Or, quite simply, he is
documenting modern culture — highlighting what has changed, in contrast to some of the classic paintings featured in the background.
Not exact matches
The bible is a collection of
documents spread over a thousand years that itself is over 2,000 years old from an ancient
culture no longer extant, and therefore should not be solely relied upon for a rule book for
modern ethics.»
The Vatican II
document on the «Pastoral Constitution of the Church in the
Modern World» has been of crucial significance in the ecumenical approach of a positive character to the redefinition of the forces and values of secular culture within the context of Christian faith and ethics, themselves renewed in the modern co
Modern World» has been of crucial significance in the ecumenical approach of a positive character to the redefinition of the forces and values of secular
culture within the context of Christian faith and ethics, themselves renewed in the
modern co
modern context.
CONCLUSION On the Way to Life has identified some of the features of
Modern and post-
Modern culture that we need to take account of in revitalising our religious education and catechesis, but the
document is insufficiently critical towards Modernity, insufficiently aware of our need to challenge its pretensions.
Historical
documents (i.e. Chinese and Indian
culture documented for many centuries) are still
documented evidence and aren't easily falsifed like
modern reports typed up on a computer.
«Austronesian
cultures offer an ideal sample to test theories about the evolution of religions in pre-
modern societies, because they were mostly isolated from
modern world religions, and their indigenous supernatural beliefs and practices were well
documented,» he says.
By
documenting the
modern Jewish experience while retaining links with its rich past, it provides users with information about all aspects of Jewish religion and
culture.
Featuring exhibits
documenting the full spectrum of the country's history, visitors can see artifacts from the long millennia of Maya rule, items from the early days when Belize was a pirate haven, cats o» nine tails and chain balls from colonial times when the building was a prison, and special displays about the distinct
cultures and peoples in
modern Belize.
The iconic developer has been embroiled in controversy this week, after leaked design
documents from inside Boss Key suggested that Radical Heights was originally intended to feature a generic
modern military setting but was changed to «x-treme» 1980's
culture at the last minute on Bleszinski's insistence.
She is the author of more than 30 books and innumerable articles on
modern and contemporary art and
culture, including About Rothko (2003), The New York School: A Cultural Reckoning (1992), A Joseph Cornell Album (1989), Yes, But: A Critical Study of Philip Guston (1976), On Art:
Documents of 20th Century Art (with Pablo Picasso, 1973), and Rauschenberg: XXXIV Drawings for Dante's Inferno (with Robert Rauschenberg, 1968).
Featuring: Amna Asghar, Dana Davenport, Umber Majeed, Tammy Nguyen, Ke Peng, Sahana Ramakrishnan, Sheida Soleimani Amna Asghar speaks on the construction and translation of disparate references,
cultures, geographies, and generations from Pakistan and America; Dana Davenport addresses the complexity of interminority racism within her own community and institutions from her experiences as a Black Korean American; Umber Majeed's practice attempts to unpack the temporalities within South Asia as site, familial archival material, popular
culture, and
modern national state narratives; Tammy Nguyen interrogates natural sciences and non-human forms to explore racial intimacies and US military involvement in the Pacific Rim; Ke Peng
documents the feeling of alienation and disorientation from urbanization and immigration by taking a journey into an imagined childhood in China, Hunan, where she was born and Shenzhen, a
modern city where her family relocates to; Sahana Ramakrishan explores myths and religion from Buddhist and Hindu tales to speak upon the magic of childhood and the power dynamics of sexuality, race, and violence; Sheida Soleimani is an Iranian - American artist and a daughter of political refugees, making work to highlight her critical perspective on the historical and contemporary socio - political occurrences in Iran.