Sentences with phrase «documentary style works»

The confessional documentary style works in this film to enrich the characters and deepen our understanding of the story behind Tonya Harding.

The documentary style worked well at the beginning and offered a fresh take on the genre, but it wasn't really up to the task of capturing the spiritual threat and psychological intensity of the best possession movies.

Not exact matches

My choice is crazy and unique, and that is David Wagner of Huddersfield town I saw a documentary about him where i learnt he worked with Klopp at BVB... He also adopts same style / philosophy like the German.

Hey I work as a video editor at a documentary company but my passion lies in anime as i learn to draw in that style and watch it every night!

The darkly realistic cinematography of Michael Simmonds gives the film a near - documentary style in its depiction of the endless, physically draining work.

The latter worked because of the nearly documentary style manner in which Forman told it, while Amadeus created a lovely and elegant tale.

Working again in his native Baltimore, the writer - director maintains the documentary - style feel for place that has infused all his features.

Getting his start working on TV commercials, Mann took his rapid - paced, flash - cut approach into documentary filmmaking, producing an award - winning short on the 1968 French student riots, Janpuri.Mann's fragmented - image technique further manifested itself on such TV detective series of the»70s such as Starsky and Hutch and Vegas, both of which utilized his scripts (though they were directed by others in the standard conventional style of the period).

The documentary style seems to work even through it is combined with non documentary sections.

Her directorial work includes Paper Chase, a teen comedy in pre-production with Gunpowder and Sky; All Styles, a dance movie in post production starring Fik - Shun (So You Think You Can Dance) and Heather Morris (Glee); Black Folk Don't, a documentary web series in its fourth season featured in Time Magazine's «10 Ideas That Are Changing Your Life» and (A) sexua, l a feature - length documentary about people who experience no sexual attraction that streamed on Netflix and Hulu for four years.

Cameraperson Kirsten Johnson's formally adventurous documentary earned heaps of praise for its cine - journal style and personal take on going once more unto the breach of political hotspots — but its commendably unclassifiable quality may have worked against it come awards time.

The movie was made in documentary style, not dissimilar to Paranormal Activity, which I was not looking forward to initially because I'm not a fan of the documentary - styled film, but in the end it worked in the film's favour.

Was the documentary style just a gimmick or did it work well?

Inspired by this, and Cousteau's countless other nature documentaries, Wes Anderson made The Life Aquatic With Steve Zissou, a masterful, singular work which takes the Cousteau template and style, and asks — what if he were going through a mid-life crisis?

And this documentary that depicts this work, which gives its viewers a raw verité - style look at three civilian participants» trials and breakthroughs, is the finest documentary of the year.

At the film's recent press day, Shyamalan and Blum discussed their creative partnership and the most surprising aspect of working with each other, why the scares in this film are deceptively simple yet terrifying and original, how the mock documentary style format gave Shyamalan new cinematic tools for keeping the audience guessing, his directing style, what he was looking for in his young actors, why he cast experienced stage actors for the grandparents» roles, his collaboration with award - winning DP Maryse Alberti, how he recruited Oxenbould to shoot the chase sequence underneath the house, why he likes treating B genre movies like they're A dramas, and more.

But Wormwood expands that divisive aspect of the documentary legend's methodology into uncharted territory, as Morris combines his famously hard - hitting interview style with scripted scenes starring Peter Sarsgaard as a man determined, for several decades, to find out what happened to his father, a scientist who died during the Cold War while working on a top - secret program.

The movie worked much better as a documentary (as it was advertised) and the blending of the two styles simply doesn't work.

But such relatively commercial ventures were interspersed with the more personal work which increasingly occupied Akerman's attention, as in D'Est (From The East, 1993), an impressionist documentary of life in the former Soviet Union after the collapse of the Communist regime, composed in a series of static tableaux in Akerman's signature, contemplative style.

A moving, personal tribute to the working style, talent and humanity of Australian documentary filmmaker Robin Anderson.

In part one of our talk, Walter takes questions from other leading sound designers Ren Klyce and Gary Rydstrom about his work, talks about how documentary film has affected modern cinema style, discusses his work in Apocalypse Now and The Conversation, and ends the episode with a discussion of the use of music in The Godfather and The English Patient.

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For the documentary - style work titled Turbo Sculpture (2010 — 2013), Domanovic chronicles the history of a series of public monuments that sprung up across former Yugoslavia after its calamitous civil war (1991 — 2001).

This photograph add to the ICA / Boston's strong collection of works by Dijkstra, and joins other documentary - style photographs and portraits in the collection by such artists as Roe Ethridge, Nan Goldin, Catherine Opie, and Collier Schorr.

Inspired by blaxploitation movies while he was filming his recent acclaimed documentary Baadasssss Cinema, Julien appropriates the styles, gestures, language and iconography of the genre to create a work that defies easy categorization.

Considered the pioneer of color photography and the personal documentary style, William Eggleston first picked up a camera in 1957 and has been producing cutting - edge work for over fifty years since.

Intimate documentary 16 June Danny Lyon, known for his work in the style of photographic New Journalism, has always taken an interest in tackling social and political issues, whether he's taking a picture, making a film or writing a piece.

A documentary style short film that allows an informal glimpse into the studio and the thoughts of the artist, at a particular time, giving context on works done and those to come.

«Origin of the Universe» includes four installations that re-create the photography sets she uses in her studio, as well as a documentary she made about her mother (a frequent model for her work), and 50 of her collages hung salon - style.

Working in an expanded documentary style, Harwood's work explores ideas of kin, environment, and suburbia and the oddities that happen in these spaces.

Poet David St. John will open with a reading from his work, to be followed by a documentary, A Late Style of Fire, that reflects on the life of his close friend, the late Larry Levis.

Known for his own style of docufiction, filmmaker Kevin Jerome Everson combines archival, documentary, and scripted footage to depict the ordinary realities of working - class African Americans, especially in the Midwest where he resides.

A German documentary - style photographer, Wolfgang Tillmans creates work that addresses his own life, the world around him, his political and social concerns, but also the entire history of the medium of photography.

The style of Gérome's oriental works, realistic in content and classicizing in technique, is often described as «academic realism» or «Academism» and thus provide great documentary value to historians.

The subject matter and style of each artist ranges from documentary to conceptual, and explores the fact that these two media, photography and video, often help an artist develop their wider practice and bodies of work, as well as offer a glimpse into the versatility that many artists possess.

Cara Romero's work conflates fine art and a documentary style that is often tongue in cheek with complex cultural interactions and social commentary.

Other works record specific places, such as Rudy Burckhardt's documentary - style photograph of a gas - station in Astoria, New York taken in 1940 and Andrew Lenaghan's detailed landscape Off Route 52, Irvine, Kentucky (1998) painted on site during the artist's travels across the South.

Familiar with work by artists such as Nan Goldin and Larry Clark in the United States, or Richard Billingham and Wolfgang Tillmans in Europe, the photographs presented in «Give Me Yesterday» turn the immediacy and spontaneity of documentary style into an extreme control over the gaze of those who observe and are observed.

The resulting works are anything but documentary - like in style; he takes the facts he has gathered and develops complex tales, interweaving fictitious elements with real - life events and personal experiences.

He mainly works in the medium film, ranging in style from documentary to theatrical narrative.

Chinese artist Lu Chunsheng's video and photographic works integrate documentary - style imagery with fantasy - based narratives.

Gillo Pontecorvo's ground - breaking documentary style film The Battle of Algiers (1965) is shown alongside the work of lesser known twentieth - century figures, such as French psychiatrist and photographer Gaëtan de Clérambault and the French military photographer of the Algerian War, Marc Garanger.

But perhaps «documentary style» reached its zenith in the work of Bernd and Hilla Becher and the early works of their students — like Andreas Gursky, Thomas Struth or Thomas Ruff, to cite only those three — which themselves embody not only the greatness, but also the decadence of that style.

Working in a constructed - documentary style, Garza - Cuen explores ideas of place, cultural memory, and inheritance.

Altogether different is the political work of Serbian conceptual artist Aleksandra Domanović, whose documentary video, Turbo Sculpture, narrates the story of a new style of public art emerging in ex-Yugoslavian republics.

Following up our discussion about documentation of the creative process in the cases of Mark Bradford and Jackson Pollock, my students and I talked about what we might include in an Art21 - style documentary about the artist at work * based upon our own experiences and observations.

The resulting works are anything but documentary - like in style.

Prejudice, superstition, and resentment inspire the work of Slovakian self - styled «art activist» and documentary filmmaker, Tomas Rafa, who, since 2009, through his ongoing project New Nationalism, has produced a hard - hitting dossier of film and still images representing the resurgence of extreme right - wing, xenophobic, and neo-fascist groups in Central Europe.

The exhibition focus is on three different film works that represent reality in a documentary style, each shot by different artists: Sarah Morris, Gerardo Suter and Alanna O'Kelly.