Sentences with phrase «documentary section which»

Although it occurs in the last 10 minutes of the movie, it is still worth watching the rest of the film, as well as the factual documentary section which follows.

If you were adventurous enough to look beyond the premieres at the 1500 capacity Eccles theater, you would find incredible independent cinema, made by tomorrow's visionaries, stamped all over the festival's NEXT section, or even the Documentary sections which have become a hotbed for Oscar - nominated non-fiction, just this year 3 of the 5 Best Documentary nominees made their premieres at Sundance in 2017 («Icarus,» «Strong Island,» and «Last Men in Allepo).

Not exact matches

Disc two includes nearly six hours of additional material including a 196 - minute making - of documentary, entitled Strength and Honor: Creating the World of Gladiator, and as if this was not exhaustive enough more behind the scenes technical information is provided in the five - part Image and Design section which includes featurettes on sets, costumes, and weapons as well as extensive photo galleries.

Other films from Cannes making their US debut at Telluride include the Russian «Loveless,» directed by Andrey Zvyagintsev, about an unhappy couple searching for their son, and winner of Cannes» Jury Prize; «A Man of Integrity,» by Mohammad Rasoulof, set in corrupt Iranian society, which won the Grand Prize of the Un Certain Regard section; «The Rider,» by Chloe Zhao, about a badly injured young South Dakotan rodeo rider, which won the top prize, the Art Cinema Award, of the Director's Fortnight; «Tesnota (Closeness),» about a Jewish family forced to try to ransom their son and his new bride, also in Un Certain Regard, by Kantemir Balagov; and Barbet Schroeder's documentary about a Buddhist monk, «Le venerable W.»

Among the first films and filmmakers to use these services will be two selections from the 2011 Sundance Film Festival: Connected: An Autoblogography about Love, Death & Technology by director Tiffany Shlain, which premiered in the U.S. Documentary Competition section and On the Ice, by director Andrew Okpeaha MacLean, which premiered in the U.S. Narrative Competition section.

Other highlights in this section include: Pablo Larraín's THE CLUB, a mordant morality tale set in a sleepy Chilean coastal town, which won Berlin's Grand Jury Prize; CHRONIC, Michel Franco's uncompromising study of grief and isolation, featuring a revelatory performance by Tim Roth; brothers Tarzan and Arab Nasser's feature directorial debut, DÉGRADÉ, a smart drama that moves seamlessly between humour and despair, set in a women's hair salon in Gaza; the European Premiere of George Amponsah's intimate documentary THE HARD STOP, revealing the story of Mark Duggan's friends and family following his death after being shot in a «Hard Stop» police procedure in 2011; Jonas Carpignano's engrossing feature debut, THE MEASURE OF A MAN which won Vincent Lindon Best Actor at Cannes Film Festival, MEDITERRANEA, an ultra-topical tale of two young African men from Burkina Faso who, in search of a better life, make the difficult and dangerous trip across the Sahara desert and Mediterranean Sea to reach Italy; the drama MUCH LOVED, Nabil Ayouch's searing, no - holds - barred look at the world of prostitution in Morocco; David Evans» thought - provoking documentary MY NAZI LEGACY, which raises the harrowing question, «What if your father was a Nazi?»

The film, which is playing in the U.S. Documentary Competition section at the 2011 Sundance Film Festival premiered on Friday, January 21st.

The cable channel also secured the U.S. rights to documentary «The Sentence,» which earned its section's Audience Award.

(Don Argott courtesy Sundance Institute) Dan Reynolds, frontman for the band Imagine Dragons, is profiled in Don Argott's «Believer,» which will screen in the Documentary Premieres section of the 2018 Sundance Film Festival.

The Blu - ray edition looks stunning (I did not view the DVD, which features no supplements) and includes the 30 - minute making - of documentary «Hard - Wires Humanity: Making Ghost in the Shell,» which covers the production with lots of behind - the - scenes footage, and the shorter featurettes «Section 9: Cyber Defenders» (11 mins) and «Man & Machine: The Ghost Philosophy» (10 mins), plus bonus DVD and Ultraviolet Digital HD copies of the film.

As with previous Platinum Edition releases, the treasure trove of extras can be found on the second disc's «Backstage Disney» section, which features an hour - long documentary of the film's development, production, and reception, featuring comments from modern animation figures such as Pixar's John Lassiter as well as many of the now - elderly voice actors for Bambi and the other forest creatures.

The only other Antipodean work honoured was Annie Goldson's New Zealand documentary Kim Dotcom: Caught in The Web, which earned a Special Mention in the Feature Documentary section; Feras Fayyad's Last Men in Aleppo was deemed the front runner in thadocumentary Kim Dotcom: Caught in The Web, which earned a Special Mention in the Feature Documentary section; Feras Fayyad's Last Men in Aleppo was deemed the front runner in thaDocumentary section; Feras Fayyad's Last Men in Aleppo was deemed the front runner in that category.

Emblematic of the festival's initiative to spotlight films on a global scale is its «Global Visions» section, which boasts an array of narrative and documentary films from Japan (Wonderful World End), Brazil (The Second Mother), Germany (Stations of the Cross), China (Red Amnesia), the United Kingdom (Luna), South Korea (A Hard Day), France (Fidelio: Alice's Odyssey), New Zealand (The Dark Horse), and many more countries with exciting, emerging filmmakers and films worthy of our undivided attention.

(c) Within twenty days after the service upon any person charged under section 706 of a demand by the Commission for the production of documentary evidence or for permission to examine or to copy evidence in conformity with the provisions of section 709 (a), such person may file in the district court of the United States for the judicial district in which he resides, is found, or transacts business, and serve upon the Commission a petition for an order of such court modifying or setting aside such demand.

The exhibition is organized around four thematic sections, each of which mixes a variety of styles and media, including Pop and Conceptual art, documentary photography, Surrealism and abstraction.

And because such «systems integrity» is a very complex collection of ERMS principles and practices, which collection is too big to put into a definition section in such Evidence Acts, compliance with the following NSC is the necessary test as to the existence of that required «systems integrity»: Electronic Records as Documentary Evidence CAN / CGSB -72.34-2005 (72.34).