect) and a 10 - minute promotional behind - the - scenes
documentary from 1971.
Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music
documentaries: «Icons Among Us: Jazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical
documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field
recording traditional and modern music
from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.
(For the
record, there's a lot of otherwise - AWOL
documentary material
from the SE that I suspect got warehoused in the Datastream.)
Audio Commentary by Director / Co-Screenwriter John Carpenter & Producer / Co-Screenwriter Debra Hill (
Recorded in 1995) /
Documentaries: 2002
Documentary: «Tales
From The Mist - Inside The Fog» (27:55) + 1980
Documentary: «Fear On Film: Inside The Fog» (7:10) / Outtakes (4:07) Widescreen (2.35:1) / Storyboard - to - film comparison (1:25) / Advertising Gallery: Original Posters (6), Film Memorabilia (3) / Photo Gallery: Behind The Scenes (48), Publicity Stills (18) / 3 -LRB-: 30) TV Spots / 4 page colour booklet / Theatrical Trailer (2:49), 2 Teasers -LRB-: 51) each for «The Fog»
You Don't Like the Truth (Unrated) War on Terror
documentary culled
from surveillance tapes
recorded at Guantanamo during the four days of the interrogation of a Canadian teenager named Omar Khadr who was captured on the battlefield in Afghanistan.
An audio commentary was supposedly
recorded, and the terrific but short fly - on - the - wall
documentary that appears on the current Lilo & Stitch DVD was surely trimmed down
from a more significant running time.
Special Features Conversation between director Robert Altman and actor Tim Robbins
from 2004 Luck, Trust & Ketchup: Robert Altman in Carver Country, a feature - length 1993
documentary on the making of Short Cuts To Write and Keep Kind, a 1992 PBS
documentary on the life of author Raymond Carver One - hour 1983 audio interview with Carver, conducted for the American Audio Prose Library Original demo
recordings of the film's Doc Pomus Mac Rebennack songs, performed by Rebennack (Dr. John) Deleted scenes A look inside the marketing of Short Cuts PLUS: An essay by film critic Michael Wilmington
Foo Fighters Director: James Moll The definitive
documentary of the last great American rock n» roll band: chronicling Foo Fighters» 16 year history
from their first club gigs to the
recording of their new album in Dave Grohl's garage.
Now, Nonesuch
Records have unveiled an outtake
from the
documentary with the intimate, magical session that resulted in the track «Hu,» which features on the Junun album (via Pitchfork).
Assertive, emotional, and deeply engaging, the new
documentary from Catherine Bainbridge and Alfonso Maiorana, Rumble: The Indians Who Rocked the World sets the
record straight on the Native American influence on rock «n» roll and pop music.
«All Things Must Pass: The Rise and Fall of Tower
Records,» a
documentary directed by Colin Hanks,
from a screenplay by Steven Leckart.
January 29, 2018 • Judd Apatow is one of the directors of a new
documentary airing on HBO that follows the
recording of a Grammy - nominated album
from the North Carolina band.
It features commentary (in French, with English subtitled) by Truffaut's co-screenwriter Jean - Louis Richard and Truffaut scholar Serge Toubiana (originally
recorded in 2000), the half - hour 1999
documentary Monsieur Truffaut Meets Mr. Hitchcock (about the famous interview book), a new video essay by film critic Kent Jones, and an archival interview with Truffaut
from 1965 about the film, plus a leaflet with an essay by Molly Haskell.
The Wrecking Crew (PG for mature themes, mild epithets and smoking) Reverential
documentary recounting the considerable accomplishments of The Wrecking Crew, the legendary backup band which played on
recording sessions with everyone
from Frank Sinatra to Bing Crosby to The Beach Boys.
Now, a clip
from a new
documentary about one of the men responsible gives us a glimpse at the
recording of one of the film's greatest moments.
One of the most unpredictable races in years for the Oscar for
Documentary Feature has come down to 15 films, narrowed
from a
record - breaking tally of 170 qualifiers.
Since 1998 Bori has written and
recorded music for numerous projects, including 28 full ‑ length theatre performances (ranging
from contemporary dance to traditional theatre), two seasons of a TV show screened on the Slovenian national television, several short films,
documentaries, and other audiovisual works and public events.
Steve Wiebe of the
documentary The King of Kong is attempting to beat Billy Mitchell's (noted D - Bag)
record for high score in the arcade classic Donkey Kong, live
from E3.
$ 15,000 7 % non-payment
from backers = approximately $ 10,000 Project PR (Worldwide) = $ 10,000 Marketing (Facebook, YouTube, Spotify, Twitter, etc.) = $ 20,000 Domestic U.S. Shipping & Handling of Rewards = $ 5,000 International Shipping & Handling of Rewards = $ 10,000 Physical Reward products (mouse pads, posters, commemorative tickets & passes, Sheet music, etc.) = $ 5,000 Donkey Kong Country piano album creation &
recording = $ 5,000 Video
recording & editing for the «Making of»
documentary = $ 10,000 Music Orchestrating / Copying / Proof Reading / Printing for new arrangements = $ 20,000 5 % Contingency = $ 7,500
Students
from the SALT Program in
Documentary Studies will be conducting live interviews and audio
recording on first Friday, February 2 and there will be a Story Circle event on Saturday, February 3
from 3:00 - 6:00 PM.
Where conceptual art often leaves a physical or
documentary record, it can make a point instead of its own vanishing, like the invitation
from Yoko Ono to cut away her dress.
During a second trip, undertaken with his wife in 2004 to 2005, Montoya explored large tracts of south - eastern Africa, driving some 29,000 kilometres and
recording the experience in four video and photographic
documentaries, News
from Africa (2008).
Both
documentary and conceptual in style, the photographs of Catherine Opie
record communities,
from political gatherings to transgendered women and men to high school football players, all distinct subcultures of contemporary America.
Harun Farocki more lovingly compiles
documentary records of Romanian uprisings, while Igor Grubic sticks to gay pride in Croatia, but one needs a wall label to tell them apart
from one another — or sheer anarchy.
The collection also includes all applications of the medium,
from artistic pursuit to commercial enterprise and
from amateur pastime to
documentary record, as well as all types of photographic processes,
from daguerreotypes to digital prints...
From screens to recording, and from documentary processes to highly complicated experimental works, they have indeed transformed and re-invented themselves as artists, and still
From screens to
recording, and
from documentary processes to highly complicated experimental works, they have indeed transformed and re-invented themselves as artists, and still
from documentary processes to highly complicated experimental works, they have indeed transformed and re-invented themselves as artists, and still do.
The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken
from the
documentary photographic
record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized
from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path
from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.
And a thousand years
from now, if someone is wondering about what we twenty - first century humans were like, searching for our cultural memories, they might turn to our sitcoms,
documentaries, and reality shows for answers as
records of shared experience.
While she clearly mines
records and photographs
from her childhood, the character of the work feels more like literary fiction than
documentary.
Barroca draws
from a wide - range of historical and
documentary material — photographs, videos, and sound
recordings — produced at the time of major epochal events.
There are also reminiscences by gallery owner Eleanor Ward and her assistant Alan Groh, a sound cassette
recording of Eleanor Ward, and a videoreel (1/2 inch)
documentary of a 1973 Sotheby auction of works
from the Robert C. Scull collection.
«She is also at the forefront of experimental approaches to film, combining
recorded staged performance,
documentary footage, and found archival material, which she overlays with narration ranging in tone
from poetic to political.»
Performance Series, 1968 - 1997 This series, relating to performing arts events held at the Whitney Museum and its branches
from 1968 to 1997, is chiefly publicity - related and contains press releases and news clippings, event programs, photographs (promotional and
documentary), memoranda, budget
records, and correspondence.
Seen for the first time outside New York, the
documentary recordings screened in Commissions
from Performa's Archives present pieces by influential choreographers, such as Yvonne Rainer, whose RoS Indexical enacts a reworking of Igor Stravinsky's Rite of Spring.
These fledgling projects show budding artists striking out to discover a visual language of their own, and range
from documentary photography to photography as a
record of conceptual and performance art pieces.
In her film work, Morris both seduces and alienates the viewer, employing different kinds of cinematography,
from documentary recording to seemingly set - up narrative scenarios.
The
recorded material was combined with archived
recordings gathered
from numerous, global sources to produce a series of audio
documentaries, later exhibited at The Showroom in spring 2012.
This rich resource includes the artist's personal writings, sketches, correspondence, and audiovisual material, as well as
documentary photographs and
records from his collaborators.
Additional information about past climate change has also been obtained purely
from documentary records in Europe (e.g., Martin - Vide and Barriendos, 1995; Brázdil, 1996; Pfister et al., 1996, 1998, 1999; Pfister and Brázdil, 1999; Rodrigo et al., 1999).