Sentences with phrase «documentary video and sculpture»

Heidrun Holzfeind uses photography, documentary video and sculpture to explore individual and collective narratives that reveal the concept of identity as a social construct dependent on cultural and socio - economical circumstances.

Not exact matches

Illustrated with performance, private videos, and recollections from those who knew him, this detailed and innovative documentary looks at the life of the always provocative artist Chris Burden, whose work consistently challenged ideas about the limits and nature of modern art, from his notorious performances in the 1970s to his later assemblages, installations, kinetic and static sculptures, and scientific models.

PEET's work — whether painting, sculpture, drawing, video, or performance — actively engages with the social and political realities of our time and fluctuates between documentary and subjective approaches.

Here, he is represented by cybernetic drawings, documentary photographs and a video that shows him making an inflatable plastic sculpture with his students.

This exhibition proposes to examine a different nexus of video and sculpture, one in which the making and / or history of the object is intimately connected to the video, as documentary or commentary.

From as early as the 1980s, photography and video art have found their place in the German Pavilion, side by side with painting, sculpture and installation: the works of Bernd and Hilla Becher, Thomas Ruff, Candida Höfer, Katharina Sieverding and Rosemarie Trockel — all of them protagonists in the vibrant art scene at the Düsseldorfer Akademie in the late 20th century — were followed by the actions and films of Christoph Schlingensief and Romuald Karmakar, along with the documentary approaches of the Indian artist Dayanita Singh and the South African photographer Santu Mofokeng.

Her installations, performances, sculptures and videos move fluidly between documentary and fiction.

McClodden's interdisciplinary approach encompasses documentary film, experimental video, sculpture, and sound installations.

Wu Tsang's installations, performances, sculptures, and videos move fluidly among documentary, activism, and fiction.

The installation includes novel ways to display poetry and to hear it read; inventive circular islands with video monitors; and steel moiré structures peppered with documentary material that are impressive sculptures in their own right.

Featuring works of various media — painting, sculpture, photography, drawings, and graphic design, as well as video and documentary film — the exhibition offers a story of artistic crossings, collaborations, and, at times, conflicts, with the city as an incubator.

This year's CURRENTS festival exhibitions showcased single channel video, video and sound installation, interactive new media, animation, computer / software modulated sculpture, multimedia performance, experimental and interactive documentary video, Digital Dome projection, art gaming, web art, workshops and panel discussions.

Through photography, video, and sculpture, they present an aesthetically rich installation that questions boundaries between art and religion, aesthetic and documentary practice, and folk and fine art.

Grasso's work incorporates video, sculpture, painting, drawing and exhibition devices, combining documentary, historical and mythological sources as long as they hold aesthetic and fictional potential.

A native New Yorker, Jonathan Calm is a visual artist working in photography and video whose work combines as well as challenges the aesthetic and ideological tenets of architecture, documentary journalism, and sculpture.

Salvatore Arancio's practice, encompassing ceramic and sculpture, photo - etching, collage, video and animation, re-appropriates found images, taking inspiration in 19th century books, geologists» drawings, natural history museums collections, botanical gardens, documentaries and Internet found footage.

The artworks range from sculpture and performance to video installation, plus an extensive video screening programme featuring shorts and experimental documentaries by over 14 artists, including works never before seen in Europe.

In 2016, a video documentary came out, showing times when Burden was risking his life, but also times when his work evolved and became sculpture and installation - oriented.

Materials in the exhibition vary from hand - painted ceramic sculptures, documentary drawings, and frame - by - frame erasures of video images, all intricate material processes that consider found natural and synthetic objects as markers of larger metaphysical questions.