Sentences with phrase «documentary video and photographs»

Not exact matches

Executive Director and celebrated documentary photographer Ruth Morgan has collaborative with visual artist Dee Morizono to curate a site - specific installation of compelling large format photographs, video diaries, and multi-media artwork that challenges assumptions about people behind bars and their families.

«LATOYA RUBY FRAZIER: Performing Social Landscapes» @ Carré d'Art - Musée d'Art Contemporain Nimes, France Photographer LaToya Ruby Frazier «s first solo institutional exhibition in France presents selections from several of her documentary projects, including the video «Frazier Take on Levi's» and photographs from «Pier 54,» and the foundation of her work, images that examine the decline of the population and steel industry of her hometown of Braddock, Pa. («Campaign for Braddock Hospital» and «The Notion of Family»).

Here, he is represented by cybernetic drawings, documentary photographs and a video that shows him making an inflatable plastic sculpture with his students.

ALL POWER TO THE PEOPLE: BLACK PANTHERS AT 50 The legacy of the Black Panther Party, founded in Oakland in October 1966, is examined in this selection of documentary photographs, videos, art and ephemera.

Also on view are documentary photographs by Hans Namuth and Tony Vaccaro, as well as the video produced by Gordon Hyatt, «What I Did On My Vacation,» which documents a series of Happenings staged by Allan Kaprow across the Hamptons in 1966.

LaToya Ruby Frazier: A Haunted Capital January 17 — March 9 Anderson Gallery VCUarts Informed by an intensely personal and socially activist stance that combines elements of portraiture and social documentary, LaToya Ruby Frazier's photographs and videos portray her family and her hometown of Braddock, Pennsylvania, the site of Andrew Carnegie's first steel mill.

Drawing on documentary materials, photographs, and film and video footage, VITO ACCONCI: WHERE WE ARE NOW (WHO ARE WE ANYWAY?)

Screening: «John Maybury's Read Only Memory» at Le Petit Versailles From the maker Francis Bacon biopic «Love is the Devil,» and the famous Sinead O'Conner music video «Nothing Compares 2 U,» comes «Read Only Memory,» documentary of the fabulous life of Australian performance artist and London underground celeb Leigh Bowery, who danced for choreographer Michael Clark, modeled for painter Lucian Freud, and was one of the most photographed, influential, and outrageous fashion icons of the 1980s and «90s.

From the first Gutai Art Exhibition (1955), a large - scale documentary photograph and video of Shiraga's performance piece, Challenging Mud, set the stage for the radical and progressive art in the exhibition.

The latter includes both new works — an assemblage of photographs titled An Essay on Equivalents and the video Cornered — and a selection of the artist's earliest documentary production from the late 1970s and early 1980s.

Barroca draws from a wide - range of historical and documentary material — photographs, videos, and sound recordings — produced at the time of major epochal events.

The Morris Louis Estate papers include records of gallery exhibitions, mostly André Emmerich Gallery; artwork inventories; legal records concerning the lawsuit Bernstein v. Brenner; financial records of the sale of Louis» artwork; printed materials; writings about Louis; photographs of exhibition installations and artwork; and posthumous project files which include documentation of film projects by Robert Pierce Productions, a catalog raisonne, PBS documentaries, video recordings of the exhibition «Morris Louis Now», and numerous sound recordings of interviews with artists, many with transcripts, discussing Morris Louis and conducted by Anita Faatz.

The solo exhibition features selections from three groups of Muholi's works: black - and - white portraits from her ongoing project Faces and Phases, a sequence of color photographs from the Beulah series, and a documentary video work.

The images and objects he creates pose questions about the limits of representation by examining complex associations between found photographs, videos, and sounds from documentaries, photojournalism, and online media streams.

Performance backdrops, documentary video and video installations, sets, costumes, artworks, photographs, and ephemera immerse viewers in Cunningham's creative activities.

Exploring the relationship between materiality and perception, Kelly examines complex associations between found photographs, videos, and sounds from documentaries, photojournalism, and online media streams.

Throughout his career he has photographed a diverse range of personalities including Hillary Clinton, Muhammad Ali, Elizabeth Taylor, Lance Armstrong, Madonna and Jeff Koons and has expanded his work to include direction of music videos, live theatrical events, and documentary film.

This series and other major paper pulp projects, including Frank Stella's Paper Reliefs (1975), Ellsworth Kelly's Colored Paper Images (1976), Kenneth Noland's Handmade Paper Project (1978 - 82) and James Rosenquist's Welcome to the Water Planet (1988 - 89), can be viewed online at The Kenneth Tyler Collection at the National Gallery of Australia, alongside numerous texts, documentary photographs and videos that give a sense of the extraordinary enthusiasm of Tyler and his willingness to go to any lengths to try something new.

This original documentary provided an artistic and historical context to Miró's works through stunning high - definition video, historical footage and photographs of the artist at work in his studio, and in - depth interviews with the Marshall Price, the Nasher Museum's Nancy Hanks Curator of Modern and Contemporary Art; Nasher Museum Director Sarah Schroth and Miró scholar Robert Lubar.

The exhibition also includes Six Miles Deep, a 2009 documentary filmed by Sarah Roque; new photographs of the surrounding Grand River area; and her own 2012 video Vumbi, filmed in Tanzania.

Tracing the development of the artist's extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.

This exhibition represents a broad range of her work with abstract compositions, videos, and documentary photographs.