Sentences with phrase «documentas v»

He was invited to exhibit at documentas V, VI, VII and IX (1972, 1978, 1982, 1992) and the Biennale di Venezia in 1976, 1993 and 1999.

His work has been presented worldwide, featured in Documenta V, Kassel, Germany, and at exhibitions in Sao Paolo, Berlin, Zurich, and in the 9th Biennale de Paris.

Career highlights include participation in the Whitney Biennials (1970, 1975, 1991), Documenta V (1972), Lyon Biennale (1997), and Sculpture Project Munster (1998).

My introduction to Szeemann's work and ethos was in the late 1990s, when I worked in the studio of the artists Claes Oldenburg and Coosje van Bruggen, who had met while working on Documenta V as commissioned artist and assistant curator, respectively.

Oldenburg's contribution to Documenta V was The Mouse Museum (1977), an archive of tchotchkes and industrial samples sourced from the wholesalers of New York's East Village.

His best - known exhibitions include When Attitude Becomes Form: Live in Your Head (1969) and documenta V (1972).

Opere scelte dalla Collezione François Pinault,» Palazzo Grassi — François Pinault Foundation (IT), «Notations / Forms of Contingency: New York and Turin 1960 / 1970s,» Philadelphia Museum of Art, Philadelphia (USA), «Zero to Infinity: Arte Povera 1962 - 1972,» Hirshhorn Museum and Sculpture Garden, Washington DC (USA), The Museum of Contemporary Art, Los Angeles, (USA), Walker Art Center, Minneapolis (USA), Tate Modern, London (UK), «Arte Povera,» Toyota Municipal Museum of Art, Toyota (JP), «The Italian Metamorphosis, 1943 - 1972,» Triennale, Milan (IT), Kunstmuseum, Wolfsburg (A), Solomon R. Guggenheim Museum, New York (USA), «The Knot Arte Povera at P.S. 1, MoMA P.S. 1, New York (USA), «Prospect» 68,» Städtische Kunsthalle, Düsseldorf (DE), «Op Losse Schroeven: Situaties en cryptostructuren,» Stedelijk Museum, Amsterdam (NL), «Live in Your Head: When Attitudes Become Form / Works, Concepts, Processes, Situations, Information,» Kunsthalle Bern, Bern (CH); and he has taken part in various international biennales, such as: 39th, 44th and 52nd Biennale di Venezia (IT), as well as VII Biennale de Paris (FR), XII Biennal de São Paulo, São Paulo (BR), Documenta IX and Documenta V, Kassel (DE).

He has participated in Documenta V (1972), VI (1977), and VII (1982), as well as the 2005 Venice Biennale, and the Biennale Sao Paolo in 2006.

He has exhibited and realized commissions all around the world, including participation at numerous international group exhibitions such as the Venice Biennale (1976, 2003, 2004 and 2005) and Documenta V, VI, VII, IX and X (1972, 1977, 1982, 1992 and 1997).

In Friedrichsplatz, Argentinean artist Marta Minujin has recreated a life - sized Parthenon out of banned books, while in the city's former underground train station Nikhil Chopra's film and painted panorama records the vicissitudes of his recent overland odyssey from Athens (where Documenta had another incarnation earlier this year) to Kassel.

For the one hundred days of documenta V in Kassel, from 30 June to 8 October 1972, Beuys established an «Information Office for The Organisation for Direct Democracy», which he manned each day and where he vigorously debated his ideas on social reform.

Quinquennial German exhibition documenta has announced financial executive Sabine Schormann as its new CEO.

Documenta team issues statement defending financial management Earlier this week it was reported (German language article) that this year's edition of Documenta had left the parent company responsible for the quinquennial art exhibition with a deficit of around $ 7 million, and awaiting confirmation of a cash bailout from the city of Kassel and the state of Hesse.

On 8 October, the final day of documenta V, Beuys staged «Boxkampf für die direkte Demokratie» with Abraham David Christian, a Kassel art student.

The large, horizontal vitrine houses the two original pairs of boxing gloves, protective helmet and the boxing ring ropes from Beuys» conceptual «farewell action» at documenta V, a boxing match, between Joseph Beuys (1921 — 1986) and Abraham David Christian (b. 1952).

Although various artworks featured in Documenta have been acquired since 1977, the city does not have a budget for outdoor art.

In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazines.

His nearly forty year inquiry into the relation of art and language has taken the form of installations, museum exhibitions, public commissions and publications throughout Europe, the Americas and Asia, including Documenta V, VI, VII and IX (1972, 1978, 1982, 1992) and four Venice Biennials (1976, 1993, 1999 and 2007).

After 1969, he worked independently, organizing, among other international exhibitions, Documenta V in 1972 and the Venice Biennale in 1980, 1999, and 2001.

Included in Donít Eat My Eagle: Paintings from the 1960ís are works originally exhibited in Documenta V, 1972, Whitney Painting Annual 1968 and1969, Galerie Ileana Sonnabend, Paris, 1965, and Wesleyís first gallery exhibition at Robert Elkon Gallery, 1963.

He travelled to Europe for his first time (1971), was included in the seminal Documenta V curated by Harald Szeemann (1972) and had his first European solo exhibition (Rudolf Zwirner Gallery, Cologne 1973).

When Attitudes Become Form: Works - Concepts - Processes - Situations - Information (1969 - 1970) at the Kunsthalle Bern, Switzerland, and in Documenta V in Kassel, Germany in 1972.

His work was included in the 47th Venice Biennale (1997) and 53rd Venice Biennale (2009) where he won the Golden Lion Award for Lifetime Achievement, the Carnegie International (1985 - 86), the Whitney Biennial (1983), as well as the Documenta V (1972) and VII (1982).

Szymczyk's Documenta has been constructed according to the same idea that motivated, for example, Massimiliano Gioni, the artistic director of the 2013 Venice Biennale: to create an exhibition, one with numerous sites for viewing the art, that «blurs the line between professional artists and amateurs, insiders and outsiders, reuniting artworks with other forms of figurative expression — both to release art from the prison of its supposed autonomy, and to remind us of its capacity to express a vision of the world.»

In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Ficsher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche magazines.

He was included in the 1984 Venice Biennale as well as in Documenta V, VI, VII and IX.

SELDIS, 1972 Seldis, Henry J., «Bizarre «Documenta V» is unrivaled among summer European art surveys», in: Globe - Democrat St. Louis, July 30, 1972.

His works were part of the 47th (1997) and 53rd (2009) Venice Biennials, the Carnegie International (1985 - 86), the Whitney Biennial (1983), as well as documenta V (1972) and VII (1982).

Bursting onto the international scene in 1969 with a solo exhibition at the Whitney Museum of American Art, followed by her prominent inclusion in Documenta V (1972) and Documenta VI (1977), Graves developed a body of work that guides the viewer through her own process of discovery and creation.

In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as «When Attitudes Become Form,» and «Documenta V» and regularly featured in Interfunktionen, Artforum and Avalanche.

Group exhibitions include; Documenta V and VI, Kassel (1972 and 1977), The Whitney Biennial, New York (1969, 1972, 1977, 1979, 1991), the Venice Biennale (1993, 1995, 2003) and the Carnegie International, Pittsburgh (1995 - 1996).

She has been represented at central exhibitions such as Documenta V, VI, VII and XI.

The artist has been represented in Documenta V, VI, VII in Kassel, Germany.

In 1972, Flash Art dedicated an entire issue, on the occasion of Documenta V, with a cover by Hans Haacke.

Included in the collections of the Tate, UK; MoMa, NY; he has exhibited at the Venice Biennale, 2007, as well as Documenta V, VII, VIII, and XIII.

1972 De Europa, John Weber Gallery, New York, US 420 West Broadway at Spoleto Festival, San Nicolò, Spoleto, IT Documenta V, Museum Fridericianum, Kassel, DE

This German artist participated in ground - breaking exhibitions such as «When Attitudes Became Form» (1969) and «Documenta V» (1972).

Pictured: 27 Boxkampf für die direkte Demokratie» at documenta V by Joseph Beuys, 1972.

Since its establishment in 1955, documenta has been regarded as the most important international exhibition of contemporary art.

In a letter to curator Harold Szeeman, Szapocznikow proposes the monumental automobile for Documenta V (1972).

Not exact matches

We have gone through all of Q once and are beginning to go through it a second time, now publishing, at Peeters Press in Leuven, our massive database under the title Documenta Q.

His work has appeared in major exhibitions such as Documenta XII, Kassel, Germany (2007) and Biennial de Sáo Paulo, Brazil (2010), and will be participating in the 6th Yokohama Triennale, Japan (2017); and 21st Biennale of Sydney, Australia (2018).

Her work has been included in numerous group shows including Documenta 9 (1992) and 12 (2007).

Jonas has exhibited, screened and performed her work at museums, galleries and large scale group exhibitions throughout the world, such as: Taipei Biennal; Documenta 5, 6, 7, 8, 11, and 13; the 2008 Sydney Biennial; the 2008 Yokohama Triennial; and the 28th Sao Paolo Biennial.

Her work has been presented at international group exhibitions including the Istanbul Biennial (1995); the Gwangju Biennale (1995); the Lyon Biennial (1993); the 8thBiennale of Sidney (1990); Documenta 8, Kassel, Germany (1987); the Whitney Biennial, Whitney Museum of American Art, New York (1983); and Documenta 6, Kassel, Germany (1977).

Her work has been exhibited at the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; Jeu de Paume, Paris; and Haus der Kunst; Munich amongst others, as well as important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy.

He represented Austria in the 1990 Venice Biennale and has been included in many important exhibitions, i.e. «Westkunst», «Sculpture Project — Muenster», «Aperto 1988», «Zeitlos», «Metropolis» as well as this year's «Documenta IX»

He has participated in major group shows such as the Venice Biennale (1982 and 1986) and Documenta 8 (1987).

Pettibon has also participated in a number of important group exhibitions such as the Whitney Biennial (1991, 1993, 1997, and 2004), the Venice Biennale (1997 and 2003), Documenta XI (2002), and SITE Santa Fe (2004 and 2010).

Lawler's work has been featured in major international exhibitions including the Whitney Biennial, New York (2008, 2000, and 1991); documenta 12, Kassel, Germany (2007); and the 10th Biennale of Sydney (1996).