Sentences with phrase «documenting public art»

Not exact matches

Their estimated net worth was revealed earlier this year in public filings that document the couple's assets, including a $ 25 million art collection, and income from the Ivanka Trump lifestyle brand and various investments.

The EOCEP encourages instruction in the specific academic standards for the courses, encourages student achievement, and documents the level of students» mastery of the academic standards.To meet federal accountability requirements, the EOCEP in mathematics, English / language arts and science will be administered to all public school students by the third year of high school, including those students as required by the federal Individuals with Disabilities Education Improvement Act (IDEA) and by Title 1 of the Elementary and Secondary Education Act (ESEA).

Spanning the colonial era and early statehood, Magnolia Mound's collection of furnishings and decorative arts include one of the foremost public groups of Louisiana - made objects, in carefully restored and documented settings.

It both brought him to the attention of a wider public at a time when Abstract Expressionism still held sway in the eyes of the New York art world, and it documented, step - by - step, his transition from abstraction to figuration.

Artists» Sessions at Studio 35 (1950) and Subject Matter of the Artist: Writings by Robert Goodnough, 1950 — 1965, edited by Helen A. Harrison (Soberscove Press booth)($ 10 each)-- Reprints of two classic books documenting the world of the New York School of art, the Chicago - based Soberscove Press has done us all a favor by making these small books available to a wider public.

Also well documented is the outrage and derision the exhibition's more outré selections elicited from the public, turning the show into a succès de scandale and inspiring observers and critics to predict the untimely death of art.

The idea is to make the country's vast collection of publicly owned art as accessible and well documented as possible by digitising as many works as it can, as well as encouraging opportunities for public participation.

The exhibition, which will be held at the Museum of Contemporary Art, Andros, through September 26, 2010, will feature a total of 76 works, including 42 sculptures, 34 drawings and preliminary sketches, and a series of photographs documenting stage sets designed by the artist for various performances, as well as public works realized across Europe, Asia and the United States.

An eponymous new show, opening tomorrow at Boston's Institute of Contemporary Art, represents the first full North American survey of his practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».

In a video at the LISTE Art Fair, the American artist debuted a video documenting her ghoulish quest to open the Mexican icon's archives to the public.

Today, Fernandes is in Hamilton, documenting his first major solo museum show at the public art gallery here, which opened in June.

This video documents a part of the performance that Jason Moran and Alicia Hall Moran in collaboration with Brandon Ross presented at the opening night of Art Basel Miami Beach's Art Public program.

With this video, we document Christian Falsnaes «performance on the Art Basel Miami Beach Public Opening Night on December 3, 2014.

For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminating in the publication of a substantial book documenting the project produced by Dia Art Foundation.

Meg Shiffler presented several past and future projects that she organized at the San Francisco Arts Commission Gallery that highlighted local communities or sociopolitical circumstances such as the yearlong engagement (exhibitions and public programs) around the fact that San Francisco is a «Sanctuary City» and is defiantly refusing to comply with the Trump administration's request for personal documents related to its immigrant populations.

Taryn Simon's exhibition at the architecturally distinguished Milwaukee Art Museum offered up a generous and inquisitive photographic archive that spanned ten years and three distinct projects: «The Innocents,» 2002, portraits of people wrongfully convicted of violent crimes; «An American Index of the Hidden and Unfamiliar,» 2007, images of sites and holdings generally inaccessible to the public; and «Contraband,» 2010, a series that documents, with clinical precision, items seized over a given week from airline passengers entering the United States.

His work first came to the public's attention in the 1967 landmark exhibition curated by John Szarkowski, New Documents, at The Museum of Modern Art, New York, alongside that of Diane Arbus and Garry Winogrand.The many exhibitions devoted to his photographs since that time include a major traveling retrospective organized by The Museum of Modern Art in 2005.

Documents relating to John Biggers» work as an artist and arts advocate include planning and promotional material from a number of public exhibitions of Biggers» work as well as handwritten research notes on African art; financial documents about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University inDocuments relating to John Biggers» work as an artist and arts advocate include planning and promotional material from a number of public exhibitions of Biggers» work as well as handwritten research notes on African art; financial documents about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University in Houstart; financial documents about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University indocuments about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University in HoustArt Department at Texas Southern University in Houston.

As part of ACA Public, a new publishing initiative exploring the multifaceted nature of the public realm, Askeaton Contemporary Arts have reissued Carson's original artist book of documents and letters, alongside an interview with him and new recollections revealed by Bernie McAnaney, Carson's guardian on thaPublic, a new publishing initiative exploring the multifaceted nature of the public realm, Askeaton Contemporary Arts have reissued Carson's original artist book of documents and letters, alongside an interview with him and new recollections revealed by Bernie McAnaney, Carson's guardian on thapublic realm, Askeaton Contemporary Arts have reissued Carson's original artist book of documents and letters, alongside an interview with him and new recollections revealed by Bernie McAnaney, Carson's guardian on that day.

Over a period of seven weeks workshops took place both in the classroom and at exhibition venues throughout the city working with artist Alice Maher, concluding in a public workshop at Limerick City Gallery of Art, which is documented here.

At the urging of his close friend, the artist Paul McCarthy, Puusemp gathered newspaper clippings, letters, and public notices that chronicled the Rosendale project, publishing them as a single volume titled Beyond Art — Dissolution of Rosendale, N.Y.. Now, in an exhibit titled «Against the Romance of Community,» the Swiss Institute explores those documents alongside other artworks focused on how communities behave, interact, and identity themselves.

Additionally, this event includes the launch of To Make a Public: Temporary Art Review 2011 - 2016, a selected anthology of the first five years of the online publication and a catalogue of the related exhibition Document V celebrating the same benchmark, recently published by Institute for Connotative Action Press.

«The Original Copy: Photography of Sculpture, 1839 to Today,» at the Museum of Modern Art, 11 West 53rd Street, through November 1, moma.org This stunner, organized by MoMA photography curator Roxana Marcoci, may be the surprise star of the summer, assembling dozens of works that document other pieces, from Lee Friedlander's snapshots of public monuments to Robert Mapplethorpe's iconic portrait of the late Louise Bourgeois with a large sculptural phallus tucked under her arm.

Co-organized by the Art Institute of Chicago and the Los Angeles County Museum of Art (the show travels to the former in October and the latter in February), the exhibition amasses some 300 works from public and private collections in Europe and the United States, including paintings, photographs, film, documents, and ephemera.

Its collection of 7,000 works of art, artifacts and ephemera documents nearly the entire history of the literary, artistic, military, enslaved, and free lives of Black people in America and inspires a range of exhibitions and public programs and events.

Commissioned by Creative Time, the temporary public art installation was documented by Google's Streetview team and is now a part of its Google Art Projeart installation was documented by Google's Streetview team and is now a part of its Google Art ProjeArt Project.

Edited by Temporary Art Review founders Sarrita Hunn and James McAnally, To Make A Public offers a singular lens into broader eruptions in artists» publishing and artistic practice over the past five years as a primary document of our moment through the collected writings of artists, curators, activists and critics.

To Make a Public: Temporary Art Review 2011 - 2016 is a selected anthology of the first five years of online publication Temporary Art Review and a catalogue of the related exhibition Document V celebrating the same benchmark.

As co-curator of street art exhibition and Prospect P. 3 + site ExhibitBE, Lydia researched and documented the history of the blighted apartment complex in which the work was created to guide the curatorial process, managed community programming and daily operations, and, after the exhibition closed, coordinated the #PaintWhereItAint Tour through which several ExhibitBE artists traveled across the southwest United States to collaborate with artists in other cities on community - centered public art projects.

We, The Students for a Free Cooper Union — having received innumerable solidarity documents from Cooper Union faculty, the School of Art student council, the School of Architecture student council, The New School, and individuals from around the world; and a public signing of such a document — renounce President Bharucha, his administration, and their authority.

2012 Untitled, Miami Beach (Steve Turner Contemporary) Mythology Online, Polytechnical Museum, Moscow Wet Paint 4, Steve Turner Contemporary, Los Angeles Brand Innovations for Ubiquitous Authorship, Higher Pictures, New York [Internet Art Future]-- Reality of Post Internet Era, NTT InterCommunication Center, Tokyo Ghost in the Puka Shell, CourtneyBlades, Chicago Astral Projection Abduction Fantasy, Monster Truck Gallery, Dublin BYOB MOCA LA, Museum of Contemporary Art, Los Angeles Point Éphémére, Nouveau Document, Paris Public Access, Living Space Internet Café, London Grunge Texture, XPace, Toronto

This recent series culminates Rhode's well - known work engaging the public through cooperative visual and performance art, documented through c - print photographs, at a wall in Johannesburg where he and his team have worked since 2011.

The sequence of immaterial documents from the Teche Rai archives combined with the materiality of paintings, sculptures and installations l develop in three separate sections and analyze the relationships between Italian public television with visual art, politics and entertainment.

The dissemination and purchase of MOCA catalogues provides lenders, collectors, artists and the public an archival document that in turn supports art and art education.

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Its stated mission is to «research, document, protect and perpetuate the creative legacy of the artist» and «promote awareness of and knowledge about the art of Sam Francis to the public through education and information.»

For example, his Gramsci Monument, a major public artwork installed during summer 2013 with the help of residents at Forest Houses, a New York City Housing Authority development in the Bronx, New York, culminated in the publication of a substantial book documenting the project produced by Dia Art Foundation.

The following documents related to FAMSF Board of Trustees meetings are available on the Fine Arts Museums» page on the City and County of San Francisco website http://sfgov.org/finearts or by clicking on the PUBLIC NOTICES link under the About menu.

As well as offering insights into the ideas and working practices of some of Britain's most acclaimed artists, the film also documents the often - uncertain public response to abstract art and considers the legacy of the artists today.

One produced by British Petroleum (BP — then known as the Anglo - Iranian Oil Company) documents the company's operations in Iran beginning in 1908 and ending with the nationalisation of the oil industry in 1951; the other the collection of modern Western art acquired by the Tehran Museum of Contemporary Art during the late 1970s and withdrawn from public display for twenty years following the Islamic revolution in 19art acquired by the Tehran Museum of Contemporary Art during the late 1970s and withdrawn from public display for twenty years following the Islamic revolution in 19Art during the late 1970s and withdrawn from public display for twenty years following the Islamic revolution in 1979.

This year the arts have been subject to a double squeeze — big falls in business contributions to the arts (making the renewal of BP's sponsorship deal with Tate even more contentious) coupled with the much documented cuts to funding from the public sector, despite this visitor numbers at galleries have remained stable, highlighting that there is still much to celebrate.

While any portrait is both a document and a personal record of the relationship between the artist and his or her subject, blurring distinctions between public and private, portraits of artists further enrich the situation; they commemorate and concretize the intimate social dramas of the art world and the economies of exchange.

Dedicated to exploring the veracity of photographic and video documents in the public realm, the role of memory and narrative within discourses of conflict, and the construction of histories of art in the Arab world, Raad's work is informed by his upbringing in Lebanon during the civil war (1975 — 91), and by the socioeconomic and military policies that have shaped the Middle East in the past few decades.

474: document work space, an exhibition resulting from a collaborative project between the Institute of Art, Design and Technology and the Irish Museum of Modern Art, opens to the public at the Drawing Project Gallery, DúnLaoghaire, on Friday 28 March 2014.

However, the requirement to disclose relevant documents in litigation or to public authorities is limited by Legal Professional Privilege (LPP), which has long been established in the common law and, more recently, as a fundamental human right protected by the right to privacy under Art 8 of the European Convention on Human Rights.

They understand that a public decentralized ledger like the blockchain is ideal for cataloging and storing original works of art, documents, manuscripts, photographs and images, away from any central authority.