Sentences with phrase «documentary style footage»

To create the four - minute film, a handful of cats from across the country were equipped with HD video cameras around their collars to collect documentary style footage of their daily lives.

Not exact matches

Although the journalistic patter accompanying such footage is often akin in tone to that found in documentaries about Amazonian tribal rituals, the images highlight an ever - growing reality of the past three decades: the spread of Pentecostal and charismatic worship styles and music into ecclesiastical settings that were once resistant — if not downright hostile — to the up - tempo, emotional music of the Pentecostal ethos.

Blomkamp uses extensive use of the faux documentary new - media style of filmmaking where mock footage from security tapes and news reports are seamlessly integrated into the action.

Each project is full of reality - style documentary footage and candid interviews with your favorite rap artists.

Apparently taking real World War II documentary footage as its model, Spielberg's invasion of Omaha Beach was shot documentary - style.

He uses a found footage / documentary style approach about two young kids, Becca (DeJonge) and Tyler (Oxenbould), who go and visit their grandparents for the weekend.

While the framing device wasn't exactly revolutionary — documentary - style footage of the conflict between mankind and alien life — the Johannesburgian director's blend of visual panache with hard - hitting themes such as apartheid and political corruption reestablished a healthy pulse for the genre.

Even more risky was Marília Hughes Guerreiro and Cláudio Marques's A Cidade do Futuro (2016), with a language of its own mixing footage, documentary style and fiction to reveal the antagonism of social transformation and new form of human bonds.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Fox has debuted the first official trailer on MTV for Chronicle, a faux - documentary style found - footage flick following three high school friends who gain superpowers from a mysterious substance they find, and the repercussions that arise when they use those powers.

For those unaware, Afflicted is a documentary / found footage / POV style film about a pair of best friends who set out to travel the world and document the entire trip via digital videos on their blog.

It's an era we're so used to seeing in B&W whether in a film made in those decades or on documentary footage of those times, that colour representation of it can look unreal particularly if proper attention is not paid to era - appropriate make - up techniques, hair - styles, costuming and physical props, and the way in which people held their bodies.

While Mafia 3 does a brilliant job in storytelling with some of the cutscenes acting as a documentary style explanation of how the events unfolded using archived footage and some being involved with the story itself and it is rather clever how its done but Mafia 3 doesn't get as adventurous with its gameplay as the shooting and cover system are very basic and at times will make you want to scream at the TV.

Filmed by the artist on New Year's Day, its footage shifts between documentary and experimental styles, using both wide - angle and detail shots that, at times, abstract the figures» bodies into a chaotic arrangement of imagery, colour, and movement.

Throughout Kodak, Dean's footage oscillates between documentary - style images of workers attending to the factory's operations and abstracted images of the celluloid production and factory space.

Known for his own style of docufiction, filmmaker Kevin Jerome Everson combines archival, documentary, and scripted footage to depict the ordinary realities of working - class African Americans, especially in the Midwest where he resides.

Galvanized by the international student protest movement of the late 1960s, Farocki developed an experimental documentary style integrating his own material with footage appropriated from a range of sources, including mass media, surveillance, and political propaganda.

Filmed by the artist on New Year's Day, its footage shifts between documentary and experimental styles, using both wide - angle and detail shots that, at times, abstract the figures» bodies into a chaotic arrangement of imagery, color and movement.